uk_lefty

FX25-B: So I had one of these years and years back, inspired of course by the Flea VHS. I loved it but realistically it never got used in a band setting. I've since joined other bands, used wah pedal a fair bit, and got the itch for one of these once more. These days I have more effects at my toe tips and understand creating synth sounds a little better. For me, this and the EHX Micro Q Tron are fantastic pedals, but seeing the value of these sky rocket I thought I'd beat get one and keep hold of it no matter what. But it will appear in my bands set, that's guaranteed! BF-3: Again, I had a Boss bass flanger before, the old brown one, and wanted something a bit different for current usage. Bought from the BC Marketplace and immediately put to use on Wednesday nights practice, the drummer immediately loved the thickness of the sound. I've not done anything crazy with it yet but it adds a layer of texture that will really help carry some songs live.

Beautiful bass! And justify what to whom? You already know you need wildly different settings on this therefore it's sufficiently differentiated from your other basses.

That's pretty insensitive. He is on record, many times, as being very anti racist. There's a very heartwarming old American TV interview where a young boy writes in saying his dad won't let him listen to metal because it's white music, and Lemmy's response is excellent. Anyways, imagine how good Metallica would have been if Lars hadn't kicked Dave Mustaine's dog??

I spec'd one up in the mod shop, but aside from the look is there any other advantage? I thought it looked unique but if they're doing them on standard models now I'm less keen!

Interesting, I felt sorry for Kirk but thought he whined a lot. And his lyrics were utterly dreadful. The therapist guy though... What was he playing at?! The whole thing is an interesting watch. It's interesting to see the bass auditions and how some of the bassists are just awful, would sound bad in a pub covers band, Trujillo is the only one who seems like a professional musician and he is seriously good. I get the impression the others are impressed and a little intimidated by his musicianship and calm manner/ lack of ego.

@TheGreek you must have the pyjamas, duvet set, everything of this, surely?!

I was really paranoid about my amp for a long time. Then changed the speaker leads, they were the problem!!! Ashdown stuff is very robust.

This lad put a sticker on his bass and he was quite good.

Yeah the value range Warwick's are still good basses but they don't have the visual appeal of the German made ones. Nice job with the stickers. Have you sealed it somehow to stop them peeling and scuffing?

I'm sure it sounds good but to me it just looks odd the way Sire have changed the pickguard and body shape.

I still don't know the difference between a Sterling and a Stingray

I had a Kickback with the 15" speaker for a while and really liked it. Always fancied their bigger stuff, a 4*10 combo is stalking me on eBay!

Is that a Warwick under there?

Not outstayed your welcome at all! I love Stingrays, but appreciate not everyone does, and it doesn't suit every setting which is why I have other basses.

Just one. But it's a big one!

If I took a knife to the foam would this take a couple of boss pedals? Got the annual Amsterdam gig coming up and my big board is too big....

I've been away working all week and I'm itching to play bass! I don't think I've done more than twenty or thirty minutes playing since before Christmas, well, except a gig on the 5th January! Life is busy and I can't always play when I want to but I definitely get the itch to play if I haven't done for a week or so, or if I heard something on the radio and I want to see if I can work it out.

Look at the Harley Benton spaceships, they're fantastic and cheap! You could mount a power pack underneath too. Personally, though I know a lot of people love the Zoom gear, I just don't rate the sounds but probably because I don't have the patience to work on them to get them precise, give me a box with an on/ off stomp and three dials and I know where I am. You've got some good individual pedals on there without the Zoom, are you not tempted to build up your board with individual pedals?

Me too. I really wanted to like these, my number 1 bass is a stingray, but I think there is something just not quite right. The Horn is too long, body too wide, pickguard too short and narrow, and that jazz pickup?!?! Also, no lefties listed which is odd for Sire. The 24 fret jazz however is really drawing me in.

A lot has already been said but one thing that made a big difference with my drummer is having a sub fairly central, either under the front of the stage if possible or at the back of the stage. This makes the bass drum sound feel like (well, it is) coming from the middle and where the bass drum is rather than off to one side. His kit is a very posh Roland that looks like the real thing. In the first few gigs we had issues with cables slipping out or him not realising a certain setting was on or off. With all that sorted though it's so much better than the acoustic kit. I honestly can't tell the difference when we play live. Oh, he uses normal cymbals because he hates the electronic ones (these weren't cheap but they just don't sound right) and he has spent so much on the kit to get the really, really fancy cymbals is just a stretch too far.

Yup, expect it will be a LOT more than the Fender mod shop. Still, I could get a P bass with some non standard options for less than £2k on the mod shop so when you compare that to shop prices for the standard gear it's not too bad. Ernie Balls will be £4-5k I reckon, though.

Have started playing the intro of the first song (Nutbush City Limits) to get some feet stomping while I did a cheesy voice over something like "thank you for coming out tonight, hope you're ready to get the party started, but we can't do this without one man. The one man we need to bring all this to another level..." Yada yada as an intro for the singer to walk out to. We never did it again. I have suggested walk on music in my present band, it's been knocked back. I'd settle for a playlist that we agree on to get the mood right, and to avoid the venue playing a playlist of all the songs we are about to play.

It's still going strong on my number 1 bass 👍

Exactly. Sire, Harley Benton... I have gigged both, the HB just before Christmas, and that was less than £160 new. Does this mean that there is exploitation to make the quality so high for so cheap, or we've been overpaying for bad quality for so long (and this can be for myriad reasons such as complex supply and distribution chains, not just profiteering). Anyhows, it seems the rule that dictates the price of second hand gear is priced low to make me want it, go sky high when I've plucked up the courage to buy it, and crash when I want to sell it.