fretmeister

Ooo! A Barefaced 1x10 with the new Phil Jones head might be a cracking combination to try.

I'm in Northants. No dealers round here alas. The Cub might be a better bet.

Trying to get as little to carry as possible... Any thoughts on a PJB Cub or Double Four combo for playing with a half-dozen other instruments, mainly woodwind? I see the Double Four is an astonishingly light 8.8lb but can it really do the job? Or is the Cub a better bet, even if it's a whopping(!!!) 13.2lb?

[quote name='discreet' timestamp='1436550109' post='2819145'] It wood though, wooden it? Har, har. [/quote] Wooden tit?

Why did they discontinue them? I had noticed less people buying them.

I'm a bit of a compression junkie so that appealed to me before I owned one. I'd be interested to try one with my Bergs. I play a lot with a local educational music trust band / orchestra and there just isn't room for pedal boards. I like clip on tuners but when 20 odd instruments are tuning up the vibrations in the room ruin the efficiency. I love the idea of having a tuner, compression and a bit of warm drive in the head. I'll have to borrow one to give it a try.

I must try the RH750 again. I had one and didn't get on with it, but I've liked every demo I've heard. So I'm guessing it didn't get on well with the cabs I had at the time - I had a pair of Mark Bass Club 121 cabs.

NEw facebook pic today With some sales patter: "[color=#141823][font=helvetica, arial, sans-serif][size=3]PJB D400 - Digital Bass Amplifier[/size][/font][/color] [color=#141823][font=helvetica, arial, sans-serif][size=3]Weight: 2.9 pounds[/size][/font][/color] [color=#141823][font=helvetica, arial, sans-serif][size=3]Power: more than 400 watts RMS into 4 ohms.[/size][/font][/color] [color=#141823][font=helvetica, arial, sans-serif][size=3]This amp has more tone and better built (with the best quality components available) than any other bass amp in its class. I promise no other brand bass amp of this power will even come close to its sound.[/size][/font][/color] [color=#141823][font=helvetica, arial, sans-serif][size=3]Available: December 2015. Price TBA."[/size][/font][/color] [color=#141823][font=helvetica, arial, sans-serif][size=3]In the discussion PJB claims that it will replace a Mesa 400+[/size][/font][/color] [color=#141823][font=helvetica, arial, sans-serif][size=3]Bold claims indeed....[/size][/font][/color]

http://www.markbass.it/product_detail.php?id=250 Interesting for the "class D has no welly" gang - claims to not use the car stereo power amp unit but have developed their own. Yet more toys to try!

[quote name='LewisK1975' timestamp='1442238202' post='2865366'] Thanks for taking the time to reply gents. All food for thought! Also gotta find an RH750 to try out too. There is a s/h one in Bass direct, but it looks like their only selling the complete rig of amp+2 cabs at the moment, maybe i'll drop 'em a line and see if they'll consider splitting the rig.. Bassman7755 is correct I'd be looking to drop at least the Sansamp, Tu-3, and MXR comp. I'd still need some kind of board though, coz I have the billy sheehan EBS pedal which I do really like..hmmmm [/quote] There was one on the Facebook Bass Players market yesterday.

These http://www.amazon.co.uk/Superlux-HD668B-Headphones/dp/B003JOETX8 As good as my silly money Grado cans. Annoyingly!

I'm about to join the phaser party - I'm going for a Mr Black Gilamondo. Demo on YouTube is awesome.

[quote name='JapanAxe' timestamp='1442180986' post='2865017'] The mid control on the Demeter is passive, i.e. cut only. I generally run it at 3 o'clock, which should equate to a slight cut but sounds right to me. I expect it has a lot to do with what the treble and bass controls are getting up to at the same time. [/quote] On My Demeter I tend to have the mids at about 10 o clock and the treble at 9. And in 'dark' mode. But then again my basses are quite bright and have steel rounds on most of them.

[quote name='Lw.' timestamp='1442223691' post='2865206'] Pretty pathetic move isn't it? Thread started off ok with some decent input from everyone then slow obtuse trolling creeped in, then after getting called on it deletes all the context of the discussion! Never mind - I guess we'll never know what constitutes a mainstream vs boutique manufacturer now! [/quote] In my experience the difference between mainstream v boutique is usually very simple: There are those that think boutique means being made by crooked back deformed mad scientists in damp sheds, and then there are those who claim anything is boutique if they can't afford it and don't want to admit it.

Why has the OP deleted all his posts in this thread?

Neotech Mega Bass Strap. More comfy than my Mono. More adjustment too.

[quote name='Naetharu' timestamp='1442145719' post='2864637'] Out of interest, what's the deal with the mids on the EQ here - odd that it's only for cutting them? [/quote] A lot do that without telling you! Or at least the 12 O clock position is not flat but already reduced.

Flats?

From Berg website: Why B|AMP? September 11, 2015/in Blog /by Bergantino Audio Before any engineer worth his or her weight puts pen to paper to start any design, he or she needs to ask themselves one very simple question: “Why?” In fact, that’s exactly the first question a venture capitalist would ask a would-be entrepreneur looking for investment money… “Why X?” For years I’ve been asked by dealers to produce a Bass Amplifier. My response was always “the industry doesn’t need another ‘Me Too’ product with another off-the-shelf power module with another voiced preamp”. The multitude of preamp voicings reminds me of my old hi-fi days when department stores had shelves lined with speaker cabinets. The most successful manufacturers of those ‘lo-fi’ speakers knew that they had at most 5-10 seconds to impress a potential customer before they moved on to the next speaker system. So what did they do? They voiced their speakers to have the boomiest bass and most sizzly treble. Why? Because they knew, given a very short audition time, this approach would put their speaker’s sound out in front of their competitors. What the unaware customer did not know was once they got these speakers home, what they initially thought was the most exciting speaker in the store would soon turn out to be the most un-enjoyable and fatiguing speaker to listen to at home! Anyone who has listened to a very well designed and engineered hi-fi system knows that a balanced, low distortion system, always wins out in the end for a long term and enjoyable, musical listening experience. As I’ve watched and observed many bass amplifier designs evolve over the years, I can’t help but wonder if any of these manufacturers truly understand the relationship between the amp and speaker system they are attempting to power. This explains why most of them are just using their existing or slightly modified preamps, some from as far back as the ‘60s and ‘70s, and just adding a lightweight, class D power module to it. Kind of reminds me of Einstein’s definition of insanity (“doing the same thing over and over again and expecting different results”). So how can the same tone controls, with fixed frequencies and q’s, EQ different speakers with different frequency responses, to sound balanced, if the electrical response of the EQ is constant, but each speaker’s acoustic response is different? The simple answer is they can’t! It’s like trying to fit a square peg in a round hole! How many times have you read on the news groups and blogs that this amp works great with that speaker but no so much with this one and vice versa? That’s because one amp’s EQ points may better match one speaker’s response than another’s, but it’s still not very close, just “better”. To think of all the time these manufacturers spend trying to voice their preamps, choosing EQ filter type, q’s, and frequencies that either offer the best compromise between all their different speaker models, or worse, basing their EQ choices on specific players with specific basses and speakers! But wait a minute… I thought these were tone controls, not speaker EQs. Exactly! And herein lies the problem. Most players don’t even realize they’re actually using their tone controls to try and EQ their speakers long before they are even EQ’ing their tone. And unfortunately, we believe most manufacturers don’t understand this either. Tone controls, with their typically wide q’s, or broad shelving filters, are no more useful to EQ’ing a speaker than are mudguards on a tortoise! You may be thinking right about now of all the time and money you’ve spent over the years, chasing your tail, searching for that tone in your head, not even realizing that you were trying to solve this very problem. And unfortunately, not even knowing there wasn’t a solution to this problem…until now! So “Why B|AMP?” Very simple. As an engineering company we’ve identified a real world problem, and are offering a real world solution to it. That’s what the Profile concept and system is all about. We’re EQ’ing the response of your speaker for you, with very precise filters, unique to each model, based on actual, real world acoustical measurements. So now you can focus on EQ’ing your tone, and not your speaker. And the only way to implement this concept is with a 21st century amplifier architecture, utilizing the latest in DSP technology along with an embedded system to control the process. No other bass amplifier on the market has the power and control over the entire system’s response and user experience than the B|AMP. And we believe that few, if any, other bass amplifier manufacturer understands the very nature of this problem like we do nor possesses the technology to solve it."

PJB has just told me there is NO FAN! Now I'm excited!

http://stores.soundislandmusic.com/phil-jones-bass-d-400/ His Facebook feed is going on about power section welly and having the most balls of the D amps. We shall see!

Ooo shiny Review please! Any idea on the compression ratios available?

The only thing I can thing of is that the compressor might not be in the right place in the signal chain for you if it is in the amp.