Roland Rock

Bear straps will make one whatever length you like

Not so easy with my P - I have to take the neck off to adjust the truss rod! Thankfully, it rarely needs it

I tuned in at 8.55 and only caught the end. It was an interview, and he was plugging an act on his record label, as well as his own new album. Unfortunately I missed any interesting stuff :-(

[quote name='Highfox' timestamp='1373737747' post='2141154'] Remember reading some threads on Talkbass about them eating frets, not sure how true that is! [/quote] I've had a five string set on my main player for a year now, no sign of fret wear yet. In terms of longevity, I'd say the new 'zing' lasted about the same as most other rounds. To my ears, they have a nice emphasis in the lower mids (compared to the Foderas they replaced), The 'played in' tone is full, round and clear, which is why I've kept them on for so long.

This recent thread may help: http://basschat.co.uk/topic/212137-portable-solution-for-busking-on-bass-new-amp-or-batteryinverter/page__pid__2144583__st__20#entry2144583

http://www.ebay.co.uk/itm/Hughes-Kettner-BASSFORCE-XL-200-Watt-Bass-Combo-Amp-/130946957617?pt=UK_MusicalInstr_Amplifiers_RL&hash=item1e7d0c0131

Yeah, she was great there. That's a really good set they have. Love Swastika Eyes and Come Together especially.

I like that EJ! It's the first I've seen with a neck through/painted combo, and looks great. W&T have recently announced the 'peak of evolution' for the EJ http://www.wtbasses.net/id-180-level-118-ej.html I really like this, especially the shape of the control plate. It's a shame it has lost the lovely sweeping curve at the neck heel though.

[quote name='Lorne' timestamp='1373828539' post='2142036'] Eh? [/quote] Nice collection. My point was that BC Rich are a very distinctive brand with a very strong identity and associations, so are more likely to successfully feature in a "brands that don't seem to mix" pairing. The Spector/Streamer thing was a separate suggestion.

[quote name='chris_b' timestamp='1373625480' post='2139758'] If this is the same bass mentioned in the Talkbass thread, this and presumably others from the same batch, were sold at a reduced price with no guarantee, because of this defect. So, no story here, this time. [/quote] Extinguish your torches and lay down your pitchforks, folks. There will be no lynching tonight.

I'm up in Manchester this evening, so no show from me, but have a great one :-)

Of the major or more well known brands, this will be tricky. BC Rich may be a good starting point. Actually, does anyone have a Streamer AND a Spector? With all the accusations of one copying the other, the 'rivalry' could mean that people are in one camp or the other.

It will be tricky for anyone to say for certain without looking at the amp. Take it to your local repair guy. They should pretty quickly be able to tell you if it's a quick fix or you need a new speaker. In my experience, they won't charge for this initial diagnosis. Sounds unlikely you'll need a whole new combo. http://basschat.co.uk/topic/198-recommended-amp-techs/

Same as above, very clever and skilful, but more party piece than entire gig material. Sounds just like the song to me, chords, rhythm, melody everything. What I like most is the effect he's using (envelope filter?) - it makes the pops sound full and plumby rather than harsh and tinny.

[quote name='megallica' timestamp='1373531593' post='2138590'] can't forget DOA [/quote] Yup, more Canadian greatness :-)

What about Canadian punk bands ;-) http://www.youtube.com/watch?v=2oElH1zBvws Also, some Detroit greatness, such as Kick out the Jams by MC5 and Loose by Stoogies

[quote name='Lowender' timestamp='1373514779' post='2138474'] The tuners on mine are just fine. In fact, everything is just fine. What's the point of getting a good bass at a great price to wind up spending hundreds of dollars more? [/quote] All very true, but for some, GAS and modding are enjoyable and expensive pastimes devoid of logic :-)

[quote name='Bassman Steve' timestamp='1373461615' post='2137833'] [url="http://www.herculesstands.co.uk/product/85317/GS405B/Floor_Stands/ShokSafe_guitar_stand"]http://www.herculesstands.co.uk/product/85317/GS405B/Floor_Stands/ShokSafe_guitar_stand[/url] That's the fella. I use these and they fold up nicely and are the bomb-proof quality already described. [/quote] That looks good, how small are they when folded? I started a thread last year on this issue, but despite various advice, still couldn't find what I was after http://basschat.co.uk/topic/184873-compact-stand-for-offset-bodied-bass/page__p__1865475__hl__hercules%20offset__fromsearch__1#entry1865475

I work with a lot of sharp spinny blades, and sometimes think what would happen if I lost several digits, as I've seen happen to others. Emotionally, I'm a very logical thinker. If it's in the past, or can't be changed, move on and do the best you can. Plucking hand, I could cope with a finger and thumb. Fretting hand, it would be an interesting exercise and learning curve. At the moment, a lot of the time, the scales and arpeggios just 'happen' without much thought. Relearning with a single finger would force me to think about the intervals, possibly in a very beneficial way which would lead to a greater theoretical understanding. I knew a guitarist who often tried to fret with just an index finger, as he found it challenging and engaged the grey matter a bit more.

[quote name='Prime_BASS' timestamp='1373365327' post='2136641'] That bass is disgusting though. Probably what would happen if a blind man tried to describe a Sabre bass to someone who'd never seen one before. [/quote] Each to their own. I think that Gibson is lovely, much nicer than a Sabre. Anyway, looks like this thread better stick to discussing Fenders!

I was thinking just the head. Valvey watts are worth the extra dough!

What a lovely venue! Have a great gig :-)

[quote name='neepheid' timestamp='1373273443' post='2135419'] I'll bite (owning several set neck instruments) - why do you think the joint moves in any way after the clamping pressure is released? Wouldn't that defeat the purpose? If it moved after the clamps are released then I would guess it would pull apart like a Curly Wurly when string tension is applied. [/quote] That's not the way I read that bit. There's no doubt that a well made set neck will not move. It's more that with a bolt on, the joint is constantly under pressure from the screws (should they not be called "screw on"?). With a set neck, the glue holds firm, but the joint itself is under no pressure. The OP wonders whether this could create differences in sustain. Correct me if I'm wrong 4Strings. Edit: took too long!

Glad you like it. Now you see it in the flesh, do you feel it looks imposing enough on stage?

I play with UJahm, bouncy urban reggae: https://www.facebook.com/pages/UJahm/202100879906376?ref=hl