Machines

Yeah it works well and looks snazzy. Although I would like to complain about the fingerprint/marks on the left of the pictured Jazz

Super video - makes it look so effortless. Congratulations on the endorsement .

[quote name='bass_in_ya_face' post='22808' date='Jun 24 2007, 11:55 PM']Hmm Haywards Heath To Manchester..err no.[/quote] Unfortunately bass shows aren't very common - you can't expect them to be on your doorstep, if you do I doubt you'll ever get to one.

This week: Marcus Miller Jazz (a reoccuring GAS item since I started playing bass) Ibanez BTB555 Ashdown ABM500 Ashdown MAG115

Looks a bit tatty ! I'd want a discount for all those scratches.

I find BGM to be a fantastic read, albeit a little short. This is probably more quality over quantity however - which cannot be criticised. The reviews I find do tend to air towards higher end gear - then again I don't get every issue and might be missing the budget reviews. The interviews are superb - some top names have been in there and have always been a great insight.

[quote name='The Burpster' post='26651' date='Jul 3 2007, 07:14 PM']Matt, maybe its time to have a seperate ebay forum? I'm getting a little tired of policing the above type of thread. We all know there is charlatans on ebay, its great that we shoull identify them to protect the inexperienced and those with certifiable GAS, but the constant slagging off of folks errors, and niaivity is a little tiring..... I'll post my suggetsion below...... [/quote] I was being sarcastic - you'll notice I have made a similar post only yesterday .

[quote name='Waldo' post='24749' date='Jun 29 2007, 10:21 AM']Well my experience of the Ashdown practice amps is that they're unreliable - Having had two break on me in the same day![/quote] I've heard other people question their reliability. However I know several people who heavily gig their MAG's and have no issues what so ever, my EB also hasn't given my any issues.

Super stuff - I was feeling the vibe after about 5 seconds. Jamersons lines are beautifully understated, and that Precision thump is wonderful.

Sheesh, people ranting about eBay listings - so full of anger ! ^_^

CK stole my idea - Sandberg are fantastic value for money. I've played a few of them now and always been impressed.

The impression I get is that the Highway one finishes aren't as resiliant as the high gloss ones. They look very susceptible to dings and scratches to me. Rayman has a H1 Jazz and i'm sure could tell you properly.

[url="http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&item=140134640026"]http://cgi.ebay.co.uk/ws/eBayISAPI.dll?Vie...em=140134640026[/url] I had to email them here - you can buy one new for £139 on gak .

Oh dear.

I keep mine in Iraq.

Hmm to be fair it might be just cosmetic. The messy routing is under the pickguard and won't be seen, although it is extremely bad. But no - I wouldn't buy it.

My opinion is you won't get the B string sounding great on any 'small' practise amp. I've had the Ashdown Five Fifteen (bigger brother to the Perfect 10) and that was fine (but was 65w). I suppose i'd choose the Ashdown out of those 2 - but I am biased.

Looks very custom shop to me.

Squier Bronco Stagg BC305 Stagg MB300 Yamaha RBX775 (2003) Vintage V940FL (2004) Spector Q6 Pro (2005) Yamaha BB614 (2006) Ibanez Musician MC900 (1980) Fender MIM Jazz (2000) Musicman Stingray (1996)

The Sterling is a beauty - I had the chance to give it a whirl at the bash, felt great and looks wonderful. How do you find the 2 compare ?

[quote name='Paul Cooke' post='23354' date='Jun 26 2007, 07:50 AM']Pity, such a nice Bass... I'd have paid to get it fretted rather than sell it.[/quote] Yeah - it was good just I think I couldn't find a use for it. Sold it just before Christmas for about £130 I think - paid for a few presents so I don't mind too much. It wasn't entirely flawless however - the neck pocket wasn't the tightest fit (saw alot of V940's with same problem) and the electronics were a bit shabby (looked thrown in), other than that it was a fine bass.

I started reading this and thought.. "hey, this guy has exactly the same basses russjm had !" :wacko: Nice pair to have left at the end - if I say so myself .

PART 3 I was finding that the Musician was getting more played than the BB614, and the Yamaha was being wasted sat around. I traded it with longfingerz for a MIM Fender Jazz (2000) in great condition. Had always fancied a Jazz and this was a case of right place at right time. I believe longfingerz is very happy with the swap. It'd been a few years since i'd had a passive bass, so it was a bit strange at first, but I found it gave the classic Jazz tone and did pretty much what I wanted it to do. 2 months ago, I was sent a message on myspace by someone offering to trade the Ibanez Musician for a Musicman Stingray, I thought he was having me on, "who'd offer that !?" I thought. It felt like swapping a 1980 Ford Capri for an Aston Martin DB9. It turns out that the chap had a Musician in the 80's, sold it and regretted it since. He'd been looking for the 'right one' for a few months, saw mine and thought he'd pop the question. I met him on my terms (with 'backup') and he was 100% genuine. He was happy with the Ibanez, I was astounded by this beautiful (although slightly different) natural ash Stingray. I snapped his hand off. The Stingray has had professional routing to have the pickup moved towards the neck, pretty much in the Precision spot. This gave a slightly modified sound (not as much as I expected) and did make it sound like a perfect hybrid between the two. Whilst this position was all well and good, I wanted it where it should be. Got a pickguard from wdmusic and moved the pickup back, that's more like it ! Sounded exactly like I expected from a Stingray, something i'd not thought i'd get my hands on for a long time. I've never been as fussy about my rig as my basses, i've always thought of amps as just something that makes it louder, rather than an integral part of my sound. My first amp was a 25w box, utter rubbish. I soon moved up to an Ashdown 5:15 65w combo. It was bloody heavy but did sound pretty decent (a major upgrade anyway). I sold that when I lived in Manchester as I wasn't in a band and lived in an apartment (whingy neighbours). Since moving back to Birmingham I got an Ashdown Electric Blue 12-180. More than enough for practise/rehearsal. I did find however it wasn't enough for gigs, and have been after upgrading it. Got a MAG210T on Saturday - my Dad bought it me as an early Birthday present, yay Dad ! This should do me plenty for the type of gigs we play (PA support). So basically, that's the story of me getting a Stingray for £250 .

PART 2 Coming up to my 21st Birthday - my parents said I could choose a bass up to £500 as a present. I spent months deciding - originally i'd wanted an Ibanez EDA905, until that is I tried it and hated it. I was going through a Dream Theater stage at the time (I think I still am) and this bass looked great, so I got this Yamaha RBX775 from GAK (£415). I sold the Stagg the week after. I consider this my first 'proper' bass, that being one of a good construction and sounding good also. I still have this now, albeit in a somewhat defretted mode ! It makes a great fretless instrument and I play it most days. Of course it wasn't always fretless - I did get myself this rather handsome and well priced Vintage V940FL (well the missus bought it as a Christmas present). Fantastic piece of wood, sounded great and looked the part too. Only sold this about 6 months ago as I found my self becoming dissassociated with fretless (unlined didn't help me either). Several months later I found myself getting more obsessed with Dream Theater & John Myung, and was GASing for a 6 string of some type. PMT In Salford had this rather striking Spector Q6 for £350, I got them to £330 and was a very happy bunny. It's a superb bass, extremely clean sounding and very defined. The EMG pickups were very trebley and lended well to a hi-fi sound. The only downfall of this bass was it's number of strings, I couldn't find a use for the C other than doing John Myung impressions, I sold this bass about 9 months ago for £30 shy of what I bought it for. So around this time I had just the RBX775 and V940FL, I was having GAS for the new Yamaha BB series. My Dad picked up on this and bought me a BB614 from PMT Birmingham new for £250, it had been on a few shows but was in mint condition. For the price I still maintain that there is nothing that can touch these Yamaha BB's, they are versatile and sound amazing. Used it at a gig and it was all I could ask for. Late last year - was in PMT and spotted an Ibanez Musician marked up for £250, pretty cheap ! Plugged it in and it everything worked, sounded pretty good too. For that price I couldn't ignore it - took it home and gave it a mega-clean. It had green frets and a filthy bridge. An hour or so later and it looked almost new. Not bad for a 27 year old instrument. Looked up on the internet all about it and the specs, later discovering they are highly revered and worth significantly more than £250 (more like £500). I decided to keep it as it looks great and sounds good.