Stub Mandrel Posted yesterday at 10:58 Posted yesterday at 10:58 The opposite of this thread would be 'defend the indefensible' where someone shares a North-Korean reliced, refinished Bert Weedon signature nine-string Encore headless doublecut Precision extra-short-scale lined fingerboard fan fretless with neck heel truss adjuster, fake hipshot ultrazlights, high mass bent bit of tin bridge, fifteen control knob active for four original pickups, a transparent pickguard (with unpeeled film) on the tortoiseshell effect ornate burl antigua burst basswood body with brand new Olympic flatwounds, two ramps, a mute, neck wrap, straplocks, Ricky sticker, Fender branded strip. And a plectrum holder held to the front of the body with an industrial strength sticky pad. 1 6 Quote
Stub Mandrel Posted yesterday at 10:59 Posted yesterday at 10:59 *best sounding bass I ever heard. Plays like butter. Selling as I only play ukulele since the injuries. 1 5 Quote
RhysP Posted yesterday at 11:02 Posted yesterday at 11:02 3 minutes ago, Stub Mandrel said: The opposite of this thread would be 'defend the indefensible' where someone shares a North-Korean reliced, refinished Bert Weedon signature nine-string Encore headless doublecut Precision extra-short-scale lined fingerboard fan fretless with neck heel truss adjuster, fake hipshot ultrazlights, high mass bent bit of tin bridge, fifteen control knob active for four original pickups, a transparent pickguard (with unpeeled film) on the tortoiseshell effect ornate burl antigua burst basswood body with brand new Olympic flatwounds, two ramps, a mute, neck wrap, straplocks, Ricky sticker, Fender branded strip. And a plectrum holder held to the front of the body with an industrial strength sticky pad. I'm pretty sure Eubassix has that exact bass for sale on Ebay at the moment. 1 Quote
Geek99 Posted yesterday at 11:04 Posted yesterday at 11:04 14 minutes ago, RhysP said: Having owned two Rickenbacker basses in the past I can confidently state that the little sticker is by far the highest quality part of the instrument & is the only thing that stops them falling apart completely. Sounds like theyre worth every penny of the inflated price 👍 1 Quote
Jackroadkill Posted yesterday at 11:17 Posted yesterday at 11:17 19 minutes ago, Stub Mandrel said: The opposite of this thread would be 'defend the indefensible' where someone shares a North-Korean reliced, refinished Bert Weedon signature nine-string Encore headless doublecut Precision extra-short-scale lined fingerboard fan fretless with neck heel truss adjuster, fake hipshot ultrazlights, high mass bent bit of tin bridge, fifteen control knob active for four original pickups, a transparent pickguard (with unpeeled film) on the tortoiseshell effect ornate burl antigua burst basswood body with brand new Olympic flatwounds, two ramps, a mute, neck wrap, straplocks, Ricky sticker, Fender branded strip. And a plectrum holder held to the front of the body with an industrial strength sticky pad. At least it hasn't got a headstock tuner left on it. 2 Quote
Woodinblack Posted yesterday at 11:23 Posted yesterday at 11:23 25 minutes ago, Stub Mandrel said: The opposite of this thread would be 'defend the indefensible' where someone shares a North-Korean reliced, refinished Bert Weedon signature .... Sign me up! Well, I had a Kay, it was about the same thing. 1 Quote
Kiwi Posted yesterday at 11:28 Posted yesterday at 11:28 I'm a teacher, I have to manage no end of annoyances with near heroic levels of self control. Repeated bad aim at the urinals for example ("Stand closer! They will not bite you.") and a lack of familiarity with western toilets ("We don't squat on them. We sit. Yes, sit! ... Well don't use them then."). Bass stuff is a walk in the park by comparison. 2 1 Quote
snorkie635 Posted yesterday at 12:50 Posted yesterday at 12:50 1 hour ago, Kiwi said: I'm a teacher, I have to manage no end of annoyances with near heroic levels of self control. Repeated bad aim at the urinals for example ("Stand closer! They will not bite you.") and a lack of familiarity with western toilets ("We don't squat on them. We sit. Yes, sit! ... Well don't use them then."). Bass stuff is a walk in the park by comparison. The things that go on in school staff-rooms nowadays. 6 Quote
prowla Posted 19 hours ago Posted 19 hours ago 7 hours ago, RhysP said: Having owned two Rickenbacker basses in the past I can confidently state that the little sticker is by far the highest quality part of the instrument & is the only thing that stops them falling apart completely. It definitely devalues the sticker if you take the bass off it. 7 Quote
iamtheelvy Posted 19 hours ago Posted 19 hours ago 7 hours ago, RhysP said: Having owned two Rickenbacker basses in the past I can confidently state that the little sticker is by far the highest quality part of the instrument & is the only thing that stops them falling apart completely. They have their… quirks… 1 2 Quote
prowla Posted 19 hours ago Posted 19 hours ago (edited) 7 hours ago, Stub Mandrel said: *best sounding bass I ever heard. Plays like butter. Selling as I only play ukulele since the injuries. In the past few days I’ve seen ads with “if you’re looking at this you’ll know what it is” piece of hi-FI, a “stunning” amp, “Gb” memory, “very rare”, and one or two other instant swipe-left phrases. Edited 19 hours ago by prowla Quote
TimR Posted 19 hours ago Posted 19 hours ago (edited) 23 hours ago, ricksterphil said: Too long gaps between songs on stage while the drummer adjusts his kit, retrieves his sticks and banters with the audience. Ok this is not irrational at all but it REALLY winds me up. That's definitely not irrational. Add to that the 6 note guitar solo played after every song. The guitarist playing the first 4 chords of the song before the next song. Edited 19 hours ago by TimR 1 Quote
TimR Posted 19 hours ago Posted 19 hours ago Non-black extension leads. When I did theatre work, nothing on stage should be visible if it's not a prop or a performer. 3 Quote
PaulThePlug Posted 19 hours ago Posted 19 hours ago Individual Bridges... never look neat to me. 1 Quote
Stub Mandrel Posted 19 hours ago Posted 19 hours ago 20 minutes ago, TimR said: The guitarist playing the first 4 chords of the song before the next song. This. I've tried explaining to my bandmates that when the audience recognise a song, they get a little rush of serotonin (like solving a crossword clue or getting a zero in pointless!) Waddling out the riff or introducing every song both underestimates the intelligence of your audience and throws away such an easy way to help build appreciation. 4 Quote
HeadlessBassist Posted 17 hours ago Posted 17 hours ago 2 hours ago, TimR said: Non-black extension leads. When I did theatre work, nothing on stage should be visible if it's not a prop or a performer. Sorry, I was reading this while listening to this week's Smith & Sniff Podcast - Is 'theatre work' a bit like 'track work', or 'motorway work'? 1 Quote
petecarlton Posted 2 hours ago Posted 2 hours ago 16 hours ago, Stub Mandrel said: etting a zero in pointless! Pointless Quote
HeadlessBassist Posted 2 hours ago Posted 2 hours ago 16 hours ago, Stub Mandrel said: I've tried explaining to my bandmates that when the audience recognise a song, they get a little rush of serotonin (like solving a crossword clue or getting a zero in pointless!) What is 'Pointless'..? Quote
Dad3353 Posted 2 hours ago Posted 2 hours ago 32 minutes ago, HeadlessBassist said: What is 'Pointless'..? A TV quiz programme. Quote
HeadlessBassist Posted 2 hours ago Posted 2 hours ago 5 minutes ago, Dad3353 said: A TV quiz programme. Ah, thanks - I thought that was what it might be. I gave up watching broadcast TV in 2012, so popular culture generally passes me by! 1 Quote
Woodinblack Posted 1 hour ago Posted 1 hour ago 3 minutes ago, HeadlessBassist said: Ah, thanks - I thought that was what it might be. I gave up watching broadcast TV in 2012, so popular culture generally passes me by! Pointless started in 2009, so you could have seen it! 1 Quote
Leonard Smalls Posted 1 hour ago Posted 1 hour ago 17 hours ago, Stub Mandrel said: when the audience recognise a song, they get a little rush of serotonin I invariably just get a little dribble of disappointment... Unless they're doing something interesting like The Cramps "The Way I Walk" or Magazine's "Song From Under The Floorboards" or Morglbl's "Tea Time for Punks". Quote
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