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Posted
1 hour ago, scrumpymike said:

Funny that, I always think of her as playing a Gibson Les Paul Triumph but that's probably because I gigged a pair of '70s Triumphs for years  in the late '80s-early '90s. Mind you it was like having a tree-trunk hanging round your neck. Which is why that mere slip of a lass Tina changed to something lighter. The Hofners would certainly fit the bill weight-wise.

 

I own a '72 Triumph...😀

 

Along with a '70 Les Paul Bass which is even heavier. 5.5 Kg vs. Triumph's 4.75. Yet Suzie Quatro played one of those back in the day.

 

 

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Posted
47 minutes ago, ajkula66 said:

Yet Suzie Quatro played one of those back in the day.

Females don't suffer from male weakness.

 

She's had two kids. Don't know about you but I was 9lb 3oz at birth; that's "too heavy" for most fellas on here 😀

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Posted

Höfner posted an update on their socials today to clarify one or two things:

 

Dear musicians, Höfner fans & friends,
some of you may have already heard: our company has been going through a difficult period - especially since the introduction of the US tariffs - and filed for insolvency on Thursday, 11 December 2025.

 

We would like to clarify a few things: We are not discontinuing production, distribution or our media channels. In Germany, there is a three-month period before the actual insolvency procedure is opened. This period offers the opportunity to consolidate the company and restructure it for a better future.

 

Within this period, we will continue to build and sell our instruments and the Höfner team is doing its best to provide you with the support, service and warranties you expect.

We would like to express our appreciation to all of you who continue to support us even in these difficult times!

 

Thank You!
The team at Karl Höfner GmbH & Co. KG

  • Like 3
Posted

I am finding it a bit bonkers that people are spending Paul McCartney's kids inheritance to save this (failing) business.

 

As far as I know, he bought his Hofner basses in the '60s and despite the free publicity they've had for the last 60 years, I don't believe he's been offered, or they've made, a signature model.  Now we've got people suggesting he bail the business out.  Why on earth would, or should, McCartney do this?  This would like Chris Squire bailing out Rickenbacker or @cetera rescuing Spector.

 

 

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Posted
4 hours ago, ajkula66 said:

I'm well-aware of most of these basses being used by her, but whenever I think of TW I picture her with a Hofner for some reason, possibly because that's what she was playing when I saw them in '82 (I think ?) as well...

 

2 hours ago, scrumpymike said:

Funny that, I always think of her as playing a Gibson Les Paul Triumph but that's probably because I gigged a pair of '70s Triumphs for years  in the late '80s-early '90s. Mind you it was like having a tree-trunk hanging round your neck. Which is why that mere slip of a lass Tina changed to something lighter. The Hofners would certainly fit the bill weight-wise.

 

...whereas I think of her as playing a Mustang.

  • Like 1
Posted
13 minutes ago, NancyJohnson said:

I am finding it a bit bonkers that people are spending Paul McCartney's kids inheritance to save this (failing) business.

 

As far as I know, he bought his Hofner basses in the '60s and despite the free publicity they've had for the last 60 years, I don't believe he's been offered, or they've made, a signature model.  Now we've got people suggesting he bail the business out.  Why on earth would, or should, McCartney do this?  This would like Chris Squire bailing out Rickenbacker or @cetera rescuing Spector.

 

 

 

TBH, I think @cetera is propping up the Spector business!

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Posted

Fran from Wave Pictures is famous to the people that turn up to see them 🤩

He has been playing the same old hofner every time i've seen them, which is more than any other band I've seen over the last decade.

He's a fine player and the band are a phenomenal 3 piece.

More people should go to see them

 


IMG_0288.thumb.jpeg.010febdd131ceac6f7b37985efcfedc7.jpeg

  • Like 1
Posted
20 hours ago, ajkula66 said:

I own a '72 Triumph...😀

 

Along with a '70 Les Paul Bass which is even heavier. 5.5 Kg vs. Triumph's 4.75. Yet Suzie Quatro played one of those back in the day.

 

Did she? I've seen here with little else than Fenders (mainly J but the odd P).

Posted
16 minutes ago, tauzero said:

 

Did she? I've seen here with little else than Fenders (mainly J but the odd P).

 

She was a Gibson gal in many respects. LPB, EB-2, Ripper...planty of evidence online.

 

In all fairness, she always did maintain that her '57 P-Bass was her main recording instrument.

Posted

I've been looking through the lists of Hofner players people have shared on here, and there's something that I think is worth saying. I'm not sure if I know how to say it though.

 

TLDR: I think it's entirely possible for lots of popular people to have played a company's instruments over the years without the company itself ever having been popular. 

 

To elaborate, like all human-made things, basses are imbued with a certain aesthetic and cultural value by the context in which they're made, the market they're made for and the times they are made in.

 

The Hofners of the 1960s were the work of a company playing catch-up. Hofner were a maker of traditional musical instruments trying to respond to public demand for modern electric basses and guitars. They knew the old world far better than the new one, and so their designs were a curious compromise between traditional instrument aesthetics and the Cadillac gloss of contemporary Fenders. 
 
To the aspiring rock stars of the time, therefore, Hofner – and other similarly positioned makers like Framus and Harmony – were always a bit lame and old fashioned. My dad, I think, is pretty typical for the era – he started playing around 1970 on a Framus Star Bass that he couldn't stand. He hated the way it looked, the way it sounded, the crappy bridge he could never get to intonate correctly, the sky-high action and the cramped broomstick of a neck. 

 

As soon as he'd saved up enough money, he went out and bought a second-hand Gibson EB-3 (sadly passing over a late 1960s Jazz in the process ...sigh). 
 
Thing is, instruments don't spoil like milk. They stick around, and as they age and the cultural context around them changes, they start to acquire different connotations, to be imbued with diffent values by the people who play them. 

 

An instrument like a Hofner Club Bass would have been far from cool when it was new, but by the late 1970s, when Tina Weymouth picked one up, it's very uncoolth had made it into something quirky and interesting – an outsider's instrument for an oddball band. 

 

I believe the vast majority of Hofner players (Sir Paul excepted) that have been mentioned in this thread didn't start playing those instruments until they were already old and discontinued (or at least the designs were old and unfashionable).

 

Playing a Hofner has often been a kind of contrarian statement, a way to look different and to imply a degree of nonchalance about one's craft – playing an old, cheap instrument as a way to suggest a degree of arty unprofessionalism (putting yourself far distant from Stanley Clarke and his Alembic). 

 

If Hofner tried ramping up production in response to one of these high profile players, the cool factor would vanish. Those instruments were only cool so long as they were uncommon and forgotten. The moment someone starts actively marketing them to the cool kids, they would immediately become uncool again.

 

Hofners were popular, but I don't think Hofner themselves ever really were.

  • Like 2
Posted

I guess because this is a bass forum that the discussion is about bass and electric bass in particular, however for me when I think Hofner I think high quality acoustic instruments, particularly cello’s, violin, viola etc.

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