Exile252 Posted yesterday at 07:52 Posted yesterday at 07:52 12 hours ago, la bam said: No matter what bass I play, or what head, speaker or combo, my signature sound is exactly the same.... flat, boring and uninspiring.... Guitarists love it I came to say the same thing. If I want something smoother but uninspired I go with my Jazz bass, if punchy but uninspired I go with the P-Bass Quote
TimR Posted 22 hours ago Posted 22 hours ago I played at our local jam on Boxing Night. As the 'only bass player in the village' I get the dubious honor of playing for 4 hours without a 'break'. Anyway - the pub now has a DJ with a 16 Track PA, subs and tops. So I left my amp and cab at home and dug out my StudioSpares DI (last used before Y2K). 5 minutes fiddling with the PA (bass, parametric mid, and treble) and bingo. I sounded just like me. I still don't know how to describe what that sound is though. 1 Quote
ezbass Posted 21 hours ago Posted 21 hours ago A signature sound? No. However, a sound that I’m currently really happy with and can’t see a reason to change is my passive, MM type pickup, fretless bass, into a Sadowsky SBP2 preamp, then into an MXR M87 comp (Dr Pepper type setting), then into a Tech21 VTDI which adds some grit and high end sizzle. These are on all the time and I ride the tone control (0.1uf) for smooth or a bit more aggressive tones (I’ll also use a pick for more attack when required). This seems to work with the 3 different amps I’ve used the set up with (EQ set flattish). My own rig is a Phil Jones Flightcase into a powered PJ cab. Quote
SteveXFR Posted 19 hours ago Posted 19 hours ago In my old style metal band Spector Euro 4 LX with eq centred both pickups on full. Two Notes Revolt on the dirt channel at 3/4 gain and mids boosted. Ashdown ABM600 with EQ flat and GK CX115 & CX210 cabs I tend to play lots of power chords or just very fast Lemmy inspired lines. With this set up I get a really nice tone almost like a cranked valve amp but without the maintenance bills or back injury. Im trying to work out my sound in my stoner/grunge band. I seem to be going towards my Yamaha BB with just a little dirt on it. Quote
RogerDodger Posted 16 hours ago Posted 16 hours ago I would say that my signature sound is a bit of fret buzz, which you would normally assume to be poor fretting finger placement, but is actually fully intentional, and notes that sound like they are wrong, but are really just an edgy interpretation of the song. Not easy to do unless you rely on not doing quite enough practice....! 3 Quote
Mrbigstuff Posted 15 hours ago Posted 15 hours ago One thing I just thought about while practicing. When I was younger and naive, in an effort to be different I would dismiss some ways of playing as “not my style”. What that actually translates to was I wasn’t very good. The more open to new ideas you are the better your sound will be. Quote
SteveXFR Posted 13 hours ago Posted 13 hours ago 3 hours ago, RogerDodger said: I would say that my signature sound is a bit of fret buzz, which you would normally assume to be poor fretting finger placement, but is actually fully intentional, and notes that sound like they are wrong, but are really just an edgy interpretation of the song. Not easy to do unless you rely on not doing quite enough practice....! Im afraid a lot of us are using that signature sound. 1 Quote
jazzyvee Posted 1 hour ago Posted 1 hour ago I have played covers for most of my bass playing life, so mainly tried to capture the bass sound on those records. When I have gigged in originals bands I have found tones to suit their music. I don’t have a sound that i think is distinctive such that i could recognise it in a blindfold hearing test, however i think I would recognise myself more by note choices and articulation more than tone. Others may hear if i have a signature sound more than I would. Quote
BigRedX Posted 1 hour ago Posted 1 hour ago For me it's the note choices and combinations more than anything. Although a decent amount of chorus also helps. Quote
SteveXFR Posted 18 minutes ago Posted 18 minutes ago 1 hour ago, BigRedX said: For me it's the note choices and combinations more than anything. Although a decent amount of chorus also helps. What style of music do you play? Lots of chorus sounds like it would be something very specific like shoegaze, post punk or alt rock. Quote
BigRedX Posted 11 minutes ago Posted 11 minutes ago I currently play in a post-punk/goth/synth-pop influenced band and so the chorus is quite prominent in the effects mix. However I've always had some chorus on my bass sound from when I bought my first chorus pedal in 1983. I was using it with my 90s dance-rock band, the blues/pop band I was with during the 2000s and even playing psychobilly with Dick Venom. Quote
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