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Heard a rumour there could be up to twenty local bands playing throughout the big day including several disbanded ones that are reforming to just perform on the day.

They still do that tint but it's on the Indonesian ones. These are Chinese, like the original classic vibes, though the serial points to it being a different factory. I'll definitely check these out. I'm a big fan of the original CVs and I really like my Vintera Tele Bass so I'd be interested to see what the Squiers are like.

I just ordered a Boss OC-5. Why? No idea. I don't really need one, but it sounds cool.

I think that something we all missed is what bass(es) are you playing and enjoying for their tone right now? With this in mind, we should be able to point the correct direction to look at...

The Beatles, Rolling Stones, Kinks, Pretty Things and Animals were a bad influence on everyone in the 60's, and I was going to the party. I was going to be rich, cool and famous. In any order! The Spanish guitar my parents bought me had an action you could fly a plane under. I couldn't press all 6 strings down at the same time, so no chords, just single notes. A friend and I got together to play songs and all I could do was single notes. He showed me the bass lines and hey presto, turns out I could do that. The penny dropped and my course was set. An electric bass (Framus Star Bass, small body) followed the next year, an amp and my first band followed the year after. Two years after that I was a professional musician. Many decades have passed and I'm still fired up every time I pick up my basses (Sadowsky and Mike Lull).

Now here's something quite different than your typical Muff-like/FuzzFace-like/ToneBender-like fuzz. Emma OKTO-NØJS. While most samples online evoke that funky and synthy stuff, I'm happy to say it dooms as well especially if paired with another dirt pedal. It's fun on its own, of course, but it shines in a company. I love what it can do when coupled with an octave fuzz and/or envelope filter. Of course it has its learning curve. Quality, fit and finish is great. It is also a looker.

These seem a decent balance of price and quality

I have a friend who uses a sire but he says it eats batteries every gig and it has 2 being 18v so I don’t fancy buying 2 batteries for every gig

I've owned or played most brands and a skip load of 5'ers. Imo, only one truly stood out with a 'wow' factor on the B string and that was an MTD KZ5. Lord knows how good the full fat USA ones would be!

Another Day - Macca & Wings

Not sure I’d put Davie and Charles at that level of creativity and virtuosity but the principle is the same, I agree. I think we sort of agree. I love showing off. I regularly go to classical recitals where it’s 2 hours of virtuosity. I play jazz and that’s basically continual showing off. I’ve played so long the whole point now is showing off because the basic stuff is dull. But because nobody actually comes to my gigs, im not monetising it! I actually saw the pillar that holds Chopin’s heart. Apparently he was afraid of being buried alive so when he died he had it take out and sent back to Poland.

Untrue, yet very funny.

Very recently, I picked up an exceptionally cheap Ashdown 2x10 cab. It works perfectly and sounds really very nice but I want to use it with all my amps so it needs to be 4 ohms not eight. The V4 will operate happily at eight but the Ampegs, Beavis and the V6 need two or four.. I've looked at various drivers and a while back, remember modelling some Celestion Pulse (not the XL) in the very similarly sized Trace Elliot 2x10 cab with seemingly favourable results. Frustratingly, my Eminence cab modelling software doesn't like this computer. The cab itself is just over 100 litres and tuned to around 50Hz. Tonally, I'm after non-rising-rate mids so a smooth, flat-ish response and the Celestions seem to fit the bill quite well. Has anyone done similar or used different drivers and found great results?

If there's a bit of time still I may have rather more immediate interest for a P than I did at the start of the week 🫣

Great video for a great cause @Dood 👏👏👏 I'll be there on the 7th September - look forward to seeing you there. Nik

Relent!

I would go for either a HB, Sire, Yamaha or Ibanez.

Innocent question here, not judging or trying to start a fight, just curious. Why do you want a pick to sound like fingers? Is there a reason for not using fingers? I play both styles because of the tonal differences. I use a 0.88 pick and loads of bass, high mids and gain with low mids and treble cut for a really aggressive pick tone.

Definitely. Agreed. Also agree - I have many years of classically trained double bass technique and excellent intonation, but even I won't play a fretless live. Turn it through 90 degrees and all will be well... 🤣