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I'm selling an early version ACG/John East EQ02 (please note - this is the SINGLE pickup version). I had this installed on a lovely Zoot bass I owned a good few years back, which was equipped with a single Seymour Duncan MM pickup. I can't remember what the original preamp was but I had an itch to try a filter preamp, so acquired this one from ACG directly as he still sold them separately at the time. It was installed by our very own (much missed) Steve Soar. It worked a treat and obviously gave a huge range of tones. I then decided the neck was a bit too wide for my tastes and sold it on to my (one!) bass pupil. He never got to grips with the preamp and decided to have the bass converted back to passive, and had Mike Walsh at Zoot do the work. Through a variety of convoluted reasons, I have ended up with it again, but have no use for it - so, here it is! Preamp comprises four knobs - Volume, Passive tone and 2 x stacked filters (low and high). It comes with all the original installation instructions and will be securely packed. I also had a low battery indicator included in the installation, which is the little LED you can see side-on in the top right of the picture (just under the square circuit board). Price is £100 and includes UK P&P. It's worth repeating, I think, this is the single pickup version and I have no idea whether it can be adapted for a two pickup bass. You'll find plenty of feedback for me in the appropriate thread, but please feel free to ask any questions. (EDIT - for anyone concerned, the batteries have long since been disconnected and will not be included as they are most likely drained.) Thanks all, BC
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HoorayForAnonyms started following CMC Audio Bi-Filter Fuzz
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Rowntree started following Markbass Traveller Cabs - 102P + 121H
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Markbass Traveller 121H and 102P (both 8ohm) cabs for sale. £500 for the pair and I’d rather sell them together but I could be willing to sell individually if they don’t go quickly. Fantastic sounding cabs and very lightweight, easy one handed lift with the handles. Both are in very good condition, small signs of wear but nothing serious. Collection from southeast London preferred, and you're welcome to try before you buy. Willing to drive around an hour to exchange if need be. Specs copied from Markbass website here: 121H 102P IMPEDANCE 8 ohms 8 ohms SPEAKER SIZE 1×12 in. 2×10 in. BASS PORT rear rear TWEETER. 1″ compression driver piezo POWER HANDLING 400W RMS (AES Standard) 400W RMS (AES Standard) CROSSOVER FREQUENCY 3.5 kHz 3.5 kHz FREQUENCY RESPONSE 40 Hz to 20 kHz 45 Hz to 18 kHz SENSITIVITY 99 dB SPL 101 dB SPL WEIGHT 33.07 lbs / 15 Kg 31.97 lbs / 14.5 Kg WIDTH 23.23 in. / 59 cm 23.23 in. / 59 cm HEIGHT 15.08 in. / 38.3 cm 12.60 in. / 32 cm DEPTH 17.13 in. / 43.5 cm 17.13 in. / 43.5 cm
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1976 Precision - All original REDUCED £2250
Pow_22 replied to Dannygno123's topic in Basses For Sale
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Dood started following The theme from Bergerac (original BBC series)
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YES! I always loved this theme - and the theme to The Bill. As a young'un I couldn't quite figure out what I was drawn to... but looking back, as a bit of a fan of prog, it was the 7/4 time signature of the main section! Oh and I nearly forgot the tone key change and then almost immediately back again later in the piece.
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ead started following Zoom B6 multi-effect - £240 posted
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I had a similar experience to yours - bought a small PJB combo, liked what it did and decided to try a full rig. You can certainly do it, but it won't be cheap. They will deal with fat tones happily, but you'll need a few of those small drivers to shift enough air in a live situation. The good news is that they often come up used and, as they are often bought by jazzers and non-headbangers, they are usually in good shape and have not been caned. They cut through very well on stage in my experience. However, I am playing in a soul band and doing functions, pubs and clubs. I am not competing with heavy-handed drummers or guitar players. Your situation may be different. They also project well into a room. I used to play in the house band at a local jam night and it surprised me how well my two PJB 4x5 cabs filled the space when I listened to others playing. If you want to make a bit of noise, especially with fat, low-end heavy tones, you will need a few drivers as I mention above. I have five 4x5 PJB cabs and run three or more of them when I want to shift some air. They are inefficient, so you will need powerful amplification. If you buy the PJB powered cabs, that will be taken care of, but if not, you need at least 250W per 4x5 cab to get them singing. I'm not so keen on PJB amps. I find them a bit too hi-fi. I use Aguilar and/or Carvin amps, plus a PA power amp if needed, which give me the warmer, more old-school tone I prefer.
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dodge_bass started following EHX Pico Atomic Cluster
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Intoutof started following G&L SB-2 Fitted Hard Case
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Recently bought a used SB-2 as a backup in the event of anything ever happening to my ol' faithful and was blessed with this gorgeous specimen. I have one universal hard case that covers everything so alas this is surplus to requirements. As you can see from the piccies, very light use and everything works as it should. Please note that to the best of my knowledge this will only fit an SB-2 and no other P or J. I tried to squeeze in a Sandberg TT to no avail Can post to mainland UK for an extra £7.00 or collection and a cuppa from Warboys, Cambridgeshire PE28 Cheers, C
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Here is my Squier jazz in classic sunburst and tort. It started life as fretted, but got a Fender pau ferro fretless neck during covid lockdown. It has a lighter set of tuning machines fitted, though I forget what brand (they were in my guitar tech's spares bin). The neck pickup failed recently so I had DiMarzio relentless J bass pickups fitted and better quality pots & jack. It's my only bass guitar, so I've spent a bit getting it exactly how I want. I play a fair bit of double bass so my bass guitar is setup in that sort of style - including XL chrome flatwounds.
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Sick Amps in Harlow is fairly easy to get to from NE London and I can recommend them https://sickamps.com/ having used them this year.
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The value of any instrument will always depend on how much potential buyers are willing to pay, as well as the usual things - make, condition, etc. Unless your local-ish music shop specialises in double basses, they are probably not the best place to go for a valuation or to sell it. In your shoes, I would Google something like "double bass dealers uk" and contact a few of the names that come up. Ignore any shops that sell electric instruments. I just tried it and places like Bass Direct and the Bass Centre, which sell mainly or exclusively electrics, appeared, but there were also some double bass specialists. Speak with a few and get a feel for what they think they can get for the instrument. All will charge commission - they have to set up an instrument, put right any issues before sale and offer some kind of guarantee - which will not be pennies. Fair enough, given that they have to make a living. If you have a quality instrument, you are still likely to realise more by selling it through a specialist and paying commission than you would by doing so privately. You could also contact a few auction houses that specialise in musical instrument sales. Avoid local outfits - the sort of places you see on programmes like Bargain Hunt - that auction mainly bric-a-brac and house clearance stuff. Google "stringed instrument auctions uk" and you'll find some.
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Origin Effects BassRig Ampeg B15 Fliptop recreation
thumbo replied to Quatschmacher's topic in Effects
This is an interesting insight - I feel quite similar about the Bassrig Super Vintage. I've struggled with dialling in sounds I really like at home, but in a band context it's totally exceeded expectations, to the point where we only used the Bassrig DI from a recent recording session, despite having some pretty decent additional options to blend in from a cab mic and Radial JDI. -
Hay Tonight - CCR
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basstone started following StingRay HH wiring mod idea
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Bassnut62 started following Phil Jones bass amps
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HI all, I recently got a Phil Jones BG-110 20w 2x5 combo for practice at home and am SO impressed with it. I am now tempted to get a full Phil Jones rig. Maybe just one of their powered monitors to amplify the BG-110 or maybe a bigger combo. I'd use it for small to medium size gigs and maybe recording too. I am thinking of getting power up to 250w or 500w. I want to know: How well they stand up to fat bass tones (from a '79 MusicMan Stingray or an AVRI62 Jazz Bass)? How well they cut through a mix on stage? Whether they have enough headroom to cope with small-to-medium gigs? What are your thoughts and experiences of Phil Jones gear? Thanks.
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That is going to make most of the classical repertoire "rather difficult" 🤣
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Down On The Farm - Little Feat
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