Stub Mandrel Posted 12 hours ago Posted 12 hours ago The opposite of this thread would be 'defend the indefensible' where someone shares a North-Korean reliced, refinished Bert Weedon signature nine-string Encore headless doublecut Precision extra-short-scale lined fingerboard fan fretless with neck heel truss adjuster, fake hipshot ultrazlights, high mass bent bit of tin bridge, fifteen control knob active for four original pickups, a transparent pickguard (with unpeeled film) on the tortoiseshell effect ornate burl antigua burst basswood body with brand new Olympic flatwounds, two ramps, a mute, neck wrap, straplocks, Ricky sticker, Fender branded strip. And a plectrum holder held to the front of the body with an industrial strength sticky pad. 1 5 Quote
Stub Mandrel Posted 12 hours ago Posted 12 hours ago *best sounding bass I ever heard. Plays like butter. Selling as I only play ukulele since the injuries. 1 5 Quote
RhysP Posted 12 hours ago Posted 12 hours ago 3 minutes ago, Stub Mandrel said: The opposite of this thread would be 'defend the indefensible' where someone shares a North-Korean reliced, refinished Bert Weedon signature nine-string Encore headless doublecut Precision extra-short-scale lined fingerboard fan fretless with neck heel truss adjuster, fake hipshot ultrazlights, high mass bent bit of tin bridge, fifteen control knob active for four original pickups, a transparent pickguard (with unpeeled film) on the tortoiseshell effect ornate burl antigua burst basswood body with brand new Olympic flatwounds, two ramps, a mute, neck wrap, straplocks, Ricky sticker, Fender branded strip. And a plectrum holder held to the front of the body with an industrial strength sticky pad. I'm pretty sure Eubassix has that exact bass for sale on Ebay at the moment. 1 Quote
Geek99 Posted 12 hours ago Posted 12 hours ago 14 minutes ago, RhysP said: Having owned two Rickenbacker basses in the past I can confidently state that the little sticker is by far the highest quality part of the instrument & is the only thing that stops them falling apart completely. Sounds like theyre worth every penny of the inflated price 👍 1 Quote
Jackroadkill Posted 12 hours ago Posted 12 hours ago 19 minutes ago, Stub Mandrel said: The opposite of this thread would be 'defend the indefensible' where someone shares a North-Korean reliced, refinished Bert Weedon signature nine-string Encore headless doublecut Precision extra-short-scale lined fingerboard fan fretless with neck heel truss adjuster, fake hipshot ultrazlights, high mass bent bit of tin bridge, fifteen control knob active for four original pickups, a transparent pickguard (with unpeeled film) on the tortoiseshell effect ornate burl antigua burst basswood body with brand new Olympic flatwounds, two ramps, a mute, neck wrap, straplocks, Ricky sticker, Fender branded strip. And a plectrum holder held to the front of the body with an industrial strength sticky pad. At least it hasn't got a headstock tuner left on it. 2 Quote
Woodinblack Posted 12 hours ago Posted 12 hours ago 25 minutes ago, Stub Mandrel said: The opposite of this thread would be 'defend the indefensible' where someone shares a North-Korean reliced, refinished Bert Weedon signature .... Sign me up! Well, I had a Kay, it was about the same thing. Quote
Kiwi Posted 11 hours ago Posted 11 hours ago I'm a teacher, I have to manage no end of annoyances with near heroic levels of self control. Repeated bad aim at the urinals for example ("Stand closer! They will not bite you.") and a lack of familiarity with western toilets ("We don't squat on them. We sit. Yes, sit! ... Well don't use them then."). Bass stuff is a walk in the park by comparison. 2 Quote
snorkie635 Posted 10 hours ago Posted 10 hours ago 1 hour ago, Kiwi said: I'm a teacher, I have to manage no end of annoyances with near heroic levels of self control. Repeated bad aim at the urinals for example ("Stand closer! They will not bite you.") and a lack of familiarity with western toilets ("We don't squat on them. We sit. Yes, sit! ... Well don't use them then."). Bass stuff is a walk in the park by comparison. The things that go on in school staff-rooms nowadays. 4 Quote
prowla Posted 4 hours ago Posted 4 hours ago 7 hours ago, RhysP said: Having owned two Rickenbacker basses in the past I can confidently state that the little sticker is by far the highest quality part of the instrument & is the only thing that stops them falling apart completely. It definitely devalues the sticker if you take the bass off it. 5 Quote
iamtheelvy Posted 4 hours ago Posted 4 hours ago 7 hours ago, RhysP said: Having owned two Rickenbacker basses in the past I can confidently state that the little sticker is by far the highest quality part of the instrument & is the only thing that stops them falling apart completely. They have their… quirks… 1 Quote
prowla Posted 4 hours ago Posted 4 hours ago (edited) 7 hours ago, Stub Mandrel said: *best sounding bass I ever heard. Plays like butter. Selling as I only play ukulele since the injuries. In the past few days I’ve seen ads with “if you’re looking at this you’ll know what it is” piece of hi-FI, a “stunning” amp, “Gb” memory, “very rare”, and one or two other instant swipe-left phrases. Edited 4 hours ago by prowla Quote
TimR Posted 4 hours ago Posted 4 hours ago (edited) 23 hours ago, ricksterphil said: Too long gaps between songs on stage while the drummer adjusts his kit, retrieves his sticks and banters with the audience. Ok this is not irrational at all but it REALLY winds me up. That's definitely not irrational. Add to that the 6 note guitar solo played after every song. The guitarist playing the first 4 chords of the song before the next song. Edited 4 hours ago by TimR Quote
TimR Posted 4 hours ago Posted 4 hours ago Non-black extension leads. When I did theatre work, nothing on stage should be visible if it's not a prop or a performer. 3 Quote
PaulThePlug Posted 4 hours ago Posted 4 hours ago Individual Bridges... never look neat to me. 1 Quote
Stub Mandrel Posted 4 hours ago Posted 4 hours ago 20 minutes ago, TimR said: The guitarist playing the first 4 chords of the song before the next song. This. I've tried explaining to my bandmates that when the audience recognise a song, they get a little rush of serotonin (like solving a crossword clue or getting a zero in pointless!) Waddling out the riff or introducing every song both underestimates the intelligence of your audience and throws away such an easy way to help build appreciation. 2 Quote
HeadlessBassist Posted 2 hours ago Posted 2 hours ago 2 hours ago, TimR said: Non-black extension leads. When I did theatre work, nothing on stage should be visible if it's not a prop or a performer. Sorry, I was reading this while listening to this week's Smith & Sniff Podcast - Is 'theatre work' a bit like 'track work', or 'motorway work'? Quote
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