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Shine a Little Love - Electric Light Orchestra

The Lux of Love - ABC

Luminol - Steven Wilson

Flash - Queen

Well the Laney has gone back and im really getting in to the NUX. Im surprised at how useful the IR part is.

Torch - Soft Cell

They use 6 ohm drivers in the 6x cab, a pair of them in series would explain the 12 ohm option. But you can't wire them to get 4 ohms from a 2x, only from the 6x.

Very cool, congrats, I don’t really know much about mustangs, could it have been Olympic white looking at the neck pocket and under the neck plate but there’s no paint stick mark so not sure

Hi Steve. Yes my family journeyed to Cornwall 5 years ago and indeed the beaches are lovely. It seems the days of haggling on the price of used gear in larger stores is now in the past. PMT(RIP) used to be generous in that regard as was Guitar Guitar. I found the 735a pretty capable and well put-together from my limited experience of noodling in shops including the Wardour Street main store but I prefer the looks of the previous 425/1025. The latter however as I'm sure you know features not a pickup blend knob but a 3-way toggle switch which may matter to some. I'm actually relieved the AFR5 has gone to be honest as I can now stop staring at a bass I never needed in the first place 😂 Take care mate...

I think they were sold in both 4 and 12 options, with the kit being available in case at a later date a change was wanted, be it to add in more cabs (4 to 12) or downsizing so get max power to one cab (12 to 4).

That looks lovely, Kincknack! Competition burgundy is currently in production on the Vintera II 70's Competition Mustang - as you can see from the covered portions of your bass, when it ages it turns purple. It starts off as a teal blue, but with a slight burst from a subtle purple around the outer edges of the body. You can see it on mine from the second in-case picture in artificial light.

Another day another gig, thank goodness. I do love it With my duo; guitar/vox, bass/vox and programmed drums. PA is two RCF 310's and floor monitors also two RCF 310's. Last night's lesson was just how awkward room resonances can be. The space was a social club in Wincanton which was an old chapel, Really nice open space with decent ceiling height and good proportions but our space was in what was an opened out side room around 3m high 4m wide and maybe 8m deep and a real bass trap. No eq needed for the FOH which sounded like it always does but the bass on the monitors was really overpowering. I kept edging it down, upped the HPF from 40hz to 50hz and ended up turning the bass down 16db in the mix. Given that the bass eq on the monitor is already shelved by 9db below 90 Hz. I think 16db just to compensate for the room resonance is remarkable. I should have cut by more and boosted the mids on the bass maybe but that's hard to do mid gig. Of course in-ears would have meant no problem and FOH was unaffected. I have to confess that I find singing easier with floor monitors

So is 4 the default Lozz? And what would the advantage be of a 12 - you could hook up more speakers to your amp?