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Posted
On 31/08/2025 at 09:14, Geek99 said:

I agree, if I can’t hear myself Theres no reference point and also no pleasure 

 

Edit I like to think “I’m doing that and it sounds amazing”. I watched a phone recording of myself, an acoustic guitard and a talented female singer. I sounded loud to me, but was inaudible on the phone. She’s always telling me to turn up, maybe she’s right 

 

I get that phones don’t always capture bass well but you usually get something 

Our last gig I had to wear headphones to hear myself at all on the phone recordings, even when it was a bass solo

Posted
15 hours ago, MacDaddy said:

Well that was eventful.

 

I'll write more tomorrow.

 

It's not going to be a reprise of the "Would you be in a band with a bigot?" thread is it?

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Posted
23 hours ago, MacDaddy said:

Well that was eventful.

 

I'll write more tomorrow.

 

 

Electrick Soup @ Ram Jam Records, Kingston.

 

Ram Jam Records lives inside The Grey Horse pub in Kingston. A charming spot, if you enjoy one-way systems designed to punish mistakes. There’s no parking out front, so you sneak in through the side streets. Take a wrong turn and you’re sent on a sightseeing tour of Kingston. I took the wrong turn. 😖

 

We were last on, 9:25pm, so naturally soundcheck was scheduled for 5:30pm. Parking restrictions in Kingston run until 10:30pm, so I left the car a mile away. Halfway back to the pub, I realised my wireless bugs were still in the car charging. Back I went. By then it was 6:20pm, so I abandoned the rules and parked half a mile closer in a 6:30pm restricted zone. A calculated risk.

 

When I finally got inside, the band were already soundchecking. I joined without pedals, without tuning, and straight into the house amp — a Hartke KB12. Perfectly serviceable. Loud enough, no complaints. I was the only one who used it. 

 

One of the bands had cancelled, so it was three in total. Two covers, one originals. The organisers were great, the onstage mix was fine, and the audience — small but enthusiastic — seemed happy. 

 

Mainly 90s covers, nine songs in, we attempted “Mama Told Me Not to Come.” The arrangement confused us, and the audience. The applause was replaced by silence. We clawed back some dignity with “Connection,” but “Mrs Robinson” had to be restarted because one guitarist couldn’t hear. Three more songs survived, then his amp gave up completely. Four songs left on the list, plus two for an encore. None played.

 

The amp’s valves have since been replaced, so tomorrow’s gig should, in theory, last the full length.

 

Shuker 3 -> Getaria wireless bugs -> Helicon polyphonic tuner -> Flattely Poison Ivy bass fuzz -> Hartke kickback kb12.

 

Screenshot_2025-09-05-08-12-51-360_com.whatsapp-edit.thumb.jpg.0920fb20debc3040f7f4727e8e665243.jpg

  • Like 3
Posted
38 minutes ago, MacDaddy said:

 

 

Electrick Soup @ Ram Jam Records, Kingston.

 

Ram Jam Records lives inside The Grey Horse pub in Kingston. A charming spot, if you enjoy one-way systems designed to punish mistakes. There’s no parking out front, so you sneak in through the side streets. Take a wrong turn and you’re sent on a sightseeing tour of Kingston. I took the wrong turn. 😖

 

We were last on, 9:25pm, so naturally soundcheck was scheduled for 5:30pm. Parking restrictions in Kingston run until 10:30pm, so I left the car a mile away. Halfway back to the pub, I realised my wireless bugs were still in the car charging. Back I went. By then it was 6:20pm, so I abandoned the rules and parked half a mile closer in a 6:30pm restricted zone. A calculated risk.

 

When I finally got inside, the band were already soundchecking. I joined without pedals, without tuning, and straight into the house amp — a Hartke KB12. Perfectly serviceable. Loud enough, no complaints. I was the only one who used it. 

 

One of the bands had cancelled, so it was three in total. Two covers, one originals. The organisers were great, the onstage mix was fine, and the audience — small but enthusiastic — seemed happy. 

 

Mainly 90s covers, nine songs in, we attempted “Mama Told Me Not to Come.” The arrangement confused us, and the audience. The applause was replaced by silence. We clawed back some dignity with “Connection,” but “Mrs Robinson” had to be restarted because one guitarist couldn’t hear. Three more songs survived, then his amp gave up completely. Four songs left on the list, plus two for an encore. None played.

 

The amp’s valves have since been replaced, so tomorrow’s gig should, in theory, last the full length.

 

Shuker 3 -> Getaria wireless bugs -> Helicon polyphonic tuner -> Flattely Poison Ivy bass fuzz -> Hartke kickback kb12.

 

Screenshot_2025-09-05-08-12-51-360_com.whatsapp-edit.thumb.jpg.0920fb20debc3040f7f4727e8e665243.jpg

I don't know whether to laugh or cry. I'll settle for a like 😂

  • Like 1
Posted

Just got in from a Knock Off gig, supporting Therapy? at 229 Club London.

 

Journey up not too bad, and managed to get parking right outside the door - result. Great backstage area where we could chill before and after the gig.

 

Signal chain was Fender US Precision, via BOSS WL20L into my Sansamp, with my RM500 as a power amp. Therapy? kindly allowed us to use their cabs so I went into an Eden 810, so with that and monitors no trouble hearing myself. Therapy?s monitor mix was perfect for us too so soundcheck was one song and sorted.

 

On at 7:45, for a 45min set, venue holds 600, probably 500 watched us. Being a streetpunk/Oi band we’re not really on the same scene but we went down very well, many people coming up to us afterwards saying how much they liked us and how well we complimented Therapy?, being not just a clone but offering something different.

 

Footwear was my Vans trainers.

 

 

IMG_6435.png

b1193b6e-5870-4b17-9ae2-e6ca7d162a8e.jpeg

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