miles'tone

I bought the 5210 combo for £320, everywhere else is selling them for £865!! Tone heaven! Well chuffed with it. DPD just left it on my doorstep though. I had to leave work to take it in the house as my elderly neighbour couldn't lift it. Driver just dumped it and drove off! All OK in the end though.

Bloody 'ippys

[quote name='bazztard' timestamp='1495209089' post='3302196'] The last song Soundgarden played that night was Led Zep's In My Time of Dying, which was a first (I think). After praising the Detroit crowd he said "I feel sorry for the next city" he knew [/quote] We'll never really know but it does sound like it was a stellar gig and crowd. Maybe it was so good, such a euphoric experience for him that the lonely hotel room comedown took him so low that his demons had him.

At the moment I'm suffering drummer latency and we're in the same room.

I like the playing but not the cold metallic tone.

My personal journey has led me to: Innovation golden slaps, shadow bridge pickup.. Ace old school tone which is also easy on the hands. Wallet friendly too all things considered...

Can't find a new Am Standard P online. Doesn't seem to be any in stock anywhere. Looks like it's second hand if you want one now.

[quote name='pfretrock' timestamp='1494498563' post='3296472'] Radio 3 Late Junction, next week. Unequal temperaments, alternate tuning. [url="http://www.bbc.co.uk/programmes/b08q2rxv"]BBC Radio 3 - Late Junction, Verity Sharp with Unequal Temperaments[/url] [/quote] Thanks for that, will check it out this evening. Although I stated earlier that changing the pitch (not tempo) of an already recorded tune kind of fakes the artists original performance, I'm going to completely contradict myself and say that this one works very well. Night time and good headphones required.. http://youtu.be/ScKBnFaVIoI

[quote name='Dapper Bandit' timestamp='1494330106' post='3294995'] Use what sounds good. Surely you could tune to D standard and then everything would sound twice as better because you're tuned even lower? [/quote] I actually tune down to C standard. Sounds great down there, much more useful I find.

^ maybe you are pressing down on the strings much harder than you need to. Also, check your nut height on both the bass and acoustic guitar. Too high and with heavy strings makes those first few positions killer. I realise you have years of experience but it's still worth checking that out..

I found the Seymour Duncan Antiquity II bridge pup worked really well with the Fender Original P pickup if that's any help..

[quote name='Staggering on' timestamp='1494122288' post='3293443'] Here's a Canadian response. In the late '70's I played a strolling gig in February at the Toronto zoo.I was playing tenor banjo as a dep in a Dixieland band that wore clown costumes so it was a pretty strange gig.It was made worse by the fact that it was -20C (really)so we decided to play a few songs outside then hustle inside to warm up before our next foray into the cold.Fingerless gloves and several layers including long johns made it a bit better but it was very cold. We tuned up inside,went outside and the leader called a song and key and wanted 4 bars on the banjo as an intro so away I went.Ithought the horn players,all very good musicians, seemed to be having a hard time getting the song rolling but it eventually worked out by the end of the song.At that point the trumpet player asked why I played the intro and the song in C# instead of C.Turns out the couple of minutes of cold air raised the tuning of the banjo a half tone,which made for a very interesting gig.As each song was played the horn players had valves freeze,pads on the sax freeze shut and the trombone froze solid in first position between songs.They had a tough time playing songs with more notes missing as the song progressed.Not a fun day but we got paid,but it was COLD.Haven't played below freezing since then and don't plan to. [/quote] Classic! 😂

https://m.thomann.de/gb/harley_benton_jb_40fl_sb.htm?o=2&search=1494115780

[quote name='Chiliwailer' timestamp='1494070353' post='3293006'] I once spent years looking at every jack plate on a Ric 4001 looking for 'RC' as that's March 1978. Eventually found a lovely Autumnglo bass with RC, and soon realised that owning a Ric wasn't as much fun for me back then as GAS'ing for one [/quote] Yes, been there too. Careful what you wish for and all that! Me, I'm 1972 so ideally I'd love a 72 fretless Precision but they are a bit too pricey for me now. I've seen a YOB Fender Tele bass which is doable, but I fear I may not get on with just the one neck mudbucker. I'm keeping my eyes peeled for one that has already been bastardised with a second pickup (cheaper and more versatile) - if anyone sees one...

Pre Ernie Ball Stingray?

[quote name='blue' timestamp='1494012645' post='3292656'] I'd work with Ronnie or Jeff even it was only to clean their guitars.😁 Blue [/quote] I'd work with them if only to make the tea ☕ 😁

OP here.. I agree that the maths/earth/chakra bollocks is, well exactly that. I can hear a difference between the two examples though and prefer the one called 432 simply because it sounded better to me. I also used to get frustrated by some of my old band members when I'd come in with a new piece in F# for example and they would say, "let's play it in G, it's easier to play it that way." I'd say but it sounds different in G, not as good. They'd insist it was the same and that it didn't matter. I don't think I have perfect pitch but I can certainly sense an emotional difference between different keys for some reason though. I took a quick perfect pitch test today and although I got about half wrong, the ones I did get right easily enough were at 415Hz - baroque tuning. Never heard of that before but it does suggest that I prefer my tones a bit lower than regular 440Hz concert pitch. Great, something new to geek out on! 🙃

[quote name='JoeEvans' timestamp='1493917341' post='3291863'] Yes - my point was more that lots of people commenting thought that there was a big difference, but it seemed to me that it hadn't even been pitch-shifted at all and was identical to the version posted as 440. Given that, maybe all perception of any difference is equally unfounded? [/quote] Do you mean you couldn't hear any difference between either the a and b guitars on post #1 of this thread?

[quote name='stingrayPete1977' timestamp='1493909827' post='3291768'] Or the five string Stingray he used for some tracks on BSSM, if the Wal was so good why didn't it get on tour? Maybe they are crap live [/quote] It was too heavy for him to leap about with, and in his own words, "it looked too dorky."

[quote name='BassApprentice' timestamp='1493885486' post='3291472'] Just to buck the current trend of dates....1991, anybody think of a particularly special bass from that era? [/quote] Warwick Streamer Stage 1 a'la Stuart Zender!

Btw, I preferred 432Hz. It sounds more soulful to me. 440Hz sounded a bit too urgent and quite twee in comparison. IMHO. I look forward to experimenting with this myself..

The 432Hz v 440Hz standard A tuning debate. Here's a good vid showing the difference between the two. There are many vids on YouTube which tune down well known songs to 432, but I'm still not sure about them as it's kinda faking the artists performance by altering the feel. A bit. I like this demo as it's a real time comparison performance-wise. Playing starts at 4.25. I know which I prefer, what about you? http://youtu.be/Rt3EAPDn-Ug

My Ukulele. I bought it because I know I'll need it when I eventually start writing songs again. I expect. Probably..

[quote name='Baxter' timestamp='1493219242' post='3286633'] It is the burst. I think it woud suit the light plate. I think I'll go with it. [/quote] Light mint would be lovely.

You can do it, just try not to overthink it and worry. They are happy you can do it so just do it, it'll be a good bonding session and you can hit those gigs with a little adventure together under your belts already. Go with it and have fun! Enjoy yourself, it's later than you think (and all that).