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  2. I don't think they were..? They were just beginning their 'Long, drawn out arrangement' phase. (edit) I will say that it sounds like their TV feed was mixed by a drummer...
  3. Martin bought a Swan Flight case from me. Great communication and quick to send over the payment. Hope you enjoy the case! Thanks, Mike
  4. Check the album too - Short Court Style.
  5. The Sinking Belle (Blue Sheep) - Sunn O))) & Boris
  6. Played a rare gig with backline and without inears over the weekend...never again (if I can help it). I'd forgotten what a rare thing it is to have a decent onstage sound (I didn't have one, obv), and obviously everything was wayyyy too loud...pfffttt... Once you've gone inears (with your own mix), it's tough to go back...
  7. There is something weird going on when you have both volumes on full, I've always found it better to back the neck pickup volume back to about 75%. Definitely both tone knobs wide open though. Then amp / pre-amp EQ to suit (plenty of mid though). I see @Jasper has his mid set around 75% (ish), treble a similar amount & bass around 60%. Sounding quite nice. 👍
  8. Bought a flight case from Mike, it arrived super quick and very nicely packed. Thanks.
  9. Very, very cool! GLWTS.
  10. It's perfectly capable as a buss comp, I had it on the master buss for years, but it also works as a pair of tracking comps, which is now its main function, maybe as a drum or guitar buss comp in the mix. It's a very versatile unit, sounds great.
  11. Black Sheep of the Family - Rainbow
  12. Nige! 😀 He deps for us now and again... The Inn On The Wharf is a great gig, we're trying to get back there ASAP...
  13. B E A D G C is the tuning. And trust me they are all BASS!!
  14. It was a memorable weekend back in 1985. During the morning of the Saturday I moved into my first purchased house, starting as early as I could so I could set the tele up and watch the show. I’d stretched myself to the limit to buy a new-build semi for £22k. Different times.
  15. It shows as £279 for me.
  16. That's good to hear, I understood that supply of the rechargeable battery was the core of the problem, glad John's found a solution. A very elegant piece of design and engineering 👍
  17. Yup demo sounds a good idea. It’s absolutely fearsome, this bass. Will sort!
  18. The 15” cab has sold so just this remaining. Might be able to ship if it fits in the box my 410 just arrived in.
  19. Zombie thread revival, I know, but I've recently bought a P-Retro from John - they don't have the silver knobs in stock, and the website looks like it's Out Of Stock completely, but they're not, they have the black ones. It's now a v2, I think the change is the battery. I shouldn't be surprised (because I've got U-Retros in everything else), but it's a stellar preamp; it takes the workhorse P and, somehow without changing it fundamentally, takes it into another league of usability. That two-way parametric EQ thing is genius (clockwise for mids boosted around the frequency point of the other dial, anti-clockwise for a bass/treble boost/scooopiness), and the selectable pull-bass (4 points of boost, I use the 100Hz one) is really useful. It sits post-tone control, and when switched out you have your original tone without any bells and whistles. As if you'd want that... 😀 Not exactly cheap, but for my money (which John now has 🙂) it's worth every penny.
  20. Thanks guys, I agree re both. I bought this when I was playing upright in a 3-piece band which had a very specific challenge with live sound and especially vocal monitoring (some songs required 3-part harmonies supported by upright bass, slide guitar, and banjo. I'll give you a few minutes to calculate the chances of the whole thing being in tune with anything but 100% monitoring fidelity......) Anyway, I loved the guys and and the music, but ultimately it was a real niche band (think Wood Brothers gigging the pubs of Kent), and we sacked it shortly after I bought this unit. My current band is one of these rare beasts that plugs into a mixer, plays, and barring a few tweaks, sounds good, so replacing the simplicity of the current Peavey desk that works really with the (relative) complexity of this unit seems unnecessary. A sound guy who I was talking to at our last gig however said he'd love to get his hands on one of these because it makes his job infinitely easier. Guess it's horses for courses 👍
  21. It certainly doesn’t. But it renders your view irrelevant in an argument of whether they’re worth the money or not because you’re not their market.
  22. More Slanty Pickups after the Fender Boxer 😉...
  23. You mean my Royal Navy service? I did 36 years and had to leave just when I was getting used to it....... 😆
  24. When I started gigging seriously at the end of the 70s, the guitar shops (in the U.K.) I frequented stocked ONLY Rotosound Bass strings. They tended to be on view only in single strings. I never had enough money to buy more than single strings anyway - I’m guessing they sold a lot of Gs!! I remember, when I was playing in a touring disco/funk band in the early 80s, breaking a D string on my Stingray (which I bought new around 1980), about half way through the set - playing octave bass lines created somewhat of a problem leading to some improvised positions and techniques….. and a trip to the guitar shop for a Rotosound bass D string at the next opportunity. Bear in mind I asked for ‘a bass string’ of whatever position I wanted (almost always G) and got given a Rotosound of whatever was the standard gauge - I got the impression that’s what everyone used. In those far off days no one used flatwounds and there was little choice for bass players. Of course, it was a different time, when even players at the pinnacle (eg Pino) generally only played one bass - and mere mortals certainly did. The days of dentists and other professionals storing and displaying multiple high end instruments were unheard of dreams yet to be thought up - mind you I recently asked my dentist, a very pleasant young lady, how many guitars she has……… she looked rather strangely at me so maybe it’s one of those musician tall tales that’s a complete fantasy 🤣🤣
  25. Watched most of it on Saturday......I must have lost a few neurons as I couldn't remember some of the bands/performances at all despite the fact that I know I watched it in it's entirety. Bowie and Queen made it for me also but I'd forgotten the nice tinkling of the ivories by Howard Jones and the great stage sound Pino had.
  26. I've just finished off building/modding the best P I've played* with a John East P-Retro (it's also got an uprated bridge, Hipshot Ultralites, a DiMarzio DP122 and a gold scratchplate I found in my bits pile) and it's my go-to bass (along with one of my Shukers, which was more than 10x the (original) price of the P) - at first sight, it's a £150 Squier Sonic, near the very bottom of the price range for a factory P...OK, the upgrades triple that, but I've added them slowly (some from the parts bin) as I've realised what a great foundation instrument it is. Bottom line is the Squier Sonic sticker will be staying, anyone who might want to look at it from a distance and curl a lip can feel as superior as they like, I've had several full-on Fender Ps over the years, and for me (who else?) this is better than all of them. * My criteria have changed a good way over the years, not least around weight: this one is 7.7lbs, which is a big thing for me gigging 6-8 times a month...it's very good in other ways, too...
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