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As @Steve Browning has been kind enough to follow us, it would be rude of me not to offer you all the opportunity to do likewise!😁 http://www.facebook.com/OtisJayBB

Beat me to it.

The guitar looks like a Vox Super Ace https://www.vintageguitarandbass.com/vox/1963_Super_Ace.php

Same knobs too.

Well done guys.Question answered. PS What about that 6 string? The headstock seems a bit squiffy.Same stable?

That’s exactly what l’ve been looking for😟😟🙈🙈 What a cracker❤️❤️👍👍

The Sheet

I can tell you're impressing no one with that behaviour

Blade

I want someone to buy one of these for me!

Have to agree with you about Sadowsky strings. Until recently I had original Blue label flats on my Metro HPJ for the last 10 years. They have just been replaced with the newer formulation Blue label. I have also put the latest Blue labels on my MM USA Sterling. When funds allow I shall get a set for my '71 Jazz. Very happy with them.

I'd say that a significant factor is how much cash you'd have to invest to tool up for the job. If you already have premises and tools then I'd say go for it, you've little to lose. If you have to buy substantial tooling and rent a workshop then you'd have to be pretty sure you've got a customer base. If you have to borrow for the above you need to be absolutely sure it makes business sense. Just prior to covid striking I was in the process of setting up a reclaimed furniture business. I'd managed to make and sell a few small pieces but, in my case, covid did me a favour and gave me breathing space before I'd invested significant money into the venture . It became apparent that I wouldnt be competitive making pieces on spec to attempt to sell. Etsy etc showed that as a cottage industry I couldnt manufacture at a low enough cost to compete with factory line production and I struggled to make contacts for bespoke pieces so, in my case, it was a non starter. That said, if you think theres a market for a unique style and you can be competitive go for it

Bought a Kong Beer Fuzz pedal from Ordep. It was posted promptly, was well packaged and arrived in great condition. Would definitely deal again. Thanks!

I think there’s a few AI tools will do that?

And here it is!

Music Man Caprices are one of those mythical instruments we all know about, have heard and desire. Their relative scarcity has kept prices very high, sadly. They're like Unicorns in the mist and people seem to hang onto them for dear life.

Side-street music, Largs Music, Bandparts, Sound City, McGregor's Music, Jimmy Grant Music, Pete Seaton's Music, Live Music, Mev Taylor's Music, Rae McIntosh, Gordon Simpson, Rainbow Music, Sound Control and Westmill Audio. All 14 of these were open for business in Edinburgh during my time playing. Every one has now gone. Sad times indeed.

Yes, I remember A1 Music from the late '70's . Could never afford anything there, but I remember you went down the stairs and there was a huge cavernous shop underneath which went all the way under Oxford St. Also in Oxford street a few doors up the road (past the Salisbury and Oxford Rd Station) there were a couple of music shops, one of which sold Wal basses. My favourites from that time were both next door to one another on Chester Rd, next to a dodgy pub with a pool table. They were Muir Music, owned by Geoff Muir. They sold electric guitars, drums and PA. Dave Lunt was the amp repair guy who worked there. Next door was Sounds Acoustic, run by Charlie Carter and his friend Graham. They sold acoustic guitars,mandolins and banjos. I spent a lot of time there and still have a Fylde Orsino which I bought second hand from them, hire purchase £10 a month!

I love Tiran Porter's playing on this but I'm struggling to nail it properly. Anyone fancy transcribing it, pref in tab, for me? Thank you in advance!