Rich

Yes, we call it the idiot check too it's come up trumps a few times in the last few years..!

Just think how much more successful this would have been if it was in English.

^^^ Thank god it's not just me. I actually nodded off in the cinema the other day, a first for me. Yet another step in the process of turning into my dad.

Yes, the question was is it good. Your main argument seems to be about commercial success, which is something else entirely.

Negative GAS? So that means you really really want to get rid of it..?

Good old AJ. He's buried about half a mile from where I'm sitting right now.

Back in the 80s, I was lucky enough to have my own roadie. One night he was kind enough to leave my Wal behind at a venue... Thankfully they kept it under lock and key for me, and Sim bought me about a million pints as part of his efforts to apologise sufficiently Suffice it to say, from then on my rig etc went in the van but my bass was always with me in the car.

Had a quick look online and can't find any mention of a Trace 1044 cab. Or in fact any 4 ohm 4x10 Trace cabs. It appears that pretty much all Trace's classic bass cabs have been 8 ohms apart from the 2x15 and 8x10 monsters.

Mmmm. Yes please.

Ok, I'll rephrase it. Not Everybody 'Gets' The Same Stuff. Not Everybody 'Understands' The Same Stuff. See? There's nothing wrong with you and you're not on a different planet. It's just that some people like something that you don't. If you don't like it, just stop listening to it and move on.

A lot of people liked, and still like now, the 20 minute solo prog rock 'crap'. Yes you're right, it is pretty much down to personal taste. The same personal taste that leads me to opine that punk was crap. We all like different stuff, and thank god for that.

Not Everybody Likes The Same Stuff. Blimey, stop the presses.

This gives me goosebumps every time.

https://m.facebook.com/BeckyBaldwinBass/photos/a.1015859465095586/2448103271871191/?type=3&source=57 Becky's a hard-working pro muso and this is the last thing she needs. Please keep 'em peeled.

Definitely going to try this next time I restring my lovely Tanglewood.

Outrageous isn't it? Japan's music would have been, I hesitate to say 'nothing' but you know what I mean, without Karn's extraordinary and imaginative bass work. Imagine 'Visions Of China' with just ploddy root notes. Exactly.

I have one of these, very lovely it is too.

Well naturally.

I've got pukka USA Hipshots on my Shuker and licenced ones on the Sire. They feel exactly the same, smooth and precise.

D'oh. How could I have forgotten that? *slaps self*

My favourite Spitting Image sketch with Brian Walden was the one where he was asking Cecil Parkinson and Michael Heseltine about all the 'rancour' within the Conservative party...

Some favourites: St Elsewhere https://youtu.be/g9h7ugSzlEk Van Der Valk https://youtu.be/OV8t3jA-krc Shoestring https://youtu.be/L9l8kwEg_p0 Taxi https://youtu.be/pptFCbYuOIM

Blimey, that's taking me back! that was fun, and Mo was an absolute star. What a lovely man.

Not the first idea, sorry. That bass is/was my only experience and knowledge of the brand(s). In the past I've seen identical instruments on fleaBay wearing either Wolf or Mazeti branding, they seemed to be interchangeable.

Crikey, that's a blast from the past From what I remember, it looked like this pic except that the body wings were a pale wood (ash? Maple?). I bought it for absolute peanuts because the 3-band electrics were totally fkd. I bought a no-name 2-band EQ off ebay, turned the switch and third pot into a passive bypass & tone control, sold it on for a handsome cash profit although I did put some hours in. Perhaps I should have gone full-on MDP and turned it into a wide-spaced 4-string for players with really big hands. As I said, it played very nicely and sounded really good, but the neck dive was huge thanks in part to its colossal headstock. I remember the build was surprisingly high quality though.