Burns-bass

Adblocker should see you right. It’s cookies basically, and the fact that advertising algorithms are very crude. I done ant to detail the thread, but it should take a few seconds to stop that happening.

I wanted to kickstart DB again, which I finally did at the end of May. This coincided with a decision to drink much less during the evenings. While I love a glass (bottle) of wine, I realise as soon as I’ve had a glass or two I won’t practice DB because of the hassle. It’s either booze or bass!

When my kids got some stickers they tried to stick them on my bass. They succeeded once when I wasn’t here so we negotiated and I let them stick a few on the back of the headstock.

Long shot this, but easier for me to ask than record it myself... Does anyone have recordings of the intervals in all 12 keys? (R then 2, R then 3, R then m3 etc.) I'm working on my intonation for DB and having recordings would be useful. I can do them myself with a glass of wine, but thought I'd ask and see if anyone here had something similar. (I've actually got some recordings in my old folder I did, but it's not comprehensive so if not I'll do them again). Piano would be best, but bass is fine.

I’m not entirely sure we should be criticising anyone else’s response to this crisis, or indeed laughing at what passes for entertainment in North Korea. Have you actually seen the sh*t on TV here? I wonder what the North Koreans would think of Naked Attraction? (A show once seen and never forgotten).

I hope you enjoy it! It really helped me. The idea that you can visualise patterns was quite powerful for me. I’ll say that the book is quite dry and will require some concentration, but it’s good fun. Why don’t you start another thread and we can work through them all together? One exercise every few days or something? Like an online book group. I’ll do it on DB. Be good to get reacquainted with it.

Sorry, I meant the book that Gary wrote. I have no view on the course but this book is great and appears to cover much of the same ground. I’m sure Scott’s course is more in depth and worth the cash, but this seems to be similar at least in terms of content. Arpeggios don’t change, I guess. https://www.amazon.co.uk/Fingerboard-Harmony-Bass-Builders/dp/0793560438

Buy the Gary Willis fingerboard harmony for bass. Scott is a student of Gary’s (or was) and he’s internalised a lot of this stuff - and for good reason: it’s brilliant. Gary talks a lot about how to use visual patterns on the bass. Book is cheaper than the course I guess. Good luck to Scott, seems like a fantastic chap and the courses look brilliant. As with anything like this what you put in, you get out. When I was teaching I’d get so frustrated with people who expected to internalise concepts in an hour long lesson without practising them at home...

I’ve had all of these (don’t ask) and I found the Bighead to be amazing, but expensive. Don’t discount the importance of a decent pair of headphone (another plus for the Phil Jones headphones!). I now have 2 session cake things, one for downstairs and one for the office. Personally I find it a more intuitive interface than the PJB. Sadly the Session Cake was super value at £10 but I don’t think they’re for sale at that price anymore!

I’ve got an 801 and I love it. I had the 802 which was enough for gigs, but I’ve got an AER for that purpose so I sold it. If you want something that’s cheap and will do a brilliant job, go with the Fender. If you want something a bit more sophisticated, or if you’re playing DB / EUB as I do then the 801 or a Phil Jones is a great choice.

Just checked in it (you concerned me). It’s perfect and it’s such a bloody shame I can’t play it every day.

Haha, it’s a loft conversion and we’ve got a dehumidifier so should be ok! Its either that or leave it out for the kids to break. Or sell It, which would be a horrid shame.

I meant each, and they’re regularly on here for figures approaching that. Exhibit A.

I mean this with respect, but Max jazz pickups are about £15 secondhand, so it’s dishonest of the shop (if they knew) and poor form if they didn’t, but hardly crime of the century. Annoyingly I had a pair of Mex jazz pickups I could have sent you but I gave them away.

You need to remove the strings before you turn the truss rod. I was told by the previous seller it’s all original and I have no reason to question it.

It’s personal preference of course, but I have found all Fender bass strings to be inferior quality when compared to D’addario strings. I’ve bought US, Japanese and Mexican Fenders new and always found the stock strings to be lacking. Perhaps I’m a snob but I’ll always change stock strings to my preferred strings as soon as I buy an instrument - whether second hand or new.

If you’re worried about the price then get a Player series and upgrade the bits that need doing (if you feel they need doing!) The Player basses are just fantastic and not worth getting into debt for or regretting your purchase. I’d suggest buying in a shop. Last time I got a generous discount on a case and a new set of strings (and the factory strings are rubbish!).

I went for a run (or what passes for a 39 year old man jogging a bit then stopping) and my nearest rehearsal studio is open. The rooms are massive so I’m sure they’re following the rules. Even though the music was awful, it was great to hear it!

You should hang your head in shame on a music forum!

I've got one of those, but i still found it to be really loud. My Bryant is currently languishing in my loft (covered0 after a seam split. I'll bring it out again when i can get to see someone who can work on it. I'm using an MK bass at the moment, which is lovely, perhaps I'll give it a go later - if I don't melt first!

My US professional bass was about £900 more expensive than the Player Series bass I bought (both new) and I'm confident at saying it's the best Fender bass I've played in years, if not ever. Obviously, it's personal preference, but I've had them all, pre-CBS, 60s ones, 70s ones, 80s ones and up to the present day and this thing is exquisitely made. Plus the case is great too. I bought a FSR run model, which apparently is a limited run model at a knock down price, and perhaps the standard ones aren't as good (I can't compare). I've used it for gigs and recordings, and it's just beautiful. But if you want a perfectly perfect bas, then the Player Series is ideal I'm sure. I should say I bought these all from shops where I played them through different amps, so was able to choose what I consider a good one. I'm certain there are dodgy ones out there, like all production instruments.

Personally, I found the Player series to be great basses but everything is better on the US models. All hardware on the US models is spot on, the pickups are fantastic, finish is better and it’s lighter too. Oh, and it comes with a superb moulded case too. Player series basses are amazing and the equivalent of an older US standard but the new US basses are of a whole different order. Music shops open now. Go and give one a go!