Grahambythesea

Ric Sanders, the fiddle player in Fairport Comvention, pulls one out to play when Dave Pegg switches to mandolin. Sounds ok but as a fiddle player he's probably used to fingering notes close together.

If you've got a reasonable acoustic already, why not just by a quality piezo pickup and install it. L.R.Baggs are brilliant, they make an alternative to the piezo that is actually a microphone which sticks under the top and does require removing the bridge saddle. It has a volume control that fits neatly on the edge of the sound hole. All you need to do is drill a hope where the rear strap button fits and insert the jack. Called the Lyric it's excellent. I have one in my Taylor acoustic.

If you still need suggestions, Spector Coda, but why a jazz?

Who needs adjectives? Take us away and there's a chasmic hole in the sound!

[quote name='lowdown' timestamp='1486229730' post='3230217'] She does a nice version of 'Donna Lee'. http://www.youtube.com/watch?v=D_onY_geaMs [/quote] Anyone who can get that good a tune out of those awful rubbery bass uke strings is probably miraculous!

[quote name='Grangur' timestamp='1485606364' post='3225250'] True, but when it came to bass does he know his onions? [/quote] I thought he was a bit GREEN.

Depends if "cool" is a look or a sound? The late Chas Chandler and the late Jack Bruce would have to be there for sound although Jack seemed to be putting in a bit more effort than some. Dave Pegg, Kyle Eastwood, Duck Dunn (who else could smoke a pipe at the same time as laying down terrific grooves), Kinga Glyk ( it's the hat that doesn't for her), so for both stunning playing and cool look she gets my vote.

[quote name='drake' timestamp='1485872867' post='3227374'] i wish they would do natural finishes like they did in the 70s, always a cool look [/quote]I agree. If Chinese fakes can come up with pretty figured woods laminated to the tops, surely all the resources of Fender could do the same. Also if they want to play the "traditional" card, where are fiesta red and lake placid blue. These are forever getting mentions as favourites here along with candy apple red (this should be available just out of respect for the late Duck with a gold anodised plate of course).

I think I had a shirt in that design! 😂 Anyone remember the leather covered Martins? Now that really deadened the response!

Is it an optical illusion but the dark red Squier on the right seems to have a larger body than the others on the front. Obviously those on the sofa will look smaller due to perspective.

What's wrong with Superglue?

Looks the biz! I think I'm right in saying Squier dropped this from their catalogue, why? As to flats, if you can get them La Bella Low Tension, they Re not rubbery and close enough to round wounds not to need to fiddle with truss rod and nut generally.

If you want to get the strings lower you could always go fretless!😎

Yep, that sounds awful. It will go the way of the other Taylor Bass - into the discontinued line.

[quote name='Bridgehouse' timestamp='1484909843' post='3219564'] Been playing it some more now. Needed another quick truss rod tweak as it settled after shipping, and it seems to have stabilised well now. Really liking the TI flatwounds on it - I know a lot of ppl think they are a bit 'rubber band' and they certainly are lower tension compared to the Chromes but I really like the sound. It's probably not typical for a early/mid 70s fender - but it sure has a great vibe about it and it's proper lightweight. Very happy - and thanks for all the kind words too folks! I guess there's a good reason why they are the reference classic design! [/quote]i've never used TIs so can't comment on the "rubber band" feel, but I to found Chromes a little too high tension. I have LaBella Low Tension Flats on my fretless and they are what they say on the packet and definitely not rubbery. May be a good alternative next time your changing strings, they come in a good bit cheaper than TIs. Just a thought.

[quote name='Billy Apple' timestamp='1485362403' post='3223402'] Do you have to put the 3 point on it? How about a Hipshot or 2 piece? [/quote]i quite wanted to keep this looking vintage, plus the Hipshot costs nearly as much as the entire bass! Slight exaggeration but they are ridiculously over priced.

[quote name='Davo-London' timestamp='1485360275' post='3223384'] Were you tempted by the Warwick Star Bass II, which has 2 humbuckers? I know it's not period correct but that Warwick has the most impressive sound range of any bass I've seen on the t'internet. Just thinking. Davo [/quote]i looked at the Warwick but think they are expensive. I don't need a semi for gigs, it was just nostalgia so this is mainly for fun at home. My old EB2 was the double pickup version and I found them terribly imbalanced. I never really used the bridge pick up as a result so thought this EB2 lookalike should be the single pickup version.

Having played a US Jazz for 20 years after having précis ions for quite a long time, but now abandoning them I thought I chick in 5 penny worth . It seems to me most pro band bassists use one and generally get a good sound. Listen to someone Kinga Gylk and she gets a brilliant sound out of hers! They can't all be wrong but they are far from perfect. The downsides are that the pickups pick up some types of lights and hum much worse than precisions, and they are heavy. Don't know why because other luthiers can make them much lighter and hum free. Love 'em or hate 'em you can't ignore them. I don't think I'll ever get another but I do like the skinny neck.

[quote name='Stu-khag' timestamp='1485042053' post='3220741'] Never seen or heard of this company before. Been lusting after a plain eb2 or rivoli type bass for years.out of interest, how much was it? [/quote]PM'd you. Hope it's helpful.

I had a longing to revisit the old EB2, but when I had one I didn't get on with the clumpy short scale neck, so when I heard that BaCH were offering a long scale version I thought it might be the solution. However they were not on their website, so when o contacted them I was told they were discontinued after pressure from ........... However they did have some unfinished ones which they would supply without a bridge. It arrived today, a beautifully finished natural body with a darker wood neck (just like the old G..son), but long scale and only 39mm at the nut and a single mud-bucker. Can't wait to hear what it sounds like, just need the 3 point bridge to arrive and some strings (flats of course) and away we go,the 60's revisited. http://s1305.photobucket.com/user/grahambythesea/library/BaCH Updated the pics to show this bass now the bridge is on and strung up with flats.

Received a semi acoustic "EB2" lookalike today, really impressed by quality, have a look at my NBD.

Given the gig bag smells damp, it sounds like he may have stored in the loft/garage/basement, so I'd be checking for neck warp and veneer or binding lifting. How can people disrespect what is a quality and originally quite expensive instrument ?

[quote name='prowla' timestamp='1484493579' post='3215853'] Going Hipshot, I would have had a D-tuner in there too! [/quote]i have used a bass with a D-tuner in the past and I didn't find I used the facility. It would also have negated the reduction in weight which I was trying to achieve.