lurksalot

[quote name='51m0n' timestamp='1334700878' post='1620127'] Because last time you went you took the device, measured its effect and found it to be negligable or detrimental, so it is rendered unnecesary this time. Room acoustics and staging dont tend to change often. [/quote] Ah yes , If I can remember what I used , and if it worked

[quote name='51m0n' timestamp='1334653394' post='1619043'] Well its not that it wont work, its by how much and in what conditions it works best. There may well be situations where the amount it changes the output in the room and/or on stage are so negligable that carrying the extra kit isnt worth it. [/quote] I have to argue with this , In a past life I raced karts , and one thing it taught me was , if you have ANY related kit or tools , take them with you , you will never know when you need it. Every circuit I raced was different for gearing , carburation , tyres and wing settings in the same way every room you play has different acoustics. I grant you that performance on a track is objectively measured with a stopwatch , but if you have tools that may just help find the sound that suits the room why leave them at home I carry all sorts of connectors, adaptors, leads and converters in a kit bag everywhere , the amount of times that they help smooth the set up , or show is minimal , but on one occassion if I hadn't carried a spare power amp the PA would have been down. While I don't suggest you carry spare everything, sometimes the bit of kit at the back of your van just saves the day

I changed the std pickups on my RBX270 to di Marzio and it made a tremendous difference , output was significantly better and the tone control actually seemed to work. that reminds me to dig it out and use it again having said that I mostly use a spector with std EMgs and the tonal range is excellent , but it does have an active preamp on board , I guess the electronics in the guitar may have an influence as to the performance of new pups ???

This kind of interests me not only in the sound mans perspective , but also in the £/tone/ playability argument I really don't get the £000's spent on stuff that is way above the ability of the player that spends it, or the ear that hears it IYSWIM If you have money to burn , then hell yeah , spend it on a bass . but does it really help the tone/playabilty of the kit, does it make that much difference ? is it a confidence/crutch issue , or am I so naive to think that the kit I have gives me decent bangs for the buck ???

Fair enough Aldo , do you want some green dye

Ok so I need a new razor , or

[quote name='Marvin' timestamp='1333469338' post='1602198'] Worst I do, and I do it every time, is mixing up the input and output up on my Zoom pedal. Obviously this results in no sound Thankfully the 'problem' is fully resolved by the time I've actually got to play........... [/quote] [quote name='discreet' timestamp='1333555965' post='1603528'] Ah now then Rich, I can help you here. What I do is look closely at the pedal to see where it says OUT. I plug the amp into this one. Then cunningly, using the principle of elimination, I calculate that the other one must surely be IN. I plug the bass into this one. Never fails! ........... [/quote] Ah yes, but 'my' Zoom pedal also has a 'control' input/output socket which will eventually incur a fail if accounted for as above

I had piano lessons as a kid and really didn't get the stuff I was being taught and packed in, bought a epi SG copy from a 2nd hand shop(only cos it was £12 I had no idea what Gibson or SG was ) and messed with that , obtained a proper vox organ and vox head and crappy speaker from a cousin and had some great fun pretending to write and perform . The next door neighbour could hear the racket and said that her son who had left home had a guitar he did.t use , did I want it for £20 , I said yes , and took it . I was a bit surprised to find it had only 4 strings and a neck that was separated from the body . I screwed the neck on with acouple of woodscrews and I was a bass man , I did'nt realise it was an original 60's Hohner violin until a lot later after I flogged it on , but it led me to proper performing as I was the only person in school with a bass , so I was in every show, at every assembly, and even dragged to church on occassion , It was quite a novelty at the time and kind of baptism of fire .

[quote name='leftybassman392' timestamp='1334007715' post='1609704'] Wasn't there one of those in Pentangle? [/quote] That Is obtuse , the triangle corner issue however is acute .

[quote name='Gust0o' timestamp='1334006083' post='1609659'] Bass. Then triangle. Came back to bass when it became apparent the triangle circle was just too [i]cliquey[/i]. Want five different answers? [i]Ask three triange players[/i][i]![/i] All they would talk about is, [i]is this good for metal? [/i]For f***'s sake. [/quote] I always found triangle players a bit square to be honest

how does 'educated' fit for those who are just contradictory , I know a few people who would like X but because ( insert name, relative, enemy etc here ) like X ,they will declare a preference for Y .

I am a lucky [s]tw4t [/s] individual who has 'auditioned' twice and got the gig also . however , I run a business that inevitably involves selling , and an audition is no more than selling what you have to offer , sometimes it isn't the best technique on offer , it may be the attitude or the craic that will get the gig. How many times have you asked a professional to come and offer advice at your house , kitchens, landscapes, drives or even double glazing and NOT given feedback to the losers ?? same meat, different gravy perhaps , but that is real life to some. I suppose band stuff is real life to some also, ( where is the jealousy icon when you need one) but it might lack the importance of the note perfect rehearsal technique that a group of jammers might expect, hell . someone who can actually play the stuff they asked for might even be a bit intimidating

[quote name='Kirky' timestamp='1333833502' post='1607261'] Barney Miller theme. [media]http://www.youtube.com/watch?v=ox-DmJ9H3ng[/media] [/quote] Doh , this has made a liar out of me on another thread , I had totally forgotten about this , but was a BIG influence on my early learning , a great riff , although I did seem to recall the bassline being left to play on its own for a while with less interference from everything else

best investment I made was a little gas solder gun like these [url="http://pro-iroda.com/pro50.htm"]http://pro-iroda.com/pro50.htm[/url] they seem to work better and easier than plug in models for me .

The more you tinker with it the more you will get out of it , I find it surprisingly versatile especially when you start to get a feel for the effects that you can dial in. I have been using it for a few years now and would be a bit lost without it. I play it straight through into an amp (with DI coming out of the pedal if needed ) , don't often use 'phones so concentrate on the sound through the cabs .

I watched with interest one of the fundraising shows , Children in need or such , when Jesse J sang Price tag ....... 'we don't want your money ,money ,money ....' I thought that an interesting concept in trying to get peoples money

[quote name='tonyf' timestamp='1333493173' post='1602630'] Nah, because Brum is the official (Guinness Book of World Records TM and Rob Halford's granny Vera) centre of the Heavy Rock universe [/quote] I am sorry , but that is Bull**** .............................. the swear filter is a bit keen , I didn't realise ring was a rude word

from a relative newbie myself , dive in , looks like you have some tales to tell with a kit list like that , so don' be afraid to chirp up when the oportunity arises

[quote name='BottomE' timestamp='1333290382' post='1599596'] ..............a crowd that were well up for it and loverly ladies in skimpy outfits. What is there not to like? Home by midnight. Win win win. [/quote] Home by midnight , with a loverly lady, who was well up for it WIN,WIN,WIN,WIN, Full house I think

[quote name='JTUK' timestamp='1333272391' post='1599360'] If you got 40 in then that is a decent start for a new venue..I hope this encourages this LL and venue to keep this up...and good attendance can't always be there straight away. If you think the venue needs support ..and you'll get more gigs from that as well..then I'd go out and see if I could help promote it in some small way. I always try and post on our website and FB detailing the recent gigs..even though you can't and probably shouldn't slag off many places if you intend to go back there... so you have to be 'positive' and not so much, objective. ...... Play the game. [/quote] We hope to take some more as well next time , and we do the FB stuff best we can, We always provide posters ,plenty of B/W A4 and a couple of A3 of us on a festival stage, always big up the pubs when we can , a bit of mutual promotion never hurts

If youv'e got little hands ,it might be easier to play the lower stuff with having to strestch your fingers across the neck , and if you haven't been taught you often find a way that suits your own limitations

The Railway Inn , Coed Talon Pretty quiet really as the landlady has just started putting bands on , there were only about 40 in, but they rocked the place , it turned out to be a brilliant intimate kind of gig and got to re-book in 8 weeks . the room pulled the tone right out of the gear and any bass effects were pretty much lost . My sound varied from a deep boomy thud, to a less deep non boomy thud Guitars seemed to cut through OK , and in general a good night out ed for spelig

Interesting Ideas , but does it actually mean anything in the real world ? I understand that everyone in the band has to have a sense of timing and rhythm but it kind of goes out of the window ,cos you do have to make an effort to play to the drummer , he may not be responsible , but he won't look to anyone else for reassurance, it is all a bit of a jazzy trainwreck if everyone played to the agreed time signature except the drummer . Ebbs and flows in tempos really can add a lot, preferably when the ebbs are not done on someone elses flows , or maybe .....

One song that troubles me that we do ( very well ,as it happens ) is Poisons , Every Rose has its Thorn ...... I have to say that having recently done some research, I have planted a Zephrine Drouhin and can categorically state that it is a climbing rose which has no thorns I am worried that one day our fans will see right through us , should we put a disclaimer at the start of the set stating that the opinions of the songwriters do not necessarily reflect the the views of the band Having said that, I really think that they SHOULD fear the reaper

I think that monitering and sound quality is important on stage , but so is body language, a couple of glances , eye contact, nods , raised and dropped necks , laughs and even walking across a stage , helps to bind a performance. It is sometimes not easy to identify who is wrong even when you can hear it all , and it is often a surprise to the offender , just being able to hear the racket sometimes is not enough , .......... not that is ever me of course