visog

A/B if you can... not sure who stocks both... Bass Direct - DG certainly but not sure about the Ampeg. Or try Andertons if you're down south. I say this because part of the Ampeg sound is 'heft' and whilst I agree about the musical overdrive and flexibility of the VU, it didn't have the same heft as the cab sim'ed Le Bass I tried. So try them out... Andertons also now have the Tech 21 Bass Fly Rig which might also do the job for you with some additional bells n whistles... see the thread on this for a link if interested.

How's his hotel business doing?

Hello, Me again... the Anderton chaps have done a good a video on it too in case you haven't seen it... https://www.youtube.com/watch?v=BxpdqI76t_Y

Wow - this guy makes it sound awesome.... https://www.youtube.com/watch?v=rUC3FbJwUEg

Total hokum... avoid. Spend the time you'd go into town buying it on practising. The reviews are non-committal to appeal to advertiser but with softened signals to say to buyers, 'we warned you this was a bit meh'. Contributors are total bollocks with bizarre tapping lessons interspersed with grindingly basic tutorials on the ins and out of a C chord. (Spoiler: it's C E & G). Or you could listen to Stew McKinsey's spewings on extended range basses - a genre which has an audience of... well you buying this magazine. Listen, I'm not Putin, if you want to buy it go right ahead but be clear it will do absolutely nothing for your playing except degrade it by using up time to buy and read it.

Going to be a bit militant here so... here goes... You can ignore theory study area if are a savant like Hendrix who just hears it. But I'd suggest most people reading this are not! Even the mighty Jaco studied from the arrangers in his formative years. The abstract logic is that multiples of 3, 4, 5, 7 & 12 result in cadences, patterns and forms that result in a myriad of outcomes. Harmony and Melody-wise. And to quote a well-worn phrase, you can't break the rules until you know the rules... So just get on with it and learn it. But here's the rub - I can academically derive any chord, in any key - alterations and colourations included but I can't necessarily apply it in real-time in my bass lines which I guess is the real challenge.

Great band... not really focused on the bass. Just took in the whole vibe...

I'm afraid this is very true: http://www.thedailymash.co.uk/news/society/sight-of-band-setting-up-strikes-fear-into-drinkers-hearts-20160930114664 No-one want's to hear a live band now unless they're go on to do a proper DJ set or they're Cold Play?

Christ that is unimaginative, derivative, horrid, horrid,horrid. Who designed this thing? Haven't heard or played it though so could be cool... *whispers but I doubt it*

Yes... them too. 1998 apparently. Brand now owned by Peavey.

Just looked at their website re. brands: [color=#000000]Gibson Brands has a portfolio of over 100 well-recognized brand names starting with the #1 guitar brand, Gibson. Other instrument brands include Epiphone, Dobro, Valley Arts, Kramer, Steinberger, Tobias, Slingerland, Maestro, Baldwin, Hamilton, Chickering and Wurlitzer. In professional audio, KRK Systems, TASCAM, Cerwin-Vega, Stanton, and Cakewalk also continue Gibson’s tradition of quality in their respective markets. Consumer electronics brands include Onkyo, Integra, TEAC, and Esoteric.[/color] [size=4][font=arial,helvetica,sans-serif][color=#000000]And just noticed this:[/color][/font][/size] [color=#000000]Craig Anderton – Chief Magic Officer, Gibson[/color] They're boned!

Have to agree... they've not exactly been a bass players friend. In Gibson's eye's we're the guitar-players buck-tooth idiot cousin who's happy to plunk away on a short-scale thud machine. They bought and ran down Tobias... And my DAW of choice Cakewalk... and they've un-develped that. And their Victory basses were horrid. Let's raise and angry mob and go burn their factories...

How much!? Presumably that's the Custom Shop difference. Let's hope the QC is better than the regular production!

Get 'em quick before Trump builds his wall...

Oh no... another manufacturer that obsesses with marketing to math-metal bassists like Dingwall and Warwick...

Yes all very well but the music in this clip didn't really use or show any of the Vic's character on the instrument. They may as well as had any math-metal bass player...

[quote name='Machines' timestamp='1470086594' post='3103246'] Ok first off I couldn't be bothered to cart them all downstairs. The ATK and RBX wouldn't fit either. My second point is I did not choose the pattern on the linen. That is all. [attachment=224702:IMG_20160726_215243.jpg] [/quote] This is clearly a bed not a settee - Moderators, can we have Machine's account deleted immediately? Nice Ibby BTW...

[quote name='Bilbo' timestamp='1470243788' post='3104455'] It's all very simple. The way you manipulate your instrument determines the sound generated. [/quote] Do agree with this and perhaps part of the 'snobbery' or maybe it's expectation comes from the fact that maybe:[list] [*]Pick favours single string lines and fingers enable more a string-crossing associated with 'traditional' chord tone arpeggio playing? [*]Easier to emphasise swing with fingers than a pick? [/list] Dunno - just putting it out there on what I've encountered in the past when I played with a pick starting-out emulating the mighty Chris Squire - whom I later found out pretty much eschewed much of the bass tradition and played diatonic lines through the chords.... I play with fingers now and have much better control generally although matching the precision and tone of Roundabout or Heart of the Sunrise on fingers is a challenge.

[quote name='kodiakblair' timestamp='1473199383' post='3128006'] Long time back Jeff also had a Peavey Sig bass called the Palaedium . Folks said it was a great bass like a high end jazz with no hum. Might be due to the passive Barts it had. Was $1000 back in 90/91. If you see any videos with Jeff playing a bass like this then that's the Peavey. [attachment=227262:IMG_6161.JPG] [/quote] I remember the bass and always fancied one but I'm sure they were cheaper than that... Bass Centre had one in one of their big sales for £299 - admittedly 25 years ago...

[quote name='HazBeen' timestamp='1473171606' post='3127639'] Jeff also said that a 5 string was useless, until a 5 string Cort came out. I played a 4, very good bass for the money. The pickups and placement make it sound a little honkier when back pickup is soloed, a little darker when front soloed. I would certainly say this can exist alongside another Jazz, an added "flavour" to the classic JB sound. [/quote] Well he played a 5-string Tobias on the ABWH tour subbing for Tony Levin but just for the 'stick' songs as I recall.

I'll go late seventies for me: Yes, 'Going for the One' 1977 Rush, '2112' 1976 Joni Mitchell, 'Heijra' 1976 Weather Report, 'Black Market' 1976 Stanley Clarke, 'Schooldays' 1976 Return to Forever, 'Romantic Warrior' 1976

I think the answer's staring you in the face... take it off the market and give it six months. Sounds like a nice bass so it's not going to lose much if any value so long as you don't ding it. And give into the fun that it is 'five'...

[quote name='bagsieblue' timestamp='1471807386' post='3116057'] Right here: [url="http://basschat.co.uk/topic/74284-the-majors-bass-boot-camp-session-index-1-36/"]http://basschat.co.u...ion-index-1-36/[/url] [/quote] IPB files!? Not the PDFs suggested? Not helpful