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  2. Fabulous cabs. I had the 12”. Sound great., impeccably made and light as. GLWTS.
  3. ATS LBA-5 MKIII boutique bass amp, condition as new. 2 channels and 600W @ 4 Ohm. Only 1.9 kg. Including original gigbag.
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  4. Oh, if only it was a 5 string boy I'd be straight on it ! Lovely looking bass
  5. I've had mine for about an hour now. My first impressions..... where have all the bass and treble frequencies gone.? My signal chain. Passive Serek Midwestern 2 five string. Dunlop flat wound strings. AEA active DI. Midas MR18 Presonus Air10 & Air15 sub. I've tried so many preamp di pedals that I've almost given up. I prefer going straight into the mixer with a high quality transparent active DI. I usually use an AEA active DI with just a little eq boost ( 3-4db ) around 80hz and 2khz. Also HPF around 50hz. The Presonus PA is an entry level system with a defused sound that is just ok. No matter what I did the Fifteen just sounded wrong. Bass was lacking and the treble was dull. Of course that is exactly what the B15 sounds like. I took a break and came back with fresh ears. This time I used headphones connected to the Midas MR18 and I finally got the idea. It sounds like you are playing through the Ampeg B15, a fabulous vintage sound. The pedal feels very responsive and the sound reacts to how hard you play just like a real amp. I think through my Presonus PA the sound is a little lost. But with a better PA or while recording or using headphones the sound is very amp like. I'm going to spend all of tomorrow morning playing with the pedal with backing tracks of our set. This should give a better idea how it sits in a mix. I'm sure it will sound great. If not it's going back to Andertons.
  6. Bought an amp cover from Matt. Everything was nice and smooth and item exactly as described. Thanks Gerry
  7. Dirty Diana - Michael Jackson
  8. ...and how long would it take you to knock me out two complete sets for my bi-amped quartet of cabs please? Five quid for labour? Heeheehee. Nah. I think that's a lovely personal touch. TE green has always been eye catching. Green Kwackers too, of course. Have you checked what they look like under UV?
  9. Here's a rough comparison clip. GS then BR, first alone then through the B15 IR of the Cabzone. (So GS, BR, GS with sim, BR with sim.) Apologies for any artefacts in the recording; I think my computer is on the blink. B15 clips.mp3
  10. Immaculate with all packaging. Works great for bass and as a volume/growl pedal. Awesome for pushing tubes into super saturation. Kick your playing into high gear with Spark Booster, a pedal rocking a completely clean boost and heaps of extra features for a world of tone. A whopping 26 dB of boost Gain knob for added grit and dirt Active EQ and toggle switch for precise tonal shaping Kickstart Your Tone With a full 26 dB of boost, Spark Booster delivers the juice you need for highlighting solos and nailing that killer lick or riff. There’s So Much To Gain The Gain knob allows you to add just a hair (or heaps) of dirt to your tone vastly expanding your tonal palette. The active 2-band EQ function as a powerful set of tone shaping tools allowing you to sculpt your tone with unprecedented precision. Total Tonal Control The active 2-band EQ function as a powerful set of tone shaping tools allowing you to sculpt your tone with unprecedented precision. The mid-shift toggle allows Spark Booster to focus and amplify all those juicy mid-heavy frequencies that make guitar so great, allowing you to cut through any mix. Less Product Type Effects Pedal Subtype Booster pedal Type Highlights Mini Size Effect Type Booster Included Effects Overdrive, Boost, Booster, Compression Modeling Capability No Multi-Effect Capability No Number of Effects 1 Effects Controls Gain knob, Toggle switch Footswitch Compatibility Seamless switching from latch to momentary Effects Output Level 26dB of boost EQ Treble, Bass Tone Highlights Treble, Bass, Mid Tone Character Clean boost Voicing Mid boost setting, Clean mode, Fat voicing Inputs Standard ¼“ jack – mono/TS Outputs Standard ¼“ jack – mono/TS Audio Processing Highlights Gain Control, EQ, Volume Control Color White Design Highlights Low-profile enclosure Dimensions 0.00 INH (width) Weight 2 kg Number of Channels 1 Performance Highlights True bypass Stereo/Mono Mono Noise Floor Zero high-end loss (when pedal is off) Instrument Type Guitar Typical Genres Blues-rock Top Use Cases Live performance Typical Users Guitar Player Power Source Battery Battery Type 9V Voltage 9V Power Usage 16 mA (current draw) Configuration Pedalboard Housing Material Die-cast metal Included Accessories Original box Logo TC Electronic
  11. Yet many of those plans are pretty poor when compared with established quality commercial designs. That’s been my experience overall. Economies of scale regarding quality commercial conditions makes it very difficult to build for less cost, especially if considering the used market.
  12. £399 before I try the 'Bay.
  13. Indeed it does, if you want it to look nice.
  14. Walnut every time. I cannot abide Antigua as a finish. I guess it represented a bass that was ridiculously heavy when it first appeared.
  15. Immaculate, as new, never gigged with all original packaging. Sublime British fuzz pedal with very cool Octaver built in. The Fur Coat is a bold, vintage-style fuzz pedal inspired by the great sustain and saturation of early-70s Foxx Tone Machine. Thick, aggressive, and full of character, it nails the woolly textures of classic fuzz while offering modern flexibility. A switchable octave-up adds a ripping edge to solos, while the active EQ helps you cut through or scoop out mids. Whether you want spitting chaos or smooth sustain, the Fur Coat delivers. It runs on standard 9 V power but sips current, making it perfect for modern pedalboards. Put it first in your chain and prepare for full-bodied, retro fuzz furry fury with a twist. Full Specification Controls (Left to Right) Volume, EQ, Octave, Fuzz Current Draw 9V: 3MA12V: 5MA Stomp Functions Activate Octave, Activate Fuzz Unboxed Dimensions (W x L x H) 9.5 × 6.5 × 13cm (3.7 x 2.6 x 5.1″) Unboxed Weight 524g (1.15 LBS) Boxed Dimensions (W x L x H) 11.4CM x 14.8CM x 8CM Boxed Weight 722g (1.59lb)
  16. Dirty Boy - Cardiacs
  17. Sick Things - The Meteors
  18. Ive got so many flats in a box as that’s all I use, I’ve been using labella LTF’s for years, and recently got some labella Olinto, but I’d really like to try these Pino ones, how do they sound and feel
  19. Immaculate, never gigged, with all original packaging paperwork and power supply. Fantastic quality little do-it-all box. Features at a Glance Feature List 75 effects, including distortion, compression, modulation, delay, and reverb Up to 5 effects can be used simultaneously, chained together in any order 100 memory locations (10 banks of 10) for the storage of user-created patches Swap function makes patch organization a breeze Auto Save function for automatic saving of all patch parameters Pre Select function allows silent patch selection while keeping the current patch operational Onboard chromatic tuner supports all standard bass tunings Looper feature for the recording of up to 30 seconds of CD-quality audio with seamless start and end times 68 built-in rhythm patterns which can be used in conjunction with the Looper Standard ¼" input jack accepts standard cable (both active and passive instruments supported) ⅛" auxiliary input jack for connection of personal music players Output jack for connection to amp or headphones Backlit LCD with contrast control for easy viewing in low-light environments Lightweight and small enough to fit in your gig bag Easily integrated into any existing pedalboard Runs on 4 AA batteries, with alkaline battery life of 20 hours USB port for power and firmware updates Optional AC adapter Specs Number of effects: 100 Number of simultaneous effects: 5 Number of patch memories: 100 (10 banks of 10) Sampling frequency: 44.1 kHz A/D conversion: 24-bit, 128× oversampling D/A conversion: 24-bit, 128× oversampling Signal Processing: 32−bit floating point & fixed point Frequency characteristics: 20Hz – 20 kHz +1 dB, -6 dB (into 10 kΩ load) Display: Backlit dot matrix LCD Input: Standard mono ¼" phone jack Rated input level: -20 dBm* Input impedance (line): 470 kΩ Aux in: Mini stereo (⅛") phone jack Rated Input Level: -10 dBm* Input impedance (line): : 1kΩ Output: Standard stereo (¼") phone jack Maximum line output level: +2 dBm (output impedance load of 10 kΩ or more) Maximum headphones output level: 17 mW + 17 mW (into 32Ω load) S/N (input conversion noise): 119dB Noise floor (residual noise): -97 dBm* Battery type: AA size (LR6) battery x 4 Continuous battery operation time: 20 hours when using 4 AA alkaline batteries AC adapter (optional): DC 9V center-negative, 500 mA (Zoom AD-16) USB: Firmware update, bus power External Dimensions: 154.8mm(D) x 146.0mm(W) x 43.0mm (H) Weight: 380g (without batteries) * Note: 0 dBm = 0.775 Vrms
  20. Touch Me, I’m Sick - Mudhoney
  21. There’s a bunch of Harley Bentons in different designs for your budget. The Mustang alikes are good, especially since the switch upgrade. The J pickup is not as powerful as the P (not unusual in budget basses of any make), but the whole thing makes for a good upgrade chassis (an EMG GZR set would be perfect). https://www.thomann.co.uk/short_scale_basses.html?manufacturer[]=Harley Benton&gk=GIEBSC&sp=solr_b&cme=true&filter=true
  22. Today
  23. Immaculate, barely used, still with packaging and protective film. Surplus to requirements. Features 2-in/2-out USB audio interface Everything you need to capture studio-grade vocal and instrument recordings The best performing mic preamps the Scarlett range has ever seen, now with switchable Air mode to give your recordings a brighter and more open sound Supported in use with USB-C iPad Pro One high-headroom instrument input to plug in your guitar or bass High-performance converters enable you to record and mix at up to 24-bit/192kHz Two hum-free balanced outputs provide clean audio playback With our Quick Start tool, it's now easier than ever to get up and running Comes complete with a software suite and a free 3-month Splice Sound subscription with new Splice accounts Comes with 3-year warranty from Focusrite Specifications Connectivity: USB Type-C Protocol: USB 2.0 Form Factor: Desktop Simultaneous I/O: 2 x 2 A/D Resolution: 24-bit/192 kHz Number of Preamps: 1 Phantom Power: YES Instrument Inputs: 1 Line Inputs: 1 Analog Outputs: 2 TRS (Balanced) Headphone Outputs: 1 Bus Powered: YES Dimensions: 43.5 X 143.5 X 95.8 mm
  24. Let us know what you think. I was tempted but they sounded really bright from the vids I watched. I really like the Super Polished so the fact these were more grippy put me off - be interested to know what they feel like too.
  25. Fret sensing seems to be the preferred method at the moment. Alternatively have a look at the Roland V-Bass system which is based around modelling to process the audio output of the individual strings.
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