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It's called the 'saddle' ... okay ... clean off all that PVA 'polar bear snot' with warm water and and a cloth ... blurgggggghh = Never get that stuff near a double bass on pain of .... well let's leave it at serious pain. Isopropyl alcohol will got off any that hot water won't ... then let the area dry thoroughly. Now go and buy some proper glue if you must use a 'chemical' glue use Titebond SPARINGLY Better is Titebond liquid hide glue You don't need much clamping with hide glue ... probably even get away with taping it down while the glue cures ... the forces once everything is back together will tend to keep the saddle in place even if the glue joint isn't the strongest. Now go get the person who did that gluing job to write out 100 times on a blackboard ... or an interactive whiteboard as you are at a college I MUST NOT USE PVA ON MUSICAL INSTRUMENTS

Nice one, glad you’re enjoying it

Now you know how tubes make a bass sing! Enjoy!

Based on the trailer, I'm not holding out much hope. The celeb cameos feel like a portent of doom to me. I'm not sure that ever works, does it? I really do hope it turns out to be decent.

This is a very nice, modular pine shelving system. We brought it go around an corner in our attic room but is no longer needed. Its very, very sturdy and has any number of different ways it can be put together. There are various heights, various lengths and various widths of shelves. Surprisingly it has all the bits apart from whatever screws you need to attach it to the wall. The wire bits hold the shelves up, which is so much better than a little button. We had it with heavy books on it and it's as straight as the day it came to us. From memory it cost aground £5-600 for all the bits as they a massive step up in quality from IKEA Collection from near Settle in North Yorkshire. Free to anybody who wants them, they will probably fit in a medium sized estate/saloon. Needs to go quickly though Thanks Rob

See my reply below

They don't spray on the lower part, sure, but they do on the upper part, so you can see there's still a bit of red under the pickguard on the upper section, but its faded where exposed to the light.

I would monitor the operation of the internal fan and carry on using it. Using a distortion pedal will cause the amplifier to run closer to its limits. There should be enough protection against overheating built into the unit - hopefully!

East London me

Despite any other concerns the description alone is so vague and non committed that I would not consider it

Glad you like it. Fantastic amp 🤘😎🤘

I wouldn't consider anything with smaller than an eight inch driver. Sure, you could use fives...if there are at least four of them, which pushes the price up, as four fives cost a lot more than one eight. Even an eight is questionable, as manufacturers don't load premium eight inch drivers into inexpensive combos. For what you'd pay for a combo with a premium eight, like a Trace ELF 1x8, you could get a better result with a much less expensive combo loaded with a middle of the road ten.

Thanks all, I guess like any new skill you just have to apply yourself consistently and accept you'll be crap to start with. It's not so much the technicalities of singing (although I'm no singer, sadly) it's the working out how my brain can learn to unlink the singing from the playing bit.

This arrived this week at PS towers Ampeg V4B. It is simply incredible 100 watts. Simple to set up Absolute ampeg delight. I just didn't know this model existed or I would bought one ages ago It looks cool and isn't remotely back breaking at 18kg Gets its first Policed gig next week Then a blues/rock gig Then a ska/new wave gig

Reckon I'll mosey on down..... I'll bring my Spector Pulse 2 with the LHZ preamp, a Warwick Proline custom, an LFSys Monaco cab and a couple of amps (a choice between a Bugera Veyron, Quilter BB800, Mesa Big Block or an Orange 4 Stroke - if anyone would like to have a bash on something let me know your preference)

100% This. I couldn't do it either but lots of practice and not thinking about it when you're doing it was key. Concentrate too much on either and it goes to pot! I found I changed to downstrokes only which helped me for some reason. Keep plugging away and it'll come.

I’ve been playing this for a few weeks now and loving it even more! I’ve adjusted the pickup heights slightly, resulting in an improved tone and even volume across the strings and tweaked the relief/action a little. Played a large outdoor festival the other week, through an Ampeg SVT and 4x10 on a big stage with a proper festival PA. My bass sounded great and lots of nice comments about my sound at this gig from the crew, and from my band mates at rehearsals. I couldn’t be more pleased with it. IMG_0668.mov

It's pretty much this - if there's a magic bullet I'm yet to find it!