fretmeister

The only thing I can thing of is that the compressor might not be in the right place in the signal chain for you if it is in the amp.

Damn it. With every video I want it more. EDIT - I imagine the fan noise will be the deciding point for me. I've been spoiled rotten with my no-fan Demeter.

I forgot about Skjold. I've played a couple and they were very nice - the headstock is a bit ugly, but I'm not bothered about looks. (but I do love the Marleaux look! )

Demeter amp Super clean and clear There are two models, 800W and 400W http://www.bassgear.co.uk/product-category/bass-amps-and-cabs/demeter/ Cabs - Bergantino CN series. http://bergantino.com/product/cn210-loudspeaker/ I use the 12 inch version of the cabs with the 800W amp. It is very clean, with a sensible eq (no real extremes) and allows the sound of each of my basses to come though naturally. It also takes my pedal board really well.

Marleaux Consat Custom. I've only played 1 Fodera, and it was lovely, but for me anyway it wasn't any better (not even a little) than my Marleaux. I would go as far as saying that the difference in price points is purely down to mental rent that Fodera have to pay in New York.

Best Singer. Good stage presence and confidence is sexy and attractive in itself. If the other one is a good singer - then get her in on backing vocals.

Lawmower Deth's album "Ooo crikey it's..." Awesome playing, superb production, and very silly lyrics.

Lovely!

I might be able to do some iPhone clips - but that would be as good as it gets!

Nuts are often just stuck on plastic with 2 or 3 blobs of super glue. I've certainly popped a few off in the past and then stuck them on again. You could get a 2nd nut for a few quid and swap them if you want to try the strings

I'm liking them that much that I might put a set on a fretted bass too, just to see what happens.

I see on the bass direct site that the NG-2 is described as having a new neck shape. What's the difference between the NG-2 neck and the ABZ shape? I had an ABZ5 and it was lovely but the neck was just a bit too chunky for me - is the NG-2 slimmer, front to back? ta

TC Helicon MP 70 or 75 Brilliant product

Well cor blimey guvnor! What a sound. Apart from a small trip round a couple of other basschatters before it came back home I have owned a Status Energy for years - and had Rob build a fretless neck for it about 10 years ago. Most of the time I had Chromes on it, and sometimes light rounds. But after watching endless vids of Rob Allen basses strung with Black Nylons I thought I would give them a try. I went for the lighter set that was 50-65-85-105 - but even they the nut needed a little widening. I don't have any nut files so I stole my daughters metal nail file and took it slowly. They have much less tension than an all metal set of similar gauge but they sound immense - deep and plummy with the tone control all the way off, but still bright and slappable with it up. I should point out that the bass has a Quarter Pounder in it - in between the jazz pickups, with a separate output with a vol and tone. That's the pickup I use mostly. It's just awesome. I may well move up to the heavier set at some point but that will need more nut work as that set is 60-70-94-115. The music trust band I play with meets again in about 2 weeks, so I think I'm going to take this one with me and apologise for the wrong notes and excessive sliding. Also - it looks damn cool with black strings!

Well this thread was interesting. I've been playing for 27 years and I've never heard of being intentionally out of tune. I've heard of selecting individual notes that technically clash (usually by some prog band) and if heard of using microtones in music from different countries. But having the entire instrument out on purpose? I remain unconvinced and I can see why a listener would find it annoying. It would make my teeth itch.

Yes. On bass and then again on sax. Love it!

Weights and comparison https://www.hipshotproducts.com/files/all/ulite_weights.pdf

On a 5 string with old big plate tuners like a EBMM or Fender putting on Ultralites will knock off almost half a pound. That's why all my 5 strings have them! And as the weight saving is all at the end of the neck, the balance is much improved too.

After trying a loads of mics out last year I bought the TC Helicon 75. Lovely thing, and really suits my voice.

The Alusonic sounds brilliant.

I have have a status where I installed Seymour quarter pounders in it, and it sounds brilliant. Far better than it was.

That's interesting. My Demeter has loads more welly than my Genz.

Lovely! Stick some La Bella Black Nylons on it and use the piezo for some ace almost DB sounds.

I'm after a nice swirly thing. But, I do not want "Jaco" chorus or "Jeff Berlin" chorus or any of that over used cliche type of thing. So, what's good these days?