Rich

The Behringer BSY600 stomp gets some surprisingly good reviews too. Having said that, I was most amused by one of the reviewers on Amazon who gave it one star simply because, by his own admission, he was too lazy to work out how to use it properly!

Ah yes, [i]Exposure[/I], that well-known alternative currency. As accepted by supermarkets, petrol stations and gas/electricity/water suppliers worldwide.

My mate had a Fenix/Young Chang PJ 4 string. It was a fabulous bass, great build quality and sounded superb. He offered it to me for 50 quid. Like a twat, I turned it down. I cannot believe I did that. What a bellend.

[url="https://rover.ebay.com/rover/0/0/0?mpre=https%3A%2F%2Fwww.ebay.com%2Fulk%2Fitm%2F271991099938"]£580 plus shipping[/url]?? Worth every penny, I'm sure This makes a Wishbass look like a Fodera.

[quote name='blablas' timestamp='1508071365' post='3389557'] Westone Thunder I [/quote] Now that looks intriguing. What's the spec on that now? [quote]And built one myself. de afwerking mk4-5 fl [/quote] Wow, you built that?? Gorgeous. Again, what's the spec?

[quote name='project_c' timestamp='1508087892' post='3389666'] Ah Therapy! I used to go see them play in tiny pubs all around north london, must have been around 1990/91. Glad they're still going. [/quote] Surely that should be "Ah Therapy?!"

[quote name='Wilco' timestamp='1508076560' post='3389588'] Erm, there might be a few here..... http://basschat.co.uk/topic/136517-fretless-porn/ [/quote] Ah. Serves me right for not searching back far enough..! Oh well.

What it sez. Got fretless? Let's see it. I'll start the ball rolling. Here's my Yamaha RBX765A, defretted (beautifully) by Jon Shuker. Other mods include a new and much chunkier bridge, the stock 2 band preamp replaced with a 3 band with sweepable mid (to my mind, the best eq for a fretless), and a repositioned strap button to bring the neck up -- an idea stolen from Alain Caron. It's currently wearing Roto Nexus strings but they're shagged out, so some D'Add nickels are next on the list. Come on then, what have you got?

Heat seems to be a massive issue with some amps and the manufacturers in question seem to have trouble getting a handle on it. IIRC, SWR had some overheating troubles too -- the earlier SM400s used to pack up, and my SM900 nearly reached egg-frying temperatures. For a rackmount amp, it was surprisingly unhappy with being rackmounted!

[quote name='skankdelvar' timestamp='1507923627' post='3388881'] It's mission creep. I joined a blues band. Within 2 months the drummer was insisting we 'do some Beatles songs'. Same thing. [/quote] Yup, it's depressingly common. I co-founded what was intended to be a jazzfunk/acid jazz outfit (think Morrissey Mullen, JTQ, Incognito). It very quickly turned into pop/rock/soul covers. I don't mind because they're good mates and the songs are ok and we get more gigs than an acid jazz band would have done.

Best amps I've owned: GB Shuttle 6.0 -- current gig rig, lovelovelove it SWR SM-900 -- absolute tone monster but soooooo heavy Eden WT400 -- smooth hifi, lovely amp Trace Elliot SMX preamp + Soundtech 800w power amp -- oh the SMX, what a thing of beauty... still my favourite preamp section of any amp Hartke HA3500 -- current rehearsal-room rig. Yes it's a Hartke, yes I love the sound. Does this make me officially bonkers? Not so keen: Euphonic Audio iAmp350 -- ran out of puff far too quickly. Nice sound but gutless Carlsbro Delta 600 -- should have been brilliant, but really wasn't at all. The cabs were especially crap. Oh, and will people [i]please[/i] stop saying how good the Genzler Magellan is. You are not helping my GAS one little bit.

The answer is, about as long as you did. You did nothing wrong. You're right, doing it stinks and you feel low enough to crawl out under the door. But it's got to be done unless you want the band to start sucking. Sticking with it just breeds resentment and the mate in question stops being a mate. The fact that he's taken it so well is a bonus.

Could be worse. It could have sounded great through headphones but pants through your rig.

No. Seriously, don't even consider it. Even if your wrist felt match-ready (which after 2.5 weeks I'm pretty sure it wouldn't), it won't be. I've had both mine done and didn't play in earnest for a good six weeks afterwards. Rest it properly, do your exercises, ease back in and don't push it, otherwise you could bugger it up forever.

Presumably it is a decal of some sort. Note that this is pure speculation, I do not know for sure. Also worthy of note is that there are already at least two threads I can think of dealing with the wider subject of decals and their legal/moral/aesthetic implications. Just sayin', as the errm saying goes.

Ooooh, Sally's gone all crackly she looks lush bro. What are the new pickups? Same again or different configuration?

Yes, I saw that programme too Fascinating stuff.

Bach only needed four That's not a bass, it's a harp Just buy a piano etc etc etc etc etc

Nnnnnice I'm still quite tempted by the idea of a nice Limelight '65 Jazz. It's the closest I'll ever get to a YOB J without winning the lottery.

All I know about Romford is, a) Trace Elliot started there in the back room of a shop called Soundwave, b} it has 'Roneo Corner', and c) an arrogant c*** of an uncle of mine used to live there (probably drank himself to death years ago, and good riddance).

First public gig: Location/Venue: The Red Lion, Brentford (RIP) Your age: 21, it was 1986. Mullet, stupid clothes, LOTS of slap. Your bass: my Wal Pro 2E, plus a Roland SH-09 for synth parts Your amp: Laney PB150 4x10 combo The set list (some of it): all original material, 80s rock-pop. Bloody good songs too. Anything else that might be funny/interesting/embarrassing: this first gig was a Saturday night support slot for Philip Jap's then band Secret Society. (A year later we were headlining and selling out our own Saturday night gigs at the Lion, while Secret Society were relegated to Fridays.) Nick Beggs was in the audience for one of our early support gigs with them. No pressure there, then.

http://basschat.co.uk/topic/312819-tom-petty-rip/page__pid__3383136__st__30#entry3383136

[quote name='gapiro' timestamp='1506517774' post='3379288'] sending every event/thing in my calendar with the band. Quite frankly I don't want them knowing when i'm having a dirty weekend away, or if i'm having a doctors appointment. This means I either have to create two events (one with info and one just "busy") (= space for mistake) in the calendar, so my calendar also looks sh*te and unreadable (as well as the potential for mistake). [/quote] My band uses Google calendar to keep track of gigs and member availability. Alongside it I run my own Google calendar which has personal stuff in. The band calendar entries are yellow and personal ones green, to avoid confusion. Personal entries will be detailed, e.g. "Weekend at bruv's" and corresponding band ones are vague, e.g. "Rich out". It works well and isn't at all unreadable.