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Lozz196

⭐Supporting Member⭐
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Everything posted by Lozz196

  1. Without wanting to be too eager to promote my very own sale of a Gator G-Bus, I think it would do the job nicely.
  2. The newer ones such as the ABM600 and the RM range I find are much more flexible than their earlier amps.
  3. I had a similar issue on an RM112, but only on really low notes, turned out to be the tweeter of all things. Ashdown sorted it easily enough for me.
  4. Yeo there’s a Japanese Fender Jazz up for sale on here that has no pickguard, looks great
  5. I had this with the second PF500 I had, happened on the first time I used it (connected to a Barefaced Compact & Midget so not an issue re the cabs). That was my journey with the PF range over, shame really as the first one I had was great, no issues at all.
  6. Great info re compression there @Boodang never really got to grips with how it all works, that’s very helpful
  7. Definitely, in my last 3 bands my tone has been quite different, chosen to suit both the music style and fit with the other instruments.
  8. I had exactly the same happen with my second Ampeg PF500, on the first time I used it, which is why it got returned pdq and why I no longer have faith in the PF range in general. Shame as the first one I had was excellent, great tone, volume, no issues at all.
  9. Fishy looking eq…….
  10. I’m just wondering if a compressor that knocks a bit off the top end might be the solution. I’m not too clued up on how they work but think Attack and Release times will have a bearing on this too - pick is a very quick attack compared to fingers.
  11. He did but all that was part of the hype, given that Steve Jones liked Elvis and Journey. Instead of fixing the problem and having a band that could play basically but decently he went for shock with poor old Sidney.
  12. I’m just wondering if a compressor that knocks a bit off the top end might be the solution. I’m not too clued up on how they work but think Attack and Release times will have a bearing on this too - pick is a very quick attack compared to fingers.
  13. Def, on Sp*nk the fluid inventive basslines really changed the songs. It may be because NMTB is how I got to know them so they are my fave versions, but it is nice to hear the earlier stuff with Glens playing.
  14. He fell in lurve and emigrated to come over here.
  15. A guy I was in a band with was in Operation Ivy for a bit, til he came over here. Sensing a possible pattern we were always asking him to leave so that we could become famous too........
  16. No worries, The Post Office used to be owned by Royal Mail Group, but in 2012 the govt sold off Royal Mail/Parcelforce so they are now privately owned, with shareholders etc, whereas Post Office is still owned by govt. Re cabs, no I’m on Ashdown ABM PRO NEOs now, I went over to Ashdown in about 2017/18 and tho eventually found the ABM original series too heavy the PRO NEOs I can handle.
  17. Cheers Pete, I didn’t want to appear over persnickety but we at The Post Office have taken a bit of a battering in the press recently - some will say deservedly so - re the Subpostmaters/Horizon scandal, so would rather we don’t take the hit for another companies inefficiencies as well.
  18. What are you doing to us Ash, this is stunning.
  19. I’d def keep the one with the black plate as it is, love that 70s type burst!
  20. Although Simenon was good imo Glen Matlock of The Sex Pistols was by far a better bassist, his lines on the early recordings show great ability.
  21. Manowar!
  22. Yeah I’ve found that flats just don’t have the top end that I need for rock. I do have a set of Chromes that I’ll try at some point though, they came on a Precision I bought and they play really nicely so maybe with a re-eq on the amp I can get there.
  23. Stadium Stack & Southern Jam sound great
  24. Every time I`ve tried flats I like them for a while, then realise I miss the clarity & top-end of rounds. I`ve tried all the usual supsects re brightest flats and none of them work out. I suppose if I were a Jazz/Stingray/active-bass player flats would work fine for me, but as I`m a Precision man through & through I can`t get what I need from them.
  25. My main basses are all the same value, only the backups are cheaper. There is a difference in quality but not as much as the price tags would suggest.
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