Jump to content
Why become a member? Γ—

All Activity

This stream auto-updates

  1. Past hour
  2. kuetsum

    Jad Freer LUCE

    Drooling for Luce Love the form factor and what it brings you.. But my shallow pocket don't allow
  3. Television - Marquee Moon
  4. Thanks they are fantastic basses, very reluctant to sell it, one of the best fender jazz basses that I have played
  5. Man you are so fast. I was looking for it flats as well. πŸ™ˆπŸ˜’
  6. I am selling two lightly used Thomann E-Bass Case ABS hard cases. They are not brand new, but they are well kept and, if anything, gently seasoned by travel. They look like this: https://www.thomann.co.uk/thomann_ebasscase.htm They are objects of a certain quiet seriousness: rectangular, black, unpretentious, built not to impress but to endure. They have travelled London to Dublin, Dublin to Liverpool, back again, and eventually home to London – companions to the small upheavals of rented flats and changing postcodes. They have waited in hallways while keys were located, leaned against unfamiliar walls, and rested in the polite half-light of rehearsal rooms. They have crossed thresholds more often than stages, and have done so without complaint. What they have not known is neglect. No airline conveyor belts, no rain-lashed festival fields, no catastrophic encounters with gravity. They have been carried, not thrown. They have been closed with intention, never slammed. They have performed the humble but essential task of containment. Cosmetically, they are in very good condition. I cannot see any scratches on the shells. Along the seam – where the two halves meet – I may have placed a strip of paper tape as a precaution, simply to avoid cosmetic rubbing over time. It was a preventative gesture rather than a response to damage, and it has done its quiet job. Underneath, all is as it should be. Inside, the plush black lining is soft and reassuring, the padded neck support steady, the internal compartment ready for cables, tuners, and the small debris of musical life. They fit most standard electric bass shapes (and then some) comfortably and offer that rare and civilised sensation of closure – the knowledge that something fragile has been properly enclosed, making their bearer slightly less anxious about gravity and door frames Retail is around Β£69 each; I am asking Β£80 (somewhat negotiable) for the pair, which strikes me as fair. I now possess all the cases I require – indeed, according to my partner, I have surpassed that threshold and entered surplus. These two stand in the corner like retired sentinels: still capable, faintly dignified, waiting for reassignment. There is something almost unjust in their idleness. Tools such as these are meant to move, to accompany, to guard. They deserve another instrument to protect, another set of hands to lift them, another series of staircases and train platforms to traverse. They deserve to close once more around wood and wire and quiet intention. Ideally, they will be spared the frequency of house moves that marked their first chapter, though they have proven themselves equal to the task. If your bass is currently entrusted to a soft gig bag and optimism, this is your moment to upgrade its existential security.
  7. This looks like great fun and a real experience. Looking forward to more updates and pics. Jonny
  8. They do heaps of colour options and lifetime warranty
  9. Here you go... https://www.winspearinstrumental.com/products/cable
  10. Unused flat wound 4 string sets: La Bella 0760M Deep Talkin' Bass .052-.110 flat wound Β£25 Rotosound Tru Bass RS 88LD .065-.115 long scale nylon flat wound Β£20 Thomastik-Infeld Jazz JF 344 .043-.100 long scale flat wound Β£25 Please add Β£5 postage for each/2/all
  11. That's what we do, and did with Atomic. We all learned the full-length version but after we'd been through it a few times, we all agreed it was too long and meandering to play live. We couldn't nail an arrangement we all liked - the closest we came was to heavily prune the lead into and out of the bass solo, and finish on a shortened verse with the final 'Atomic' sung a capella. But we had gigs coming up and half-a-dozen other songs to learn for them, so we just let it go. I've suggested reviving it a couple of times, but no-one seems that keen. As an aside, Atomic's not the only Blondie song guilty of going on too long - when we did Heart of Glass, we decided to go with the Miley Cyrus arrangement as that felt much tighter. It goes down well.
  12. Gave Gregg a set of strings I could NOT get on with, hopefully he'll find they work for his application. Not strictly a purcase as there was no money changing hands but great comms back and forth about coated strings so happy to give good feedback!
  13. Today
  14. i had a epi thunderbird with a moody fret job (from factory) and played a gig with my weeding ring on. i could feel it catching a few times and didnt realise until the set was over that the pinching had cut my finger open
  15. you're welcome - hope they do the job!
  16. Had a FREE set of DR strings off Kim; I can only confirm the comments above - great guy, great communications, posted super-fast. Thanks fella!
  17. Nothing I can see here.. although hitting a surface that is designed for tensioned steel strings to be heavily pressed, slapped and vibrated on it with a small piece of soft silver or gold doesn't seem like it would be devastating for it - I would assume there would be more damage to the rings and I see none!
  18. My last pedal - Aguilar octamizer
  19. Quick question. Do you think that all manufacturers measure their amps' power output the same way? Is there an audible difference in maximum output between different different models quoting identical specs? In my sound system days I found huge differences between well regarded, name brand (not chinese no name) power amps claiming similar performance, particularly in terms of burst vs sustained output. Theres an entirely reasonable school of thought that music is made almost entirely of transients and the ability to cleanly reproduce high levels momentarily is more important than the ability to sustain signals at full pelt indefinitely. It is very common for amps to drop their output by 6db or so after a few milliseconds Theres also the question of the frequency response of the power amp section. Most power amps quote their output at 1khz (and at significant thd). Lower frequencies have a more intense duty cycle and are more demanding of the power supply and cooling system. Consequently the output at 40hz may be a good few db down from the output at 1khz. Unfortunately, we play an instrument that is often quite demanding in both these regards. The ancient Crest 8001 lurking in my gear pile is rated at around 2400w bridged into 8ohms - at the point where most similarly rated amps run out of steam this one still has plenty of headroom left. Predictably this comes at a price - in this case, having to lug around a 3u 36kg lump of metal. There are newer amps that will keep up with it at a fraction of the weight and cost but they quote power ratings that are substantially higher - somewhere in the 5-10kw range. In terms of output (if not practicality) it will absolutely eat a modern 2.5kw amp for breakfast. I guess that the point I'm skirting around is that the power figures quoted by the manufacturers are largely a work of optimistic marketing fiction, bodged to produce the most impressive number - often at the point of destruction, rather than actual measured engineering reports, referencing testing methodology. I find myself very skeptical/cynical and think that comparison via ad blurb is fairly pointless compared to empirical comparison. So, do you have a 200w amp that seems more powerful than someone else's 800w? It's quite possible
  20. What a beaut! Off topic question, what cable is that seafoam green?
  21. Looks just like my old one,it was a lovely bass. GLWTS
  22. Thanks, but I wasn't really able to find anything (eBay, etc) to base my pricing on, other than what I paid for it over ten years ago. Too late to change my mind now, just happy to move it on to a good home.
  23. Sorry but I don't have a suitable box, and unless I can get to a bike shop (my usual way of blagging a box big enough), I can't easily get hold of one. I have a busy week ahead but maybe at the weekend I'll look into getting hold of a box big enough...
  24. I don’t think the fret lacquer cracking is uncommon, I had it on my old Streamline. Never got any worse or peeled. GLWTS.
  1. Load more activity
Γ—
Γ—
  • Create New...