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Dear Angie - Badfinger
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Being Gig Fit (Like Match Fit in football)
Norris replied to Chienmortbb's topic in General Discussion
So do I, which is why I have an app on my tablet and a Bluetooth connected bike. I'm always trying to beat my time or trying to overtake someone or trying not to be overtaken. It takes your mind off the tedium. It's like when I was younger I hated running (still do), but put a map and compass in my hands and I was actually quite good at orienteering as it turned out - 3rd in the county for my age class one year -
attackbass started following Low B clarity
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I find on my Spector LT5 a good setup, good intonation and a lighter gauge string... I user a .125 Dunlop super bright gives me a lot of clarity and note all the way across the neck. I find not cranking the bass on the preamp or amp also helps and also a lighter touch helps bring more note out of the string.
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What do you feel the current pickups are missing?
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I hear these two are quite similar - my new classic vibe has SDs, but I'm just wondering were if it'd be worth me upgrading to the Gzrs for recording heavy rock/proto heavy metal tones, or should I save my money and stick to the SPB1s? Apparently the only difference between these and the Gzrs is that the latter has a bit more of an upper mid push....just wondering if I can just tweak the amp/od pedal EQ, or would it not be the same?
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The letter - Joe Cocker
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Really digging Alpha & Omega at the moment, can't get enough of this album...
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Being Gig Fit (Like Match Fit in football)
chris667 replied to Chienmortbb's topic in General Discussion
And I'm the opposite to you! when I'm about to play I spend 20-30 minutes doing scales and noodling, but no practice of the set on the day. All told, l average about 7 hours a day of whatever I'm working on on normal days though. -
Soundcraft Signature 10 mixer for sale, excellent condition, all features and signal paths working Until recently my recording interface with my PC - via the USB connection which gives 2-Track capability. Loads of useful features: Six mic inputs with switched phantom power High pass filters Limiters on Channels 1 & 2 HiZ inputs for instruments on Channels 3 & 4 Three band equalisation with swept mid band Channels 5/6 and 7/8 can be used as stereo inputs or returns Channels 9/10 act as return from the PC when using it as a recorder Built-in Lexicon effects Two Aux sends, switchable pre/post fader as well as the FX send buss etc. etc. All in all a high level of functionality with a very user-friendly interface Pickup from Uxbridge area, or I will post at cost.
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hey Chadu, how do you find the Black Panel DI out sound? Does the analogue cab sim complement your other pedals further up the chain?
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Thanks Frank, it has to be done, you can never have enough of those 2 classics
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Laney Nexus SLS 112 Bass combo for sale. Great sounding 500 watt 1x12 combo with built in Compression, Octave, Chorus, Reverb and a host of other gizmos. It's been gigged but always looked after. Very good condition except a couple of small scuffs on the tolex. Collection and inspection from Downend in Bristol preferred due to size but delivery possible at buyers cost and risk. Plenty loud enough for rehearsals and pub gigs. Specs from Laney are here https://www.laney.co.uk/discontinued/nexus-sls112 Item dimensions: 461mm x 435mm x 400mm (HWD) Item weight: 19.5kg 500 W Class D + tube hybrid power stage 2 x ECC83 Preamp tube Touch Tuner out Headphone socket - Stereo Jack, independent Volume & Source selector FX Loop Pro DI - selectable Pre, Post or Output FS4-NSL available separately 1 x Twist connector On-board Bass effect ECC83 Preamp tube 500W into 4 Ohm 3 Band EQ with Swept Mid 4 pre-set EQ shapes 1 x 12" Neodymium Driver & 1" Exit Compression Driver Single channel Class D + tube hybrid power stage
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An absolute banger Reg.
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briansbrew started following Fender Precision Bass Special 1980
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Ibanez Articore AGB 200 TBR 'ArtCore' semi acoustic bass
petecarlton replied to eubassix's topic in Basses For Sale
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As is traditional. both seasonally and on this fabulous thread, I have been listening to these two classics from Third World...
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I would say no. That bridge P will be next to useless other than to add the thinnest of flavours to something else. I built this a few years ago, interesting experiment but, in the end, there wasn't really anything in it I couldn't get close enough to from the likes of a L2000. Unless, of course, you're just playing solo in the bedroom and are feverously chasing microtonal changes. In a mix, nobody will notice how clever your pickup choices are 😄
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Brian18242 started following Babicz 4 string bridge chrome
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Yes it’s great amp. I had the ABM500 Evo 1 and now the Evo 2. Love the Ashdown tone.
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That will tend to remove the fundamental from every note from C on the A string downwards. In practice even with the steepest of filters there will be enough of the fundamentals present on all the notes down to low B for your brain to be able to use the non-filtered harmonics to properly detect the pitch of the notes being played.
- Today
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Bassline needed: Lose it by Ben L'oncle
Reggaebass replied to solo4652's topic in General Discussion
Hi, I don’t know the song at all but if it’s any help looks like the chords are on chordify, I’ll try a link https://chordify.net/chords/ben-l-oncle-soul-songs/lose-it-chords -
If you want to design an amp driving into 2ohm loads then the first thing you'd need to do would be to double the power supply unless you are prepared to see the power produced by the amp limited by the current available. You'd also need to considerably beef up the heat sinking, although the basic design of most of the amplifier module would remain the same you'd also need to increase the power handling of the output componets to survive the extra current they would be carrying. There would be considerable expense involved in doing this right and it might well add 30-50% to the cost of production for an amp that would only appeal to a limited market. It's significant that historically a lot of 1,000W amps run parallel output stages mainly because it is as cheap or cheaper to do this than to create a 2ohm amplifier. A big beefy power supply does add funcrtionality to any amp and a well specified supply is worth having as it will also improve performance at 4ohms, to an extent you get what you pay for and power supplies are roughly as costly as amps, sometimes more so. An amp might well be advertised as 2ohm stable but if the output remains the same or is even reduced at 2ohms compared with 4ohms then what is the point?
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IEM Conundrum ....... possible solution??
David Morison replied to Pirellithecat's topic in PA set up and use
Yup, that's exactly it 👍 -
Being Gig Fit (Like Match Fit in football)
Stub Mandrel replied to Chienmortbb's topic in General Discussion
On average, more than that.