Matt P

i might be wrong but i thought that the EB3 was long scale (34") the EB0 is short scale? an easy way to spot the difference is that the eb3 has 2 pickups and the eb0 just one.

i saw this a while back whilst browsing, looks interesting to me, a 2ohm option would be nice but isn't a deal breaker. the feature list is pretty good too, 4 band eq, switchable from active to passive input and a switchable onboard compressor. and it's got 2 speakon connectors. if you compare to the quilter then this has (to me) a much better spec list, eg. headphone output and an aux input with a volume control makes it a great practice tool at home. and a mute switch is one of the things i miss on my markbass if this had a different badge (Fender/Ampeg/gk/etc) and was 100 quid more i'd expect that we'd be buying them in droves and raving about what a bargain they were! matt

Not the cheapest option but what about a peli case with a custom foam insert? these guys offer a few options for custom cases as well as custom foam inserts for peli cases and dave cases (their own brand peli type cases) https://www.thecasefarm.co.uk/ another option might be these guys who build flightcases to order and I believe can do the custom inserts as well, the cases will be super tough but not as light as the dave/peli option http://www.flightcasewarehouse.co.uk/ if it was me i'd probably go for one of these https://www.thecasefarm.co.uk/shop/dave/dave-800/ with a custom cut or homemade insert, I think you would have a fair bit of space for di boxes and strings/straps etc as well, it would possibly also work as a hard shell case to take the bass in a gig bag with di boxes etc and some clothes as padding which might cancel out a separate hold bag for shorter trips. Matt

It wasn't actually a bad guitar, it played pretty well and sounded fine, I can't remember if I ever gigged it but it might have been a backup on a gig or two

I've never seen that advert before but I did actually own one of the crackle Black guitars, my uncle found it in a junk shop and bought it for my nephew, I then had it for a while and set it up. I've played worse instruments, I ended up giving it back to my nephew once it had been sorted.

yes croakies were the original sports ones, i've worn glasses for over 20 years now and have tried most of the options available, croakies do the arc system (which i haven't tried) but it looks like it can be adjusted to suit the wearer, i found that the original style croakies would catch my glasses if they got knocked but wouldn't hold them on my face. (these are very similar to the ones posted above. these are the arc croakies; https://croakies.com/product/arc-endless i've got some adjustable neoprene ones at home which sound like they might be similar to what you are after, i'll take a look when i get in and see what make they are (I don't think they are croakies) matt

this^ mine broke but i repaired it by drilling a hole in each of the 2 parts and gluing it back together with a steel pin inside, it's been fine ever since, i expect the other end will break at some point but I've got plenty of glue and steel pins. i've got the snark with the metronome built in, auto chromatic tuning etc, i've yet to find an instrument that it can't pick up. (4 and 5 string bass, EUB, uke bass, electric and acoustic guitar, banjo, mandolin and ukelele) Matt

How is the access for string changes on these? My kala has an access panel on the back for string access but these don't, do you have to reach through the sound hole?

Most of my kit is in the study/man cave/box room (all the same room unfortunately) i've got hard cases for almost everything (about 15 instruments in total) and i've modified some Ikea shelving to hold it all, there's a wall hanger which usually has something on it, and a regular stand next to the desk with a bass setup and ready to go into my headphone practice setup. the cabs (2 x Barefaced Midgets) are on the bottom shelf of the unit with my pedalboard/amp case alongside. there is a single acoustic guitar on a hanger in the living room and a couple of guitar amps and the power amps for the PA are stashed in the cupboard on the landing. the room is actually pretty small, if it wasn't such a mess i'd take a picture to show how much stuff can be squeezed in but i think i'd get in trouble at the moment due to the state of the room.

i did exactly the same thing to fit a Neo D to my Gretsch Jim Dandy, didn't take much filing, it sounds pretty good to my ears.

was the total cost 135? or 135+70 for parts? how does the amp sound?

I had a similar repair done a few years ago (actually about 9 years ago), replacement mosfets in a trace gp11 ah250, i seem to remember the total cost being about 150 including parts, they guy said that i was lucky as he had the right mosfets in stock and they were very difficult to get hold of (this may or may not have been true) so accounting for inflation and the stupid cost of everything right now i'd say that the quote looks about right. there's a good chance they are replacing some of the big capacitors while they've got it in bits. the gp11 sounded awesome when i got it back. Matt

I haven't tried the J+D but i did compare a few of the cheaper options side by side when buying my Kala, they both had the pale/white strings but not exactly the same ones, i've seem some cheaper ones that have white strings that aren't Aquila (which are more of a cream colour) another thing i noticed was the little hatch on the back for string changes, the 2 cheapies i looked at, one had no hatch at all ( i'd imaging that string changes would be a nightmare) the other had the hatch held on with 4 screws that weren't flush to the wood so would have risked damage to your shirt (possibly). i really wanted to like the cheaper ones but after about 90 minutes i'd come to the conclusion that i couldn't have lived with them and went for the Kala. if i was buying again on a budget i think i'd be saving up a bit more and finding a secondhand Kala. (there is a spruce topped one in the classifieds at 210 quid at the moment.) Matt

How much?!!! Expected retail is 170 dollars! I can see that it appears to be made of ebony which isn't a cheap timber, but I'm pretty sure I could build something similar out of a better structural timber for far less money. Luckily I can't see any reason why anyone would want this so I can spend my Sunday afternoon on more exciting pursuits. M Edit: on further reading it seems that he's actually using a variety of timbers from trees on his property so the price is even more unbelievable, there will be some time involved in the construction of each one but some simple jigs and power tools shouldn't make them too time consuming to create.

i fitted these to the BEX http://www.daddario.com/DADProductDetail.Page?ActiveID=3769&productid=186&productname=ETB92_Tapewound_Bass__Medium__50_105__Long_Scale the labella nylon tapes would be a good option too, i went daddario as i got a fantastic deal on them (the distribution centre is very local and my friend at the guitar shop sold them to me for only just above the trade price.) i'm going to assume that the strings that came on it are round wound, phosphor bronze strings will also be round wound, for me i'd go for either flatwound or tapewound depending on personal preference. chromes might be a good option too as they are on the brighter side of flats. Matt

i've just had this situation with a Les Paul G****r, i don't like the 2 volume 2 tone setup so i fitted a coil tap switch into one hole and a spent .38 cal cartridge into the other, it fitted pretty snugly and a bit of tape on the inside holds it in place nicely, i've got a pic somewhere if you want. matt

i had a Yamaha BEX4 a while ago and the previous owner had been using D'addario nickel xl's, i didn't like them at all, i ended up fitting D'addario nylon tapewounds which sounded great. what type of strings are currently on the eastwood? Matt

another option would be to have Andyjr1515 (or another talented builder) build you one, i'm pretty sure he could build a semi acoustic body to suit a fender neck and incorporate whatever pickups and controls you would want, compared to the complicated beauties he usually builds a semi acoustic precision would be a breeze! Matt

i'd agree on the Yamaha BEX4, i had one for a while and they're great basses, quite p-bass in tone. another option (if you can find one) is the Fender A/E. I played one in a shop a while ago and it was really very nice, unfortunately i was skint so couldn't afford to buy it. they're Japan-built and have a precision pickup as well as a piezo, and they're that lovely familiar precision shape and feel to play. they do pop up occasionally on here but they're pretty rare beasts. this one sold a while back [url="http://basschat.co.uk/topic/298117-sold-fender-ae-9091-fretless-fretted-neck-precision-bass-japan/"]http://basschat.co.u...ion-bass-japan/[/url] Matt

i'm another north east basschatter with barefaced cabs (a pair of gen 2 midgets) you'll find that we're a friendly bunch up here, Jack very kindly let me have a thrash through his midget/compact setup while i was trying to decide what to order, and there are a couple of other barefaced owners up here that would be happy to let you test out the cabs. another manufacturer to consider is TKS, WaterofTyne is a huge fan and only lives just down the coast from you. it's a shame that there isn't a bass bash lined up as that would give you a good opportunity to try a wide range of cabs. i tried a th500 with my cabs at the last bash and was mighty impressed, unfortunately i was too skint to be able to buy one (and probably won't have the cash in the near future either) barefaced have a map on their website with links to owners around the country, i'd be surprised if they weren't mostly basschatters! Matt

i voted 2+2 mainly as i like the shorter headstock, my real preference is 2+3 as it allows the b-tuner to be slightly further from the nut which i've found prevents issues with the b-string running out of silk length, i've had a couple of 5 strings where the thickest part of the b-string ended up on the tuner. i actually have a few of these variations in my collection, and i'm not sure a precision (or a jazz for that matter) would look right with anything other than 4 a side (or 4+1 for my P5) i haven't got anything 3+1 yet but a stingray is on my bucket list. Matt

No worries, I thought it was probably gone but shy bairns get nowt! Matt

[quote name='Geddys nose' timestamp='1508947594' post='3395558'] I've never plugged it in but your mate can have it if he wants to fix it.The bag is Ok and it has both arms. [/quote] Have you found a home for this or is it still up for grabs? I might be interested as a project, any chance of some pictures of the damage? Matt

if you're only ever going to be using headphones then you might do better with a mini-mixer or a zoom fx unit (b3n or similar maybe?) these often have inputs for an aux and decent headphone outputs, Phil Jones make some headphone amps as well which are very well reviewed. i use a small (5 input) Behringer mixing desk which works really well and is hooked up to my pc as well as a cable to my phone/tablet/iPod depending what i'm playing along to. matt

glad to be helpful, good luck on your flats quest, i got lucky with the chromes, they were my first trial set and just felt and sounded right, saved me a fortune in strings as i fitted them 4 years ago and haven't changed the set at all. matt