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Has anyone ever seen Sting and Bob Mortimer in the same room?

Stitched Up ～ Herbie Hancock

I'll be back on this soon - I didn't mean to leave this dangling - been away, got ill, life-crap etc. Thanks for the responses and ideas - I'm going to reply.

Honest to goodness 1998 USA Jazz in Aquamarine. No mods apart from I replaced the white guard with a white pearl.

One tuner: Strobostomp HD - it's very accurate (even when I had a low F# on a Dingwall) and it is great for setting intonation. One drive: Pike Vulcan - I don't typically get along well with overdrive circuits but that sounded full and airy, especially at 18v. I like it so much I asked Moose Electronics to put one in a custom unit. One fuzz/distortion: COG Grand Tarkin - a lovely Muff-style fuzz with filtered clean blend so the fuzz and clean signals sound like one thick whole. One envelope filter: Probably the hardest one to choose. If I had to keep one it would be a 3 Leaf Chromatron I had refinished (just because I think it looks cool) but I find the Triungulo Barbanera more easily hits the funky sweet spot I like (which isn't a suprise as it's based on the MF-101). One octave: Octabvre - it's the octave I've owned longest, it's flexible and the dub channel is superb. Special mention to my Poirot-themed pedal Celebrity Pedals put together though. One modulation: Boss BF-3 Flanger - just sounds great and has a crazy range of sounds. Sounds brilliant when fed a distorted signal. One of these is incorporated in the custom unit Moose kindly put together for me (drive > flanger > delay). One preamp: Noble DI - I notice when I'm not using it. I can hear every nuance of my playing. My playing is bad so it's not always fun to hear, but at least I can hear the nuances! One delay or reverb: JAM Delay Llama Xtreme - The first birthday present I received from my now wife. It also sounds brilliant (it's worth checking out Janek's demo video). One wildcard: DLA-2A - a bit like the Noble, it's a serious bit of kit but everything sounds good going through it. I wouldn't necessarily want to use the above as my pedalboard but they are my favourites in those categories. I've got a few other sentimental favourites and some one-offs that I love too but that didn't really suit the list. I'm curious to see what others put down too! @MrDinsdale excellent choices on the SLO and Slow Loris!

Eternal frame Bangles

Walrus Canvas Tuner, EAE Halberd, EAE Longsword, A Boss envelope filter 🤷‍♂️, Boss OC5, Boss Dimension C, Shift Line Olympic mk3, Non Human Audio Slow Loris, EAE Model Fet

The creator of ...

One tuner.: love my Turbo tuner st300 accurate and pleasant to use. One drive: I like JFet drives, I really like the barbershop clone I built - but the Iron man (SS/BS mini clone) I built blows it out the water. one fuzz/distortion: Not really got much love for bass fuzz, Creation Audio Grizzly bass really impressed me but I wouldn't end up using it as a fuzz. one envelope filter: C4 one octave: Fave so far is Valeton OC10, OC2 clone, but I prefer sound to an actual OC2! one modulation, Providence Anadime Bass chorus - for me, this pedal is perfect. Deep, but simple. one preamp (doesn't have to have DI out) Colourbox v2 - if I bought a Warwick hellborg preamp when Thomman blew them out I would have had a pedalboard made with a 1u rack in it - but I didn't so this is as close as I can get. one pedal that does reverb or delay (or both) not enough exp. other than zoom, Line6 stuff. The H9 is nice but still learning how to use it musically. and one wildcard... every time I jiggle the board around I take this off, and then put it on again. The clone I made of the Fairfield shallow water. The thing is subtle to the point of being useless, and can go places that don't sound right - but it's so so musical sounding (JFets again) I use it far more than makes sense

Hmm. Not that I've noticed.

1. Tuner 2. Compressor 3. Octave 4. Chorus 5. Envelop Filter 6. Ambient Effect Pedal (Zoom MS) 7. Reverb 8. Volume Booster 9. Sansamp BDDI

Forever in Blue Jeans - Neil Diamond

I’m probably over complicating things but the Alexa device and the Hotone are both using the 3.5mm outs into the audio selector and then 3.5 to 1/4 inch jacks into the monitors, I bought a new preamp and thought I’ll set my interface up and the interface now is connected to the monitors. I could have got a 3.5mm to TRS adapter or cable and plugged the Hotone and Alexa directly in to the interface but didn’t think of that! The splitters work fine tho and I don’t need to turn my interface on to use the Hotone or the Alexa device so all good!

THIS SATURDAY EVERYONE! Maple Road Blues Band plays this fantastic car show from 11am-2pm! Check it out! Jenny L. Abbott-Goodell Daryl Wheeler Max Jones Rory Grouse *Heidi Lange Rods -N- Relics Car Club We haven't played together or rehearsed in months. This is a car show, it's walk by traffic. We'll get a chance to work out the kinks for some of the higher profile summer shows coming up. Especially our 8:30 slot at Bastille Days. Daryl * I have no idea who Heidi is.

That is the movement detection, you can turn that off in the app (but remember after updating it to plug the sender into the headphones for it to update). How to change it: Start "BOSS TONE STUDIO for WAZA-AIR" app. Tap "≡ (SYSTEM)." Tap "STANDBY SETTING." Change the TRANSMITTER'S STANDBY SENSING to "SOUND SENSING." - If MOTION SENSING is specified, the transmitter is in standby mode unless it senses vibration, and cannot be used. Reconnect the transmitter to the transmitter in of the WAZA-AIR unit, and perform the Auto Wireless Connection operation.

Mick Ronson co-produced the album ‘Transformer’ with Bowie, and also arranged strings on it as well as playing piano, recorder and guitar. Some people reckon Bowie played the acoustic on WOTWS rather than Mick though.