fretmeister

Mine are all shorties! Two just P, and one PJ. One P and the PJ have flats, and the other has rounds.

If you want one then yes. If you don't then no. I find a J more versatile overall but sometimes, for my ears, only a P will do. I doubt the audience cares though!

There is something called "Feet Finder" but I'm not sure shoes are involved much!

If I buy something it is mine and I can do what I like with it and that includes selling it for double or burning it in the garden for BBQ fuel - but I am not a hypocrite so that must be the other way as well: if I sell a thing and the next person manages to sell it for double - that is their good fortune and I am pleased for them. I'm an adult and I did a deal I was happy with at the time. Hindsight is a waste of energy. Once I've sold a thing I no longer care about it. Perhaps the next owner will sell it for a loss, or maybe for a profit. Either way it is not mine anymore and it leaves my mind. It's not an "anti-community" stance, it's a really "Why on earth should I get a say when it's not mine?" Stance. What next? Should I be upset if the 3rd owner after me makes a profit? Or only if it's the next owner? Advertising something at a higher price does not mean it will sell, and if it does, good luck to them. There are many reasons for a bass selling for more and for less. Perhaps the market improved / got worse. Perhaps there was a bidding war by people who only just discovered the item was available. Perhaps the model has somehow been associated with a recently exposed nonce and now nobody wants them so the value tanked. Perhaps the original seller really needed money and had made the decision to sell undervalue for a quick sale. Irrespective of the reasons why the buyer bought it they assisted the seller. They cannot be expected to offer a higher sum "just because" and they shouldn't be expected to sell at an undervalue themselves. Even if they bought it with the intention to sell at normal market value (or higher) they still did a deal with another adult who made the decision to sell in a way that suited them at the time. Slagging someone for later selling at a higher price is no more or less silly than slagging the original seller for selling at an undervalue and making others of the same model harder to shift at market value. Inflation and depreciation and simple desirability can change quickly. Several years ago I sold / part-x a very nice bass on here and the person buying it gigged it extensively and then decided to get a new one built with slightly different specs so he put "my" one up for sale. Another member of this "community" sent me multiple messages demanding to know exactly what I had sold it for (with the part-x value etc) and seemed to be demanding that I feel outraged that it was for sale at a price that might have been higher than I got. I pretty much got a lecture that me not caring about something that I no longer owned was a problem and that my refusal to tell him the details of a private transaction was against the community. It was a level of pathetic entitlement unworthy of anything claiming to be a community. Most amusingly that member has advertised many items way above market value / used sales on here and ebay etc. This happened again when I sold a pair of Mark Bass cabs donkeys ago and a different member actually had the balls to ask me for a breakdown including the shipping as I had sent them to mainland europe. He wanted to work out the cab price from the postage included price. I promise: if you buy a £100 pedal from me and manage to sell it for £300 I will be thrilled for you. Me being happy with the sale at £100 will not be affected by you managing to sell for £300.

That thud is technique and because the fingers are coming to rest on the B string the thud is lower pitched. Many B strings tend to be a bit floppy and that means they move more when a finger comes to rest on them. More movement = more signal. A tighter B string may well help but avoiding coming to rest on a string at all is a good thing to practice. It will be there on your 4 strings too - but probably at a frequency and volume you are not noticing at the moment.

Nige bought my Strat neck - all good, quick payment.

I love paulownia - I have 2 basses with that, and I have all the parts to put together a paulownia body telecaster too - when I get round to it!

https://www.cortguitars.com/dp/gb-short-scale/ Could be fun!

I find it much easier on guitar than on bass. Probably because the guitar parts tend to follow the rhythmic structure of the vocal more closely than the bass does. And for many things, being a bit more avant-garde on guitar is fine and doesn't ruin the pulse of the tune. I started singing and playing at pretty much the same time - when I was introduced to James Hetfield in 1986/7 when a mate shared some TDK cassettes! I wanted to do that. So very frustratingly I can play fast metal on guitar and sing at the same time and have great trouble playing simple bass and singing at the same time! But generally, it's all about spotting things that line up with strums and vocal beats and using them as anchor points with flexibility in between.

@Silky999 how much would I be looking at for a paulownia Strat body - usual Fender dimensions, neck pocket and so on?

Some older vids suggest that he's actually used MIDI/AI to lift the melodies. Others suggest that he's recording them at a very low speed and then speeding up. As Beato noticed - he's not good enough to be on RB's channel. The stupid thing is - if he put this much effort into learning the skills to rip people off for so long (and that's not including the guitars he was lent that he sold / given to advertise and then just sold without keeping his end up) then he could have put that effort into actually learning to play.

MTV and Kerrang TV were on all the time in my house. I miss when they were music channels - programming by other people is a good way of discovering new stuff rather than just me picking things I already know about. Just like the R1 Friday Rock Show years before. Used to get a cassette out and record it from the radio. Happy days!

Good question. Music is a technical skill, certainly, but one that is used to create art. I suppose when I'm playing my own compositions then I'm an artist, but perhaps not when playing other people's work. But then again a performance can be art in itself even when the 'script' is written by someone other than the performer. Not sure there's a definitive answer really.

Pat bought my Ashdown RM800Evo 2 head. Great communications all the way and aside from the good old Royal Mail pretending that nobody was in when they knocked to deliver it, all was very smooth. Thanks Pat.

It seems Giacomo is back.... and still stealing from other youtubers with low followers Disappointing that Alberto Rigoni seems to be playing with him now.

The Mark Bass Advanced Soft Touch strings feel very much like DR to me, and cheaper. They have Stainless and Nickel.

Poor service thread on tFb as well https://www.thefretboard.co.uk/discussion/287054/

I've recently got the building bug and so far I've done my Pingray, a strat and I have the parts for a Gibson scale telecaster in the house but I need the weather to get warmer again before I can paint outside. But now I'm thinking of doing a short scale 50s P bass as a sort of Dusty Hill tribute. Ideally I'd like to find a slightly downsized body to keep the proportions right, but I'll think about getting a body blank if I have to - slab bodies are probably the best option for a first time body making attempt. A blank that has the neck pocket already done would be perfect. If I can get suitable parts over the next few months then I'd have 2 things to paint in the spring. I'd do it in that old butterscotch type colour he had for a long time, then do the hairdryer + air can cooling approach to get the finish cracking a little. I wish I had a workshop - at the moment I have to do everything other than soldering in the garden. I also really need to spend some money on power tools. Other than an off-brand Dremel and a drill I'm doing everything by hand.

Tell him you’ve never seen such a great parody band. Best ever and that you really needed a laugh. Thank him repeatedly.

Dunlop short scale flatwounds are very nice - but I'm not sure how loud they would be on an acoustic instrument - is it purely acoustic or can it also be plugged in?