King Tut

And here she is . . . . Even in the video you can hear how well it cuts through the mix!

I bought one as a spare but often use it in place of my GK MB500. We have PA support with a sub so it's plenty loud enough through my Barefaced Big baby 2. I never have to push it and it's lovely tonally.

I bought a Warwick Fortress from Matt. Fair price, good Comms, bass as described and well packaged. Deal with confidence!

She's '95

Actually - first gig with a new bass day. I've been prowling the site for ages for a Warwick Fortress. I love the build, sound and general vibe of Warwick but often struggled with the ergonomics. I've already got a Standard Bubinga Corvette and a gorgeous 89 Thumb Neck Through, but I seldom take these out when I'm fronting a band as the short top horn moves the neck to the left and throws me out position wise when I'm singing. Anyroadup, a couple of weeks ago this beauty appeared in the 'Basses for Sale' section for a fair price and I snapped her up. She's a Fortress One, Two piece maple body, three piece Wenge neck (not as slim as my Corvette or Thumb but comfy nonetheless) and Wenge fretboard. MEC PJ pups and two band EQ. Had a bit of a fright when setting her up as the D string wouldn't intonate and buzzed like mad resulting in a huge action - turned out to be a duff string. Also had an intermittent electrical fault which turned out to be the push/pull on the volume pot that was solved with a bit of switch cleaner. Eventually set up with a 2mm action at the 12th fret (a smidge over on the E string) and feeling good. It's a bright sounding bass and i was worried it would sound bass light when gigged. I needn't have worried - played a pub gig last night - GK MB500, Barefaced BB2 and Zoom B1xon and wow. The long top horn makes it ergonomically perfect - sits just right. The tone with Warwick Red Labels was deep, tight and authoritative. Plenty of snap, body and growl as you'd expect from the wenge neck. More than enough depth in the bottom end and a 'Jazz on Steroids' tone from the bridge pickup. Wow am I one happy bunny, I think I've found 'the one'!

Welcome from a fellow Bucks lad!

When I play in Isabelle, I just do bv's. Space is often tight so I use a headset mic. I use a Sennheiser Freeport jobbie. Sounds good and not let me down so far. Trouble with them is you've got no dynamic control so can't back off the mic, and anything you say is heard by the crowd so you have to switch it off to talk to the band.

Behringer XM 8500 for me. I always use one for live vocals in preference to the 58 I keep as a spare. Often also used one in a kick drum. Robust, to my ears, a crisper sound with more pronounced hi mid and better feedback rejection than a 58

When I'm learning a song that's a little bit out, tuning wise, I import it into logic, pitch shift it the appropriate amount to bring it into tune then bounce a copy of it I to my collection so it's always there for reference

Try putting a jack lead between the fx send and return sockets. Sometimes these need replacing.

I've found Markbass heads to be pretty flaky if you go even a little bit below 4 ohms.

Not sure I'd go for the £20 delivery!!

Welcome dude. I'm from MK too. Saw you a clue of mo this back at The Cannon. I know Jez and Gareth from fof. Welcome to basschat! Colin