Lozz196

I found that to tame the highs a tad and give it a bit of warmth that Elixir Nickel Rounds worked really well on my Jazzes.

Yeah but they sound so good, still undecided as to whether I want any pedals at all though.

Yep I’m not a fan of the onboard compression, but have been considering a pedal compressor, and the one I like the look and sound of is the Aguilar DB 599, the clips of it with a Precision really work imo.

I’d like another Gibson Les Paul bass, had one about 15 years ago and loved it. But being a confirmed Precision player now it’s unlikely I would use it in a band and Les Pauls I find awkward to play sitting down due to the shape and edge. So would be pointless. But I still want one.

That’s a good anology, Viz put to music. I’m surprised at the air of menace tho, on the gigs we played with them there was more an air of fun & giggles. Sadly there will always be one (or more) that thinks they’re hard, but I’d bet money on that happening more in regular town centre pubs with ‘regular’ guys than the skins. The only time I ever saw real bother at any of the Oi gigs was when the crowd ‘moved on’ idiot nazi types who - wrongly - thought they were amongst likeminded friends.

That’s a smart looking rig

I found Markbass to sound fairly “meh” isolated but in the mix they sound great. I bought my old set up as every time I heard a covers band in pubs where the bassist had a good tone it seemed to be a Markbass rig. So when I got it and set it all up at home I was a bit disappointed, but once I got to rehearsal I realised where its strengths were. I generally had the VPF on full though.

I’d forgotten about Skidmarks and Spencer’s by Trigger McPoopshute, brings back fond memories of gigging with them

One of the best tracks from that period of the 80s, or indeed the whole of the 80s.

I forgot to mention, I have a set of 62s I’m looking to move on, in case you’re interested

From what I’ve read the 63 has a lot more in the lows and not so many highs in comparison. I’ve got the 62s and the blurb on the box indicates that they’re a tad scooped but I don’t hear that, to me they’re quite large in the low-mids.

TC Polytune or Unitune. I’ve had a few clip-on tuners and aside from the TC ones none were any good at tuning an E string in a gig environment, whereas the TCs have no problems at all on this. And due to the design you can have the tuner on the back of the headstock so the audience only see the clip part on the front.

In fairness to myself I will be selling 2 items in this ones place

You could make a claim, it being an accident……

I’m out, in my quest for a preamp/DI that runs off batteries an Aguilar Tonehammer I’d on its way to Chez Lozz

Agree, a bit like those isolated bass tracks we hear where the bass sounds fairly “meh” on its own but really warm/big/fat in the mix.

Why oh why oh why, distortion is not for slapping

Must admit Klan Basses just doesn’t sound right

Hot dang Billy-Bob, tie it to the pickup truck and drag it around town a while

Good band

Yes at home volumes no issues. What I would do as a routine though is before use turn the volume and - if it has this - input gain fully off to protect against unfortunate incidents such as the volume knob having been knocked all the way up. Last thing you want happening is switching on and hitting that first note to find amp is on max/cab surrendering.

Blue for me, with tort of course, red with white (although Arsenal colours) us a bit too Shadows.

Two fine examples there Clarky

Looks great Nick, love sound & playability of Tbirds, though carrying the cases around was enough to put me off gigging them

Fender US Standard Precision. Although I have my faves amongst them any US Standard just works for me.