12stringbassist

[quote name='Basvarken' timestamp='1473005073' post='3125957'] The price is based on 500 book printed. Although I am not sure how on earth I am going to sell 500 copies ;-) [/quote] You may want to look at how much it would be to self-publish via Blurb, like I did with my 4 Slade live photobooks. Print on demand means you don't have any outlay and boxes of them lying unsold around the house for years. Blurb do all of the customer service (including the inevitable 'lost copies' that can send you spiralling into loss) and you set your own profit figure. They are signed for on delivery, so that sorts that out. They can also put them on amazon.com for you.

Clicky is the right word, Blue. They like to keep their club exclusive - it protects their income.

[media]http://www.youtube.com/watch?v=nqd-jkQTyB8[/media]

[media]http://www.youtube.com/watch?v=mEdQOTyUf_4[/media]

I either go active or passive for the evening, so: Active: 2 or 3 from: Warwick Streamer Chrome Tone or Warwick Thumb NT Hamer 12 string bass or Dean Rhapsody 8-string bass Fender Precision Lyte or BC Rich Mockingbird Passive: 2 or 3 from: One of 4 Ric 4003's or Retrovibe Rickenbastard Fender Jazz or Fender Precision or something else from down the pecking order... My Danelectro Longhorn gets a lot of use at the moment, due to its weight.

[quote name='blue' timestamp='1477000223' post='3159244'] I remember I did go to a jam that consisted of local heavy hitters. I even had one if their own vet me or vouge for me. A new set opened and my guy introduced me and asked if I could play a couple of tunes with s well known guitarist and harp player. The organizer said "no" and they played without s bass player. [/quote] That reminds me of one time - the funniest thing I've ever come across - was at an unfamiliar jam night that I went to once was being asked [i]what type of bass guitar I had in my case[/i]. I actually laughed at the guy who asked me and asked him what difference it made. I think he wanted me to have some desirable vintage instrument before he put my name down to slot in with someone. After a long one-way discussion with much *unsuccessful* fishing on his part, I opened the bass case when it was my turn to get up on stage and back some poor sap playing a really turgid version of 'Knocking on Heaven's door' and got out my Hamer 12-string bass. I never went back. Going back to Blue's original dilemma - I'd say it's not what you know, it's WHO you know. Networking will get you more openings. You need to talk to the right people.

This reminds me of the venue in Nelson, Lancs that cancelled my old band at VERY short notice because the landlady and her husband had forgotten they were having a night out. Utter incompetence. Best to agree a band policy for if a venue gets dodgy with you in future on arrival.

[media]http://www.youtube.com/watch?v=iuzNNgWeAkI[/media] Flamin' Slade. I'm playing a Warwick Streamer Chrome Tone.

I'd say to Blue, that if you go for the promotion to the touring circuit, you may be lucky to be able to schedule other work in your downtime from the new band. Finding something to slot into in that downtime may not be easy. Apart from that, I'd say, if you have made some contacts in that world, the thing to do is ask them if there is anything going. Very best of luck. I am aware of a bassist job coming up with a known UK tribute band that I would have been well suited for, but they are apparently not making the money they could, which is why the current bassist is going. Funnily enough, I turned down the opportunity to join the actual band they are a tribute to, as the money for the hired hands didn't match that of my day job at the time.

So, what's the general consensus about a cure for the stickiness?

[quote name='Roland Rock' timestamp='1475560422' post='3146851'] First bass I can remember GAS for was a Fender Precision Lyte hanging in Fox's Music in Nottingham. Wouldn't touch one with a bargepole now [/quote] Mine is my soulmate. Different strokes.

Caroline followed by Roll over lay down. Make 'em have it.

Ta. I think I will end up taking my whole rig (HA3500 + TP210 / TP410) to somewhere that gets one in and doing an A/B test.

Some of these may be REAL...

My band The THREE [media]http://www.youtube.com/watch?v=mEdQOTyUf_4[/media]

[media]http://www.youtube.com/watch?v=lYZbsWMk9SE[/media] From the Sunday jam night that I run.

I host a jam night and take a bass for myself and one for the mortals. Tonight I let two guys I know play a Rickenbacker - but only because I know them very well. Random people get the Squier.

[media]http://www.youtube.com/watch?v=XNEOiguqmEk[/media] [media]http://www.youtube.com/watch?v=gSFwcYbPTQ0[/media] [media]http://www.youtube.com/watch?v=mEdQOTyUf_4[/media]

Looking at the bass in question, if it was mine, I'd consider the refinish if I had no great desire to sell it. I don't subscribe to the 'if it's mashed, it's valuable' theory, but that's just me. I like a nice looking bass, with minimal wear - some wear, yes, but that's gone beyond the point where I would buy it. I think if you get it refinished to look original, it would be a nice thing to do.

I've got this Custom Shop Thumb NT. At the time a one-off finish - gloss walnut, or so I was told, anyway. Shops will tell you anything. It's lovely to play - shallow, wide neck, stack knob controls. 26 frets (though I don't play up the dusty end much of the time). As much bottom as you could want. Worth spending the money on.

I quietly tell them we are not insured for anyone but the band onstage and we will have to stop until they get offstage. Normally works. My old band used to just stop on the beat if someone got on stage and just wait for them to slink offstage embarrassed.

Ian Hunter at Holmfirth in November.

Fender, look at your feet. Get them in your sights and shoot.

I'm interested in making the switch from the HA3500 to the newer TX600, but am a bit bothered by the lack of a graphic EQ that I can tweak. Has anybody else tried both? Cheers.