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I think you have a common problem. If you stand beside your amps (g, g, b) which are at your feet and point elsewhere than you ears = big trouble. Start from those g-word players: Amps against their own faces, and there will be less noise. This is so obvious that we tend to forget the simplest solution every now and then. It is not feasible to listen to the sound jumping from walls and other surfaces. It may also make the sounds better than everything cranked up.

You to Me Are Everything - The Real Thing

One of the first Jazz type tunes I ever learned to play. I love these first two PMG albums with Egan and Gottlieb. Good choice, Chris.

I forgot about this one.It wasn't pretty. A classic. Not much I can say except don't get involved with the lead singer. I should have known better. Daryl

You're The First, The Last, My Everything - Barry White

I hope you find a band that has atleast some of your requirements. Daryl

No not at all. I couldn't even if I wanted to. The thing with me is, I need the extra money. Daryl

No Second Prize - Jimmy Barnes

i also have the musicman version with the wider neck that i got decades ago when the bass vi was truly a rare commodity ..its very capable of bass vi duties but it's achilles heel is that musicman used regular guitar tuners thus cutting itself off from being able to fit the superb heavy gauge fender bass vi e string even if you managed to track down as set in those days ..so you ended up having to use the specific ernie ball vi bass set of strings made for it which lacked a certain clarity on the low e that i can now thankfully get today from the vintera which of course is designed specifically for the fender bass vi set ...so now after acquiring my vintera i have relegated the musicman to baritone g to g duties which is another very interesting area to get into. I find within the bass vi format it's more about string choices than the bass itself and the area that sorts the men from the boys is that low e ...i am so fussy about low e string definition ...this is what ultimately made me veer away from the classic vibe ..it seemed that with the classic vibe it was all a bit of a kludge whereas with the vintera it just does it straight out of the box ...no shimming or third party bridges or particular strings needed ...ironically i did end up getting a stay trem for the vintera not because it ever needed one in the slightest but simply because my ocd wouldn't allow me not to, since i already had them on my avri jazz and jag .... in fact if the truth be told only the jag every really required one.

Consolation Prizes - Iggy Pop

Glittering Prize - Simple Minds

Fixed bridge, hardtail conversion, experiment with pickups It wasn’t easy to find a gauge both heavy enough for the 6th string to intonate properly, and light enough to leave space between strings. It made me approach guitar differently that’s what. I wish it worked for me. in the end, dispatched

Eoin is a great writer but his writing missed the highly random but unexpectedly profound coincidences that made the originals so worth multiple re-reads. The randomness was born out of blind panic as a creative byproduct of Douglas's appaling time management. I agree about the movie also but it was clearly targeted at US mainstream audiences and...simplified...as a result.

Maybe check that the wiring of the speakers isn't out of phase? G.