Dan Dare

In my experience, people accuse you of being "opinionated" when they don't like what you are saying, but cannot produce any good argument to refute it. What's wrong with having opinions? We all have them, whether we admit it or not. The instances the OP describes sound like that curse of so many bands - Richard waving. Guitarists who blow the windows out, drummers who smash the kit to within an inch of its life, running away with the tempo (usually caused by the fact that people don't appreciate that their adrenal gland is in overdrive) and so on. The problem seems to be that many who play in bands view it as some sort of release from everyday life, cares and worry. They think "I'm free. There are no rules here to tie me down. Whoopee" and proceed to go berserk. It may be therapeutic for them, but it certainly doesn't make for good music. On the plus side, I suppose it's better than getting plastered and picking fights with strangers, which is what some who are not fortunate enough to have any other form of release available to them tend to do. If it isn't right, you have to speak up. Frustration and unhappiness awaits if you don't. If you cannot agree, it's time to go. Not worth wasting time trying to work with or round those who don't/won't get it. Plenty more fish in the sea.

Try Jack's Instrument Services in Manchester. They have an enormous range of materials they can make you a PG out of. As others suggest, best to use a carbon look-alike material. Carbon is harder to work and also expensive.

Interesting question. Regardless of the whys and wherefores, a singer should at least provide their own mic and stand. Not doing so is akin to one of us turning up without a bass, surely. PAs are sometimes owned jointly, sometimes by one band member. I have my own (means I can decide who I play with - plenty of people want you in their band if you have a decent PA).

Good suggestion. For really spiffing results, try ethyl mercaptan, aka the smelliest substance known to man. I used to play in a band with an industrial chemist and he put just a smidgeon in the loos of a pub that upset us. Place emptied in short order.

So you spent the day playing with yourself? Oooooer 😉

Anyone fancy asking him what "hit records" it was played on? That thumb rest doesn't look right, either.

Putting your own together is really simple and you can build the P bass of your dreams for less than half your budget. There are about 40 screws and bolts to do up, plus a tiny bit of soldering (or buy a ready made wiring harness). Easily less than a days work, including set-up/tweaking.

Get one of the better gig bags - Fusion, Reunion Blues, Gator, etc. They provide plenty of protection against anything short of jumping up and down on them and will fit in the boot.

Claiming they're "German" because he bought them from a store in Germany? You've go to give him points for creativity, at least...

Router? Bloody cold chisel, more like...

Heads do bounce. That's why the guillotine had a basket of straw next to it 😁

Unless I misread the price on the link, one will cost £7.85. Hardly stupidly expensive, surely. If I've got it wrong, apologies.

Ah, he's still trying to shift that. Been on the 'Bay a while. You can tell from the blurb he ain't a player - obviously bought it as an "investment". Someone offer him a tenner.

I can see why those with more "modern" tastes might wonder why PM is so respected, but what he played was always musical, even if it wasn't technically impressive. That's what is really important (imho of course). There's a reason why so many prominent bass players rate his playing.

If you like warm/old school, an Aguilar has to be worth trying. The Tonehammers are the warmest/thickest sounding. The AG700 (which is what I have, so I'm obviously biased) still does warm, but has more clarity and can do modern, as well. Not really worth bothering about a tube front end, imho. They're largely put in for marketing purposes. A well designed modern solid state pre will give you all the warmth/roundness you want. Do try a few before you buy. If you like the baby GK MB head you have, one of the larger models (they do a 500 and an 800) should be a good bet. They will all be good for at home practice volumes.

I'd second what others say and do that. Your Ampeg head is likely not getting the best out of your Vanderkley cabs. I think you'll be pleasantly surprised how much better a new head will sound with them (and you can always take just one for smaller jobs, which will be an easier lift). To get a combo that matches what you use will be pretty expensive - more so than a high quality head. As others suggest, any of the good quality modern lightweight heads will be fine. I compared half a dozen of the popular ones at Bass Direct a couple of years ago and chose an Aguilar AG700, but that was just my preference. I like a sound that leans towards old school, but with plenty of clarity and the AG gave me that. It also does more modern sounds, so it's versatile. Definitely worth trying one with one of your cabs.

Made in Japan. Trashed in Germany.

"Quadro piezo" pickups, huh? No doubt one piezo for each string. You do need a decent preamp to make any piezo sound half reasonable, whatever our pal in Poland says.

£600 will get you a decent separate head and cab, enabling you to upgrade one or the other in future and/or making it easier/cheaper in the event of failure that you can be up and running again. Probably a lighter carry if they're separate, too. Worth a thought?

If a speaker is not capable of reproducing 31 hz, you simply won't hear the actual fundamental. You may well hear something that is pleasing and, as stated above, good cab designers can do a lot with porting, etc so harmonics and overtones can give a good impression of a note, but you won't necvessarily be hearing 31 hz. An instrument may produce frequencies that you can measure/record on a 'scope, but the amplification must be able to reproduce it for you to be hearing it (even if you believe you do - see other comments about harmonics/overtones). The fact that Lakland 5s have a better sounding B than Fenders (something I've noticed when trying them) is likely due to their 35", rather than 34" scale length. It enables the string to be at a higher tension. See the comments from Lfalex above about the upright and Stick, which tend to support this.

Can't see myself wearing that on my head.

Oh look. Listing's ended. Quelle surprise...

That Epi 112 is a particularly nice cab. A pal has one and it's excellent. They turn up relatively rarely in my experience. If you're in a hurry, Bill's advice is the way to go.

Another vote for the MIM Fender P bass special. P pickup plus J bridge pickup, jazz neck and P body. Very versatile and nice to play.