Lozz196

In 2007 I bought a Les Paul Studio. I asked to try all of the ones in the shop out from the same range - they had three. One sang, one spoke evenly, one vomited on the floor. I bought the singer, but it was hard to believe how 3 identical guitars, all set up pretty much the same could differ so much.

I think I’d look at the Super Twin, I’d rather have too much in terms of speaker cone area than not enough. The BF 2x12 cabs are plenty capable of handling the type of venues without FOH PA on their own.

Yep, for me Rickenbackers were a big part of early punk - Simenon/Matlock/Foxton/James all played them - and I always thought they looked great, still do.

Same here, everything went back into the band so we never made any money, but this way the band paid for all hotels/flights/ferries/recordings/new merch etc.

I’ll bet that’s one great sounding cab

That is an exceptionally beautiful bass, Jack

Pretty much the same for me, just not keen on those at all.

Same here with the maple/rosewood thing, rosewood being deeper and less mid-focused imo.

Or look at the Events Section and see when the next local bash is - there are inevitably some US Fenders at these.

That’s a nice bass sound Andy, what gear did you use for it?

TC Unitune Clip On Tuners

It’s very good so far

2 bands: Rock covers band, no gigging, rehearse every other week. Originals psychobilly/punk band, 10/12 gigs a year, and only generally rehearse once before a gig. We are going to be working on a new album so will probably be rehearsing a bit more often for writing it. Having been in a band that rehearsed & gigged every week I really appreciate both of my bands as it’s much more like a hobby/enjoyment now. Whilst I did enjoy the last band it was almost like a part time job.

Difficult, are the US ones better, definitely. Is the price difference proportional to how much better, probably not. But used they’re anywhere from £900 - £1200 depending on series & condition. That makes them a goer imo, and if you’re not keen you can then move it on for the same money shelled out. I’d def take the plunge (I have to say that, I have a good few, though will be putting 2 up soon).

Not exactly, I really like the styles of both my bands (rock covers & psychobilly/punk originals) but my fave music is straight up punk/Oi.

Fretwork would have been difficult with those paws….

I have, both to a mate for a recording session that I wasn’t go to be at, and to a headliner who sadly knackered his bass in at the gig, it fell over with the lead plugged in and damaged the jack socket. In the circumstances of the OP the answer would be no, don’t know the guy, don’t know the facilities at the gig, don’t know the other bands, too many variables where damage/theft could take place.

I loved my LMT, the tube control didn’t sound gainy or driven, more like an “aliveness” that once turned down/off you really noticed wasn’t there.

The ABM210 is a nice cab, sounds great. Stick it on its end you have a vertical 210 which will be better for dispersion.

What type of music, and will the smaller cab be just handling stage volume or having to cover the whole venue? That said, I think a Barefaced 2x12 cab would be a great solution, plenty of power handling, not too low down so only your ankles hear it, great dispersion and lightweight/portable. I’d go for one of their 2x12 cabs rather than 1x12 purely as imo it can do so much more, tho many gigging a single Barefaced 1x12 cab seem plenty happy enough.

I`d forgotten that I did this review. I must admit I did like my Tonehammers, and given how loud they are I never experience any "running out of steam" issues with them. Great little amps.

My last band had a website which linked to our merchandise, of which we used to sell a lot. From what I understand bookings etc were all done via Facebook, but that website was invaluable for the merch aspect.

I just checked out my league table so to speak, I joined approx 12 years ago and I’m up to 17,762 posts. Wowzers, I need a life!