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That looks really nice... and those pups looks super sleek with the gold paintjob. Any UK price for the Lakland?

I have a P-Bass from Mark and he winds his own pups AFAIK, and yes... they do sound really good. Not sure about the parts though.

[quote name='spark' timestamp='1477913059' post='3165147'] I have a Thundertomate Optocompressor (Handbuilt in Spain), I´m not 100% sure but I think is based on Demeter Compulator. It´s very smooth as any optocompressor [/quote] Rober from Thundertomate made amazing pedals. I have one of his "bass drivers" and it is amazing. A shame he doesn't build anymore...

EBS Multicomp for me. Simple and nice tone enhancer, great "Tube" setting with a hint of midrange boost and cool Multiband for slapping.

I have just got a Fender Mustang and I am looking for a quality gig bag too. Moving in London with a guitar on your back is an adventure (Tube, bus, trains...)

The OP is looking for Octave up guys Although both the EBS and OC2 are amazing (I own them both) they cannot do Oct Up.

Didn't the lower range Ibanez SR's used to have an active 1 tone control? EMG do a concentric bass & treble tone control that would fit in a P-Bass too. The East p-Preamp is full of features and seems you need an engineering degree to understand how it operates but they're so hard to find 2nd hand and they are not making them atm. An EQ pedal might be easier to fit into your existing setup also, there are so many options out there too. Good luck mate!

I used to borrow a "Warwick-ish" looking Fame bass years ago in one of my bands. Sound and finish were really good. Never seen one since then.

Looks great! I have another Limelight and they are really nice basses indeed. Congratulations!

Sounds good, I like the dual XLR's at the back for FOH and a separate power Amp.

Really liking the R400 and the WB100! Keep more pics and comments coming guys

[quote name='Sibob' timestamp='1473557279' post='3131219'] For me, the best pitch up/down stuff is on the Line6 M series pedals. I pretty much have an M5 just for the +1 octave lol. [/quote] +1 on the M5, it tracks amazingly well.

Nice to see a bass-only Rig Rundown from the guys at Premier Geektard. Tim seems such a chill guy and he knows his gear. I remember his double wah pedal during RATM that he customized with a plate on top to control them both at the same time.

[quote name='dannybuoy' timestamp='1476278005' post='3152946'] I currently use a Fairfield Accountant as a dirty boost. Sounds much nicer than the Phat Phuk to me. It's a compressor, but set to low compression it's a fantastic mild overdrive/boost in 1590A size - and there's one in the classifieds! Otherwise there is the Southampton Fifth Gear - the old model is 1590A with just a volume knob, the new one is slightly larger with more controls. [/quote] Thanks for the advice! I snapped an Accountant the other day from the forum, so that's on the board Still figuring out the settings that I like because I prefer it as a dirty boost rather than a clean comp atm. I had read it on Ovnilabs' website and it was a nice surprise to plug it in and get that nastiness out of a comp. Thinking of getting a Knightfall 66 from Tom at COG, just to have that contrast between the Fairfield mild OD and the 66's more defined OD/Distorsion. Cheers Danny!

Hi y'all, Just for fun I am building a 'micro' pedalboard loaded only with 1590 sized pedals, so far I have most of the stuff I need for the regular gig I play (Rock-Pop) but was wondering if there is something similar to a Wren & Cuff Phat Phuk out there. Also, if you have any suggestions for an OD pedal in the same format please let me know. I am aware of the One Control Hookers Green and I have a COG Custom with a Knightfall 66 circuit inside of it (so I have an idea of how that one sounds). Thanks for reading. Cheers!

[quote name='GarethFlatlands' timestamp='1476119417' post='3151513'] Big "if" though! I've thought the same but have always found monitors in small venues to be lacking so am stuck with lugging an amp around for the time being. One of these into some in ear monitors would suit me down to the ground but the cost is holding me back. [/quote] Massive "if", haha. Yeah, monitors in venues tend to suck. Over the years I have 'developed' a 6th sense as I have had to play with crappy amps and hardly any backup monitors... I asume that the notes I play are right and I see myself humming the bass lines too, LOL. Last gig I had the previous band blew the backline amp... I went monitors only and it was meh...

[quote name='Bigwan' timestamp='1476088379' post='3151029'] Octave into gated fuzz into envelope filter. Job done. [/quote] +1 Event better if you had some modulation and maybe some delay/reverb in the signal path too. A low pass filter could also be great to do some "filter sweeps". There are so many combinations out there...

[quote name='dannybuoy' timestamp='1476191086' post='3152119'] The Boss LS-2 will split the signal for an fx loop for the laptop, give you individual level controls for each channel and mix to a single output for the bass amp. [/quote] +1

http://www.brightonion.co.uk do great quality and cheap stuff. I have a few of their switchers and do the job perfectly.

Looks good! Palmer do very good and affordable gear. I have used their DI's and speaker emulators and they excel at what they do. I have been thinking about going amp-less nowadays as I need to carry 1-2 bases, pedalboard and synth to gigs and rehearsals. A compact quality preamp, if I have decent monitors available, could be a good idea.

Looks really cool. I have a P-Bass Junior which is shorter than a 30" scale and has a full P-pup which makes it sound really full when compared to the original pups on a Mustang. Great addition with the J-pup, harmonics are going to pop out instantly. Any idea of the price in the UK (I haven't checked thr video so sorry if they mention a street price or something)