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  2. Nah keep whining about Coldplay. It’s certainly more entertaining than any music they have released.
  3. "Dr. Beat" was the first international single released by Miami Sound Machine, led by Gloria Estefan. Bass: Juan Marcos Avila https://basslessons.be/transcriptions.php?i=1125
  4. Like A Virgin - Madonna
  5. Its not whining. They are the opposite to this, perfectly competent. Can't fault the playing, recording, mixing etc but they have no weirdness, nothing to challenge the listener, nothing unusual. They're just standard. This is the opposite to that. You're never going to hear this played as background music in a supermarket. Most people who hear this will think its a mess but those who get it will really enjoy it.
  6. Out of interest is the OTB v2 loud into a decent 8ohm cab ?
  7. Now price can be negotiable! 😀
  8. Now price can be negotiable! 😀
  9. Just to reiterate how versatile Jaydees are: Any style, anywhere, any place... always sound great!
  10. Always the whining about Coldplay. Stop the bitterness and envy, before it destroys you.
  11. I think it's a preference thing, if you like that look then go for it!
  12. Microfrets so they can get quarter tones in the lower part of the neck.
  13. Sold Shug some vinyl - super smooth transaction. 🙏
  14. Have spent the last three days using IEMs exclusively (at a church conference) and I suspect they will now be here to stay - a sad day for my amps and cabs. However, apart from getting better ear pieces (I'm using KZ ZS10s), does anyone know a good way of tweaking the EQ on individual channels in the aux monitor mix? We are using a Yamaha TF1 desk and the monitor mix app, and while I can turn instruments up or down, what I really want to do is EQ a bit more thud in the kick, and also take some mids out of the guitar, but there doesn't seem to be a way to do this without changing the main mix. I think the problem I'm having is because I can hear everything so much better through the IEMs the sound engineer part of me wants to EQ it as well! Alternatively are there any digital desks that have the capacity of EQing aux mixes separately to the main mix?
  15. Need some cash for a few bits £120 postage included
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  16. I’ve heard the Lakland bass have great tonal flexibility. I needed my first to be something that I’d be willing to get up earlier than I would normally after a late shift, in order to practice. This is it Once my ability grows then I can start to make use of the controls. Right now it’s just master volume!
  17. A wonderfully lightweight Precision Bass with a straight neck, fully functioning Truss Rod, uprated Seymour ‘Duncan Designed’ Pick ups, professional KiOgen solderless Loom with Bourns Pots, Switchcraft input Jack, Fender Spaghetti Logo and comes complete with an as new (apart from a small scuff to the piping on one corner, please see next to last pic). Ordo lightweight softshell rigid foam case. In excellent condition with a 50’s style vintage two tone tobacco sunburst. Ti Flats fitted since original pics were taken. This is one of the very few sub 8lbs P basses I’ve encountered during the past half Century, weighing in at a mere 3.4kg - or 7.5lbs in ‘old money’ It has had a really nice set up - level frets etc. & plays really well with a low action and sounds like a good P Bass should, with more growl than a very growly thing from the Planet Growl partly thanks to the Maple fingerboard, but I suspect mainly due to our own John’s (Kiogen) recommended capacitor on this fabulous Loom. The headstock has had a refin & a spaghetti Fender logo applied to the headstock by a previous owner to a very high standard. What Fender say……. Features Thin and lightweight solid Popular body Duncan Designed split single-coil pickup 4-saddle hardtail bridge Open-gear tuning machines Chrome hardware Maple Neck Maple Fingerboard. Plus….. Professional KiOgen Wiring Loom with Bourns Potentiometers & Switchcraft Input Jack Level frets & Pro set up with a low action Upgraded Seymour Duncan Designed Pickups Luthier refinished neck with Fender Spaghetti Logo Ordo lightweight Softshell rigid foam case
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  18. @uk_lefty for drive and fuzz, I found that exploring all bass and guitar options with a scooch of clean blended in and plus/minus some of the bass control on parallel lines was the key to finding good tones. For my always on dirt I think I've got the the natural drive in parallel with the bass drive. Then fuzz, is the fuzz face on the bass overdrive and the bass fuzz on the transparent line. Don't drive them individually too hard, but the summing of them gives you a thickness and introduces some of the randomness that you get in the high frequencies of analog pedals.
  19. Don’t know if anyone has seen his clips on FB or Instagram? Appears to be playing in wedding bands based out of Boston but a really great player who seems to rearrange on the fly. Killer sadowsky tone too.
  20. Today
  21. Has anyone owned both of these Orange amps ? I have the Little Bass Thing and used it at rehearsals yesterday into a MarkBass MB58R 122 8 ohm cab so I guess seeing half power OMG was it loud and plenty of grunt albeit more clean than the OTB Is the Terror bass head equally as loud ?? Obviously more gritty but as loud ?
  22. I've been a 'start flat' eq guy for the last four or five years, but I've started boosting my mids a bit. It's brought positive comments.
  23. Will let you know if it does mate. Hes put a deposit down on it so I'm pretty sure everything will go through. Will know by Wednesday
  24. I liked the MB gear i had and i have often thought about going back to it. My only concern was i couldn't hear it on stage but it always sounded great from the audience point of view and they sit so well in a mix especially if you have keys in the band. Must admit i'm liking the BF 212 cab as i can stand directly in front or even to the side of it and i can still hear it quite well. The Mesa cabs are good but not if you have to stand directly in front of them. The sound is thrown past you. Dave
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