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velvetkevorkian

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Everything posted by velvetkevorkian

  1. Nice, how does the 4 string pickup work with 5? I had a bass with one of those Wilkinson kits, it's a pretty neat idea if you can manage the narrow spacing
  2. Someone else mentioned this in this thread
  3. Fierce Deity: https://fiercedeityband.bandcamp.com/album/pwc-directors-cut (stoner/power metal) (via my Bandcamp feed, probably)
  4. It's probably not what I'd aim for, but if it plays well is it a problem?
  5. Yes! It's like they're almost but not quite perfectly symmetrical or something
  6. Yeah I quite like using the studio tube preamp and studio tube compressor models for a clean sound.
  7. Nice, I can stop window shopping for on-board pre-amps then
  8. Quick demo of my passive Legend 6, playing the same groove three times -- both pickups, bridge only, neck only. Tone controls wide open throughout. An empty HX Stomp patch into an SSL2 interface, recorded in Reaper. Caveats: the output is pretty low, so I've had to crank the input gain - apologies for the background hiss. With a proper patch setup this isn't usually a problem. Also I think these strings could probably do with a change. Hopefully you get the idea. spector demo.mp3
  9. I've had a few different loopers (Digitech DL8, Boss RC1, HX Stomp's 1 button looper) and the main issue I've found* is that overloading a single switch with multiple functions (press, double press, long press) was too much for my brain -- I'd be looking at units with at least two footswitches, so you can have a dedicated stop switch, at least. *aside from my lack of ability and willingness to practice 🙄
  10. Not at the moment but I'll see if I can put something together.
  11. I have a Legend 6 (I think) with Bartolini soapbars which was rewired from some kind of Tone Pump to passive VVTT by a previous owner -- it sounds pretty good to me with everything wide open, (although I'm not 100% sure it's totally correct: the tone controls don't do much and it buzzes when both volumes are at 0, for some reason). I have been thinking along similar lines to yourself, either a new preamp or get a new pre-wired VVTT loom, but there's no real need if I'm being honest, I rarely touch the controls on any of my basses and it works just fine as is.
  12. I think you'll struggle to find much in your price range that has active pickups, rather than an active preamp. A Sadowsky Metro Express (the sub-£700 models) + some aftermarket active EMGs, maybe? If noise is your main concern why aren't passive humbuckers with an active preamp an option?
  13. No takers, now shredded
  14. The Cort looks nice but you're better sticking with the used market imo, that £1k bass swiftly becomes a <£600 bass whereas the MTD will likely hold its value even if you don't take to it.
  15. I picked up a KZ6 this week, still getting used to it but it does have a real nice B string. The preamp is... fine? I'm still dialing it in. Can't say I've noticed the asymmetric neck, but I'm very taken with the playability -- it's definitly the most "articulate" bass I've played, very responsive to your technique.
  16. IME that sound is more about the string hitting the frets, you could try angling your existing pick stroke so it moves towards the bass body, rather than parallel to it?
  17. So there's two different 1/2" models, neither of which is 1/2"?
  18. I think it's because the search field has an autofocus attribute, which causes the browser to scroll to that field when the page loads.
  19. This is very specific to my own back issue, but switching to a classical position when sitting was a big help for me, I think it helped keep my back straighter.
  20. A proper conversion neck would take this into account and move the nut out an inch, and move the frets accordingly, surely?
  21. Looks like Novax do (or did, not sure if that's current) an aftermarket fanned fret neck with a 35" E: http://www.novaxguitars.com/parts-accessories/necks-bass.html Headstock looks dreadful though
  22. I'm not sure there's any off the shelf neck that does this, but it should be possible. If the scale is calculated correctly I don't see why you'd have to move the bridge. I thought Warmoth used to make something along these lines for guitar but I can't see it now
  23. Last bump before I shred these
  24. P-Nut...[cigarette drag] now there's a name I've not heard in a long time (also be careful googling him, there's a prominent Urban Dictionary definition on the first page 😬)
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