I think it's a good way to gauge peoples commitment. I assume it's a 5 or 6 piece band and I know how difficult it can be to get that many people in a room at the same time for rehearsals etc. If people moan and whinge about putting money up front for demos, then you know they aren't particularly committed in the first place.
[quote name='chris_b' timestamp='1384774402' post='2280460']
.... we've got a neighbour problem. Can you play quietly?
I usually dread this! But we had one of these gigs on Saturday and actually managed to keep the volume right down.
The drummer used rods.
It was a great gig. Our balance was much better than normal and I thought the playing was better.
[/quote]
I've been told by drummers that, although sticks are louder, It takes more energy to play with rods than sticks. The last time our drummer played with rods (to keep the volume down), he ended up dripping with sweat after the gig, even though he sounded a lot quieter than usual. That energy transferred to the whole bands performance and we played and sounded better than ever.
Whatever it is make sure it has the facility to plug a decent microphone into it. Too many bass blogs, or reviews, are recorded with the cameras own microphone, which, 9 times out of 10, can't capture bass frequencies.
This is what those synth dudes are getting up to behind our backs
[media]http://www.youtube.com/watch?v=W3FMuSR46f8[/media]
And this is even scarier
[media]http://www.youtube.com/watch?v=l1toLihZkDs[/media]
[quote name='roger' timestamp='1384692258' post='2279474']
Arghhhh why did i forget to say: "please don't say gig it for 20yrs"etc etc
[/quote]
If it's a Silver Squier it's already had 20 years worth of gigging.
I think Fender decided that if you can't beat them........join them. Which is why they now licence factories all over the world to make Fenders/Squiers. Rickenbacker are not prepared to do that (for whatever reason).
Interesting.
I'm a big fan of the MIJ Silver Series Squier basses. I did a bit of a google and notice that there's MIJ Fender Silver Series basses out there too. Here's a picture of one. [url="http://safe-img02.olx.com.mx/ui/9/72/22/1291582426_144297022_1-Fotos-de--Fender-Precision-Bass-SIlver-Series-1291582426.jpg"]http://safe-img02.ol...-1291582426.jpg[/url]
Looking at that comment in context, he's saying that he finds bass guitar is difficult to record well. That's because the guitars are so bass heavy, in the metal genre, that bass guitar disappears in the mix. I assume that the guitarists he works with are not prepared to compromise on their 'sound' and take up less of the sonic spectrum.
The only time my heart sinks, when I go into a rehearsal room, is when there's a trace elliot amp in there. I can never get a decent sound from them. When I play at festivals, I've noticed that the amps the PA company usually supply are either Ampeg or Hartke. I would go for Hartke if I were you, mainly because I can always get a good clear sound from the HA series amps without too much messing around. I'd keep away from the Hydrive combos as they're a bit underpowered.
This might help. Of course there'll be a mark up on these basses so bear that in mind. [url="http://www.andybaxterbass.com/guitars.php?cat=1"]http://www.andybaxterbass.com/guitars.php?cat=1[/url]
This would knock your drummer of his stool [url="http://basschat.co.uk/topic/221536-genz-stm900-l359-ono/"]http://basschat.co.uk/topic/221536-genz-stm900-l359-ono/[/url]