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uk_lefty

⭐Supporting Member⭐
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Everything posted by uk_lefty

  1. Have used them occasionally over the years, including buying my decent electric six string from them. No issues at all and sometimes you get emails with 10% offers etc. that can be quite good.
  2. Can he lug it up the stairs and get it set up for you on a gig?
  3. Ok it is a guitar pedal... But you can really boost the bass and get loads out of this. It does either overdrive or distortion and can give a hefty boost too if so desired. The EQ control is great. I bought a Guv'nor around the same time and chose to keep that for my OD, so this is spare but I was happily gigging it for a few months. Loads and loads of control over your sound with this pedal, good condition. Pretty sure I've got the box too. Add £5 if you would like postage.
  4. ...and what do these cretins achieve with this nonsense? There must be bigger fish to fry for these idiots.
  5. I bought it new at the end of 2018, it lives in a case and gets well looked after. The pickguard is a custom made mirror guard with the band logo going through it. I absolutely love it, it just doesn't do subtlety!
  6. I am doing less and less gigs that require my full rig (ABM600 into two ABM Neo 15s). Most venues we play have their own PAs, guitarist and drummer have in-ears and singer is going that way too so on stage volume needs to be kept low. We now have active subs for when we use our own PA. Since early in the summer I've often played gigs direct off my board through my EBS Microbass. So, two 15s take up a lot of space. I'm thinking of trying to move them on and replace with an ABM 4x10. That should surely give me everything I need.... What are the pros and cons of this change, if I go ahead with it?
  7. Ashdown ABM600 with two ABM Neo 15s. More than enough for anywhere.
  8. uk_lefty

    Jazz

    Haha well I am pretty sure I had the film off the pickups before the gig but it is the kind of thing I'd forget. It only arrived a day or two before that gig. All stickers are well and truly off now, 10 months later.
  9. Any three songs off Bat out of Hell (I know it's cheesy but I wouldn't mind 1% of the royalties off that one) and it's a very well put together album. Also, any three song sequence off Appetite for Destruction because it's the greatest rock album ever, IMO of course and not wanting to start a debate, but seriously that album just flows and Sweet Child O Mine (also known as the Devil's Ice Cream Van) is the worst song on it, and it's a great song.
  10. New old stock, never used. Hasn't been stored in a box so there are some scuffs etc but on the whole it's a great bit of kit. £40 or a sensible offer.
  11. uk_lefty

    Jazz

    I still love him even though he's chewed my SWR amp!
  12. uk_lefty

    Jazz

    Can't forget this one either... A bit growly. It's a Harley Benton JBFL and I cannot believe it was less than £160 new.
  13. Hohner B2A and a Kramer five string fretless
  14. uk_lefty

    Jazz

    Miami blue US Pro ii. Stunning colour, sounds great too.
  15. Nobody has ever asked me which bass players I like, why do I do certain things (there's licks and things I recycle from others) but occasionally I will get asked "have you heard the bass player on x record? He's awesome!". Pretty much the same as my conversations with the drummer: "I really liked the drum sound on that record." End of statement.
  16. I read the lot but left it completely confused. The only music biography I couldn't finish was Keith Moon's, what a horrible bar steward he was.
  17. Jeez that's a weird book, it's mostly filth too, nothing about music.
  18. The original "fever" was bass and vocal, I'm sure you could do something around that. It would be recognisable.
  19. @kevham noted 😉 haha. I also have too many, but none of them are Precisions so a correction is in order at some point!
  20. I had a long drive yesterday and ended up listening to recordings of my short-lived 80s band made on my old Washburn Status. I remember the EQ was not what it a used to and seemed a bit too simple, but fired up through a Trace Elliot it sounded fantastic: clear, deep, punchy.
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