4000 Posted April 3, 2020 Posted April 3, 2020 Well, this isolation is playing havoc with my GAS. And what do I have GAS for? A few things, but Iād really love an early Thumb bass (around ā87, ā88 period). Itās a while since I played one but all the ones Iāve played over the years have had fabulous pencil-thin necks, punchy midrange growl, and have been relatively light and extremely tactile. And itās one of the few basses a Iāve lusted after and never owned.Ā Ā So why not buy? Well, the neck sticks out about 400 yardsĀ and they can be head heavy, and the string spacing is a bit wider than I like (cant remember what the Schaller equipped ones adjust to but I think itās something like 17mm minimum). But otherwise, awesome. So, give me reasons not to buy one, money aside (thatās a separate stumbling block)! Quote
Low End Bee Posted April 3, 2020 Posted April 3, 2020 Reason 1. The top horn looks like a marital aid. Reason 2. The tuners look like they were put on by a well known eBay improver. Reason 3. They probably sound great and play nicely but you will always be thinking of reason 1 or 2 or both. 3 Quote
4000 Posted April 3, 2020 Author Posted April 3, 2020 See, I like how they look. Obviously your mileage definitely varies.š Ā 1 Quote
AndyTravis Posted April 3, 2020 Posted April 3, 2020 One of the few times I ever special ordered a bass for someone when I workedĀ in a shop and didnāt get it. Just...donāt get them. And I was a Warwick player then too. Wonder where my corvette is š Quote
4000 Posted April 3, 2020 Author Posted April 3, 2020 31 minutes ago, AndyTravis said: One of the few times I ever special ordered a bass for someone when I workedĀ in a shop and didnāt get it. Just...donāt get them. And I was a Warwick player then too. Wonder where my corvette is š See itās the sound and the neck, I love āem.Ā MustĀ admit I wonder where my original ā91 Dolphin went. The bassist from 100 Reasons bought it but I saw it a few years later on eBay again. That was a great bass, if a bit heavy.Ā Quote
warwickhunt Posted April 3, 2020 Posted April 3, 2020 I've owned (cough) a 'few' Thumb basses over the years and yes the early ones are that bit different and special; never had neck dive on early ones and the tone is all of its own.Ā I have one purely to play in the house (LukeFRCs 85 JD bass) which is ridiculous but I can't get away with the standing / strap position!Ā Ā Luckily the prices rarely fluctuate so you'd not lose money on one (once you've saved up)!Ā Ā Ā Quote
BreadBin Posted April 3, 2020 Posted April 3, 2020 1 hour ago, Low End Bee said: Reason 2. The tuners look like they were put on by a well known eBay improver. Except Warwick did it a vaguely sensible way instead of angling the furthest tuners away from the player! Quote
4000 Posted April 3, 2020 Author Posted April 3, 2020 1 hour ago, warwickhunt said: I've owned (cough) a 'few' Thumb basses over the years and yes the early ones are that bit different and special; never had neck dive on early ones and the tone is all of its own.Ā I have one purely to play in the house (LukeFRCs 85 JD bass) which is ridiculous but I can't get away with the standing / strap position!Ā Ā Luckily the prices rarely fluctuate so you'd not lose money on one (once you've saved up)!Ā Ā Ā I sit down anyway, so the standing/strap position is really a non-issue, thankfully.Ā Quote
DoubleOhStephan Posted April 3, 2020 Posted April 3, 2020 Buy one.Ā I've got a '97 Corvette, the neck is wonderful.Ā Quote
4000 Posted April 3, 2020 Author Posted April 3, 2020 56 minutes ago, DoubleOhStephan said: Buy one.Ā I've got a '97 Corvette, the neck is wonderful.Ā Iāve had a few Warwicks before - 2 Dolphin Pro 1s (ā91 & ā96)Ā a Dolphin Pro IIĀ and a Streamer Stage 1 (ā91Ā IIRC) off the top of my headĀ -Ā but the necksĀ on the early Thumbs are my favourites because theyāre so slim. The Dolphin Pro IIĀ Pro II was quite similar.Ā I also have an old Alien acoustic with a similar super-slim neck, nothing like the later ones Iāve played.Ā 1 Quote
Chris2112 Posted April 4, 2020 Posted April 4, 2020 I've always loved Thumbs. Great looking, great sounding and nice to play. I never found the ergonomics and issue and in fact, generally found them to be quite pleasant to hold and wear. Those curved edges are so nice to handle and play over. In a world where many basses are a pastiche of other ideas or an outright copy, the Thumb still really does it's own thing.Ā 2 Quote
Deedee Posted April 4, 2020 Posted April 4, 2020 I spent many a Saturday morningĀ looking at andĀ lusting after these in Carlsbro in Nottingham in the late eighties (along with Trace stacks and Birdseye speckled Stingrays ofĀ course). Fast forward to about 4 or 5Ā years ago and I finally got to try one for the first time. AĀ friend of a friend was selling an ā89 (or possibly ā88)Ā modelĀ and heĀ loaned it to meĀ for a day or two to try it out. I was so disappointed with it, gutted. Ā To me it feltĀ uncomfortable,Ā unwieldy and all just a bit lifeless.Ā I reallyĀ didnāt like it at all. š But hey, manyĀ people love āem and the world would be a pretty boring place if we all liked the same gear. If you like them, go for it. Quote
Kiwi Posted April 4, 2020 Posted April 4, 2020 I've gassed occasionally for a Thumb 5, I like the look andĀ I like the sound. But when I actually play one they feel dead to me.Ā I can't feel muchĀ resonance and I end up feeling disappointed. Quote
bigthumb Posted April 4, 2020 Posted April 4, 2020 I've owned 3 ThumbĀ basses, 2 being from the late eighties. The vintage Thumbs are a world apart! Never had an issue with neck dive or a problem with the weight, even playing long sets with them. I love the 'organic' feel to them and the body is a work of art, like a beautiful wooden sculpture and the necks are perfection. Being a big bloke they did look tiny on me butĀ the curved body did rest comfyĀ on the beer gut.Ā š Ā 1 Quote
LukeFRC Posted April 4, 2020 Posted April 4, 2020 (edited) 17 hours ago, warwickhunt said: I've owned (cough) a 'few' Thumb basses over the years and yes the early ones are that bit different and special; never had neck dive on early ones and the tone is all of its own.Ā I have one purely to play in the house (LukeFRCs 85 JD bass) which is ridiculous but I can't get away with the standing / strap position!Ā Ā Luckily the prices rarely fluctuate so you'd not lose money on one (once you've saved up)!Ā Ā Ā You mean my old one?Ā Ā Ā what a sound. @4000Ā if I were you (and seeing you play sat down) keep pestering @warwickhuntĀ till he sells it to you (might take a while)Ā Edited April 4, 2020 by LukeFRC 1 2 Quote
bassbora Posted April 4, 2020 Posted April 4, 2020 I bought my ā89 5 in 97. I had been lusting after any Warwick for years and I would probably have bought any model. This one has stayed with me since then. It is heavy but thatās never been a problem for long gigs and I am tall so I have never had an issue with the issue of reaching the 1st fret which the Internet seems to be obsessed about.Ā I have nowhere the experience with different Warwicks like Warwickhunt but I have played my Thumbs in all styles and settings and they always fit in. I have an 89 6 fretless and that bass is the best sounding bass I have ever touched. It is the combination of being fretless and also the Bartolini pickups.Ā I have played these basses in quiet acoustic setting, jazz combos, classic rock and metal. What I find sets them apart from other basses is how it responds to right hand technique more than other basses.Ā And as you said yourself the necks are quite something else. The neck on the 6 is even better than on the 5.Ā But all this is of course my opinion and others will have very different tastes from me and disagree greatly.Ā Lastly I just want to say I have not played other Thumbs than my two and never tried a bolt on. And my main gigging bass has been the last few years 91 stage 2 5 which I think is fantastic bass but OP asked about Thumbs. I did though rotate my 5 Thumb with the SS2 to keep it interesting.Ā 2 Quote
LukeFRC Posted April 4, 2020 Posted April 4, 2020 1 hour ago, bassbora said: I have played these basses in quiet acoustic setting, jazz combos, classic rock and metal. What I find sets them apart from other basses is how it responds to right hand technique more than other basses. +1 I find this with my Streamer (also Bartolini pups) the amount of tonal differences I can get is outstanding.Ā Quote
4000 Posted April 4, 2020 Author Posted April 4, 2020 2 hours ago, bassbora said: I bought my ā89 5 in 97. I had been lusting after any Warwick for years and I would probably have bought any model. This one has stayed with me since then. It is heavy but thatās never been a problem for long gigs and I am tall so I have never had an issue with the issue of reaching the 1st fret which the Internet seems to be obsessed about.Ā I have nowhere the experience with different Warwicks like Warwickhunt but I have played my Thumbs in all styles and settings and they always fit in. I have an 89 6 fretless and that bass is the best sounding bass I have ever touched. It is the combination of being fretless and also the Bartolini pickups.Ā I have played these basses in quiet acoustic setting, jazz combos, classic rock and metal. What I find sets them apart from other basses is how it responds to right hand technique more than other basses.Ā And as you said yourself the necks are quite something else. The neck on the 6 is even better than on the 5.Ā But all this is of course my opinion and others will have very different tastes from me and disagree greatly.Ā Lastly I just want to say I have not played other Thumbs than my two and never tried a bolt on. And my main gigging bass has been the last few years 91 stage 2 5 which I think is fantastic bass but OP asked about Thumbs. I did though rotate my 5 Thumb with the SS2 to keep it interesting.Ā Iāve played quite a lot of Thumbs over the years. I remember when the first ones appeared in the Bass Centre in the ā80s, I couldnāt get my head round them at all. Iād never seen an oil/wax finished instrument before, forĀ a start, and it felt so strange. The one thing I have found is that I much prefer the earlierĀ ones, pre-ā90s. Thinner necks, thinner bodies IIRC, generally lighter weight, and to me they just sound better.Ā Ā I was watching YouTube the other day and there wasĀ a guy playing a fretless Thumb 5 (think it was a 5, couldāve been a 6)Ā and it just sounded sublime.....not that Iām currently after a fretless. FWIW my preference on every fretless Iāve ever played - notĀ just Warwicks - has been a Wenge neck. Quote
LukeFRC Posted April 4, 2020 Posted April 4, 2020 1 minute ago, 4000 said: The one thing I have found is that I much prefer the earlierĀ ones, pre-ā90s. Thinner necks, thinner bodies IIRC, generally lighter weight, and to me they just sound better.Ā Some point betweenĀ 1992 (when I heard they had) to 1995 (when Wikipedia says they did) they moved the factory from Bavaria to Markneukirchen in former East Germany... 1 Quote
uk_lefty Posted April 5, 2020 Posted April 5, 2020 Regarding the oil and wax finish... Waxing down a Warwick is very therapeutic! I had a maple bodied Streamer LX, decent bass but had to sell it to raise funds for a training course. To me though Warwick should always be bubinga, ovangkol neck, wenge board. Quote
warwickhunt Posted April 5, 2020 Posted April 5, 2020 8 hours ago, Kiwi said: What year were the 5s introduced?Ā IIRC 87 is about the earliest 5 string Thumb. 1 Quote
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