Jump to content
Why become a member? ×
Scammer alert: Offsite email MO. Click here to read more. ×

All Activity

This stream auto-updates

  1. Past hour
  2. I remember blokes doing that dance at heavy rock discos in the late 1970's. It was definitely a thing. Probably much safer than headbanging, too. Not that anyone bothered about anything like that in those days, though.
  3. Wow, how did you manage to make a Jazz bass weigh 14lbs?! I thought my recently sold Status KingBass Mk-II was bad enough at nearly 12lbs. When playing, watch out for random sink holes appearing underneath you - you may find yourself in Australia for Christmas!
  4. That's a lot of good advice, both for me, and for anyone else who wants to connect USB-midi to midi-din - thank you. Interesting to see that a USB B to A adapter is necessary, and available. That was, quite literally, the missing link I will contact you directly, regarding the your offer of the Cakewalk connector. Robert
  5. Yes, but in a good way. To be fair, I don't think John Entwistle was searching for the perfect tone when he was amassing his bass collection. He just liked buying stuff.
  6. Very good. Made me laugh.
  7. Just your colour @AndyTravis😉
  8. Ooohh that is so nice and what a great price for a bass like this. I do love a nice Jazz. GLWTS Dave
  9. Lovely, glwts.
  10. Small, articulate Bass Cab in excellent condition complete with a Roqsolid cover which is also in excellent condition and cost over £90 alone. Dual Speakon / 1/4” Jack input & link. The OR-110 is a front-ported lightweight 1 x 10” cab with a custom designed Ashdown speaker – making the perfect companion for the OriginAL Head or extension for the OR-C112 combo to achieve the maximum output from the 300-watt power section. The cabinet is constructed using premium grade far eastern ply and is wadded to retain specific frequencies. The fine-tuned reflex port allows for more air to be moved, giving the little cab a surprising volume. Rated at 150 watts at 8 ohms, the OR-110 is one of the most portable cabs on the market. Adding further convenience, there is a top mounted grab handle positioned to offset the weight of the speaker magnet for ease of transport. For those pub gigs, pairing two of the OR-110 cabs provides enough volume to keep up with most drummers without having to DI through the PA. Otherwise – one OR-110 cab alone sits very well as a personal stage monitor, when using the OriginAL Head’s on-board DI to feed the front of house PA. Ashdown have focused their product offering over the past few years, delivering some really inspiring products focused towards the needs of the modern bass player. The OR-110 is no exception to the rule, building on the success of the OriginAL Range and adding something of real value to bass players delivering everything you need from a compact rig solution. The OR-110 Specifications are as follows: H:360mm 14.1” W: 390mm 15.3” 😧 360mm 14.1” Weight: 10.7KG (23.5lbs) Power: 150w Impedance: 8Ohms .Collection from North Staffordshire preferred as l do not have a suitable box at present, but l may be able to source one in the not too distant future & if so the postage would be at cost to the buyer👍
  11. Rob Davis (the curly haired guitarist from Mud) wrote Can't Get You Out of My Head for Kylie, Groovejet for Spiller and Tocas Miracle for Fragma. I bet he earned more out of those than Tiger Feet.....
  12. I've got an RM800 evo III on its way to me, so look forward to trying it. I've never owned an Ashdown amp (I had a 6x10 cab once though). I have used them before though and have a question. Does anyone actually use the drive, compressor and sub controls or are they just gimmicks best left turned off? I seem to recall that the ABMs I've used previously were much better with the compressor and sub completely off.
  13. Right now!? You are Santa Claus, and I claim my £5. No rush, indeed. I plan to order the piano after Christmas (but before the 2026 Gear Abstinence Challenge starts...). Even then, I can forego midi connectivity, until the right bit of kit comes up. I am puzzled by the Roland/Cakewalk MIDI to USB devices - that cable will only plug into the FP-30X's USB Memory slot (rather than the USB Computer output, which the guy in the Roland shop said I should use. However, he admitted that it was not his area of expertise). Also, the guy in the Roland shop didn't recommend the Roland/Cakewalk MIDI to USB device - odd. Hence, my question about connectivity, here.
  14. Maybe we should have a team of coordinators who could coordinate the other coordinators who are coordinating the various things they, errr, coordinate?
  15. I hear you. Yes, it’s a sign of our age I guess. All the best to you matey.
  16. If you want to use two dedicated MIDI devices, as MIDI is an in/out protocol system, you'll need something like the CME that you mentioned with an USB B to A or C cable: https://www.thomann.co.uk/cme_h4midi_wc.htm You'll need to have 4 MIDI cables, 1 USB B to A or C cable and a power supply. Otherwise, there are simple USB to MIDI cables like this one: https://www.thomann.co.uk/cme_u2_midi_pro.htm But you'll need an USB B to A adapter as it's always been that stupid, like this one: https://www.amazon.co.uk/PRO-POWER-Adaptor-High-Speed-Converter/dp/B0839VHWVD I've used the Roland/Cakewalk device with great success, but it's USB powered: https://www.thomann.co.uk/roland_um_one_mkii.htm Mine is an old Cakewalk, which has become sticky over the years, and you can get it for postage fee, should you want it:
  17. Agreed. I think Simon Gallup has played pretty much every bass there is at various times, particularly live and he always just sounds like Simon Gallup.
  18. Yes, saw that review. Much appreciated for the comment.
  19. Right you all need to stop now as I'm getting GAS for one of these, especially you with that bubinga one @AndyTravis
  20. Yep, same here. My Mum had a fall, ended up in hospital, went to rehab then got a blood infection and went downhill. Back to hospital and we thought we'd lost her. Improved and released home with carers popping in but hated not being able to get around her own home and went downhill again. Back to hospital and then released to a care home, where she is now.... and I'm now dealing with my Dad who is frail, lonely and struggling to get about. I've also lost 2 friends to suicide and 4 friends to illness this year.... as well as a losing a huge musical hero. Not sure next year will be any better tbh. All my heroes are of 'that age' and my Parents are nearing the end. I guess it's just that time in life and I should just suck it up....
  21. I attend a 'mass jam' in the Forest of Dean each month, and in December they have a bonus Christmas. I'm in the rainbow jumper at the back. I played bass uke most of the night through my Roland Cube Street EX, but did two solo numbers on treble recorder - "O Come, O Come Emmanuel" and "Tomorrow Shall Be My Dancing Day" - I do like a bit of 15th/16th century music
  22. Virtually new Fender Bassman 100 cover from Roqsolid, i got it to use while my flightcase was being manufactured so was only used briefly. Its a little dusty but will wipe. They're about £65 new + shipping Cover is in Hope Valley, happy to post within UK, probably gonna cost a tenner just for how small it doesn't fold up.
  23. Your bass next, I think. He was on a mission to own *all* the basses in the world after all...
  24. Yep if I weren`t in a band, albeit a non-gigging band, I`d be quite happy being a bedroom player with my fairly weighty Fender US Precision. But being in said band I need a bass that is lighter, and shorter scale, hence my Sandberg.
  1. Load more activity
×
×
  • Create New...