Bilbo Posted 2 hours ago Posted 2 hours ago HEADPHONES ESSENTIAL) I have a thing that I have been carrying around for decades whereby I find examples of bass playing where just ONE NOTE makes you go 'wow'. The two that come to mind immediately for me are Jimmy Johnson's Ab (0.21) from Flim And The BBs 'Tricycle'.... https://youtu.be/B0DTMMXYbvU?si=vOd2J5ckRdQqY41t and the Eb slide Tony Levin does at the one minute mark on this video of Peter Gabriel's 'Solsbury Hill' (don't cheat - you have to listen to the whole thing ON HEADPHONES for the note to do it's thing) https://youtu.be/WeYqJxlSv-Y?si=Uy0MMTEDIBmpTLBx Anyone got any other examples of a single note that gives you chills? Quote
ezbass Posted 2 hours ago Posted 2 hours ago (edited) Waterfront by Simple Minds is all one note (IIRC). Derek Forbes with that one note rhythm, played with a pick (sounds like it anyway), clear and defined for 4 bars, setting up the big chord crash. Edited 2 hours ago by ezbass 1 Quote
Dood Posted 2 hours ago Posted 2 hours ago This is a tough one as every note in this track is perfectly and well placed. A bit of an odd choice from me, it appeared on a Sony compilation CD my mum had and I noted that the singer has the same name as my good friend and band mate, top session drummer Thomas Lang. What was more incredible is the fretless bassist on the track, expertly negotiating weaving in and out of the vocals, unbeknownst to me is a chap called John Murphy... yes, the same John Murphy responsible for the soundtracks of Suicide Squad, 28 days/weeks later, Guardians Of The Galaxy, etc! Ok, pick a note, any note.. 0.54 or 1.07 reaching high. or 1.30 Quote
Dood Posted 2 hours ago Posted 2 hours ago I'll refrain from recycling the old When Dove's Cry joke.. Quote
Dood Posted 2 hours ago Posted 2 hours ago (edited) ALL of this. I teach this bass line every time someone wants to learn slap bass. It's the perfect antidote to over playing, which oft ends up sounding like building a shed with drum kit. And a two chord song! Em - EAug Edited 2 hours ago by Dood Quote
Lozz196 Posted 2 hours ago Posted 2 hours ago 38 minutes ago, ezbass said: Waterfront by Simple Minds is all one note (IIRC). Derek Forbes with that one note rhythm, played with a pick (sounds like it anyway), clear and defined for 4 bars, setting up the big chord crash. Yep, great track and all the more amazing because of said bass. Quote
Dood Posted 1 hour ago Posted 1 hour ago Guy Pratt's triplet percussive slide thing here at 1.05:30 1 Quote
Dood Posted 1 hour ago Posted 1 hour ago 48 minutes ago, ezbass said: Waterfront by Simple Minds is all one note (IIRC). Derek Forbes with that one note rhythm, played with a pick (sounds like it anyway), clear and defined for 4 bars, setting up the big chord crash. 9 minutes ago, Lozz196 said: Yep, great track and all the more amazing because of said bass. And One Of The Days by Pink Floyd (obvs prefer the live versions!) - That dotted 8ths pedal groove is SO effective and perfect for grabbing the delay pedal out. #NerdAlert - I remember watching John Giblin playing for Simple Minds at the Nelson Mandela concert - so much so that I recall him playing a Fender Power Jazz Bass Special - my PJ's of choice these days, cracking out a delay pedal at the end of the song. It's funny how these memories seem to come back to me when I read basschat posts! Quote
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