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goonerjoe

⭐Supporting Member⭐
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Everything posted by goonerjoe

  1. I’ll set the scene first… my current band is myself, one very loud guitarist (2x12 valve amp), one very loud drummer. Currently playing a Precision through a Mk 1 Orange TB500, using one of the studio’s many 4x10 cabs. Heavy rock/punk/surf – it’s a bit of a mix but it’s mainly filth. However, our rehearsal studio is closing down and our new space has no backline. I have a hefty Ashdown 4x10 in my garage, it sounds fine but is so heavy and the thought of parking and lugging the thing all over Oxfordshire for rehearsals and gigs isn’t great. In short, I need something smaller and lighter that can get loud. Tone isn’t too important as I change my mind about it every other day – I just need enough volume on tap. In an ideal world I can see myself with a bass on my back, amp in one hand, cab in another – a one trip wonder, if you will. I have narrowed it down to two options – Barefaced Big Baby or 2 x Orange OBC112. I’ve heard/read that one BB would be enough, but I can’t help but be sceptical, especially at the volumes I’m currently playing at. For gigs it probably wouldn’t be an issue as I’m usually DI’d, but I’m reluctant to spend £1k+ on something that may not have enough headroom. The Big Twin looks a little too large for me, even if it is light. Barefaced Big Baby owners - can it really do everything it claims to? On the other hand, the Orange 112’s look awesome and are a bit cheaper, but I will lose the One Trip Wonder aspect that I so crave. I’m confident two of these would give me more than enough power though. Has anyone tried/owned two OBC112's - what did you think of them? Yes, I realise I’m coming from a very narrow/simplified POV, so any further suggestions/advice are much appreciated. Thanks in advance.
  2. I have this in Seafoam and it's incredible. This is a bargain. GLWTS.
  3. This sums it up perfectly
  4. I've still not been there since it changed from Oxbrew, but heard it's still great.
  5. Amazing cab. I had one and I've regretted moving it on ever since. GLWTS, and if this around next month I may be in touch.
  6. I'm looking for the same photo 😂
  7. I was seriously considering the RB210 but upon reading this I'll give it a swerve, especially after the PF issues of the past.
  8. Lovely product, not sure on the price. I've got a LB30 and I've never been able to gig/rehearse with it so it's a bit of a luxury.
  9. Just did a trade with Terry. Good bloke, decent comms and a nice cuppa to boot. Deal with confidence. Cheers, Joe
  10. Was going to keep this but circumstances change quickly... Friday bump.
  11. Reluctantly selling my Sandberg California VS4. I really, really like this bass - the craftmanship and sound is amazing but for some reason I haven't fallen in love with it like I thought I would - it just isn't me. I bought it new from Bass Direct in June 2020 and it arrived around 6 months later, anyone on here who owns a Sandberg can vouch for their build quality. Like the CN212, the CTM100 and the Musicman USA SUB i'll probably regret selling this but this is what we do, right? 😉😂🙄😭 Here are the specs; 3 tone sunburst Alder body (nice grain) Pau Ferro fretboard with white dots (with some really nice "swirling") Maple neck (profile is somewhere between a P and a J) 2 band EQ, active/passive push pull switch Standard Sandberg pickup 3.58kgs according to my kitchen scales It's left the house about 3 times over the last year, for obvious reasons, and is therefore in excellent (9.5/10) condition. It has been stored in a mono case and doesn't really come out much, so has avoided any major wear and tear. A few very minor bumps around the side of the bass that I can't even photograph, apart from that the body/neck are absolutely fine. The SB logos on the pickups have worn away (this happened really quickly), and there is a small amount of rust on the poles under the D and G strings, which would be easy to remove - I may have a go at myself if I get the time. This comes with a unused SB gig bag (no pics as it's in storage and I have been using the mono, but it's this model https://www.thomann.de/gb/sandberg_gigbag_493951.htm?utm_source=shopzilla&utm_medium=psm&utm_campaign=shopzilla-gb), diMarzio straplock strap attached and the original strap buttons thrown in. Open to offers. No trades please, unless you've got a Fender P to offer... but be warned I am quite fussy. Cash on collection preferred, i'm really reluctant to ship this. I'm based in Witney, West Oxon, but work in South Oxon and am willing to discuss delivery for petrol money. Any questions/requests for more pictures, just shout.
  12. I bought a brand new Sandberg VS4 last year as a present to myself... did months of research, paid up, did months of waiting, got it, was blown away by it... but I don't "love it"... I have no idea why. Every time I look at it, it doesn't make me want to pick it up and play it, whereas my old Precision was the opposite... Now i'm looking at new P basses. When will I learn...
  13. slightly off topic... did you buy this from a guy down southampton/winchester way? I sold mine a few years ago and recognise some of the scars... in any case, GLWTS, monster bass at a bargain price.
  14. i have this same spec Sandberg and it's unbelievable...GLWTS
  15. picked up my VS4 today after a 6 month wait, and have been playing it all afternoon through my Ashdown tonepocket. It really is a stunning instrument - the build quality is flawless and it plays perfectly. The pickup seems quite bright, but i'll wait until rehearsal to judge it fully - the active electronics take a bit of tweaking, but i'm sure i'll get used to it. The Pau Ferro board has some nice swirls, the bridge looks great - everything feels solid. Overall, worth the wait and very happy with it
  16. if there was a way to get to London in the current lockdown i'd be all over this. used to have a cn212 and sorely regret selling it. if it's still avaible after 2nd December i'll be in touch! GLWTS
  17. Sandberg California VS4... ordered in June as a lockdown/promotion at work present, due week 52 so i'm counting down the days. Ashdown Tone Pocket - great for rehearsal but battery life is shocking. Got my eye on a Berg Cn212 to replace the one i stupidly sold a few years ago... I hope the lockdown stops before I pull the trigger.
  18. A few months ago I had a wave of new bass GAS that i haven't felt in years, so after trying one out in Bass Direct I ordered a custom built VS4 last month (nothing too flashy, just sunburst/tort combo that I couldn't find anywhere in stock)... I cannot wait. However, it won't be ready until Week 52 (ie Christmas). Does anyone have any idea if it could be finished sooner, or do I have to curb my impatience Side note - I work for the GB subsidary of a German company, and if my experience is anything to go by the answer will be a resounding Nein.
  19. My go to bass that has kept me gas free for 6 years since I bought it from @Lozz196 Classic 70's Precision, with a Badass II, SPB-3 pickups and a Tort pickguard, jazz bass knobs. Currently debating whether to add in a Tonestyler. Love this thing.
  20. Orange OB1 300 combo, bought in January. Never got around to doing a NAD thread so here it is. I feel like i've gone full circle... 1x15 trace combo > class D head, neo cab > all valve head and 4x10 cab > 1x15 orange combo. It's not "light" (30kgs) but definitely managable, sounds fantastic, and has all the power i'll ever need. The two channels make it a lot of fun to play around with too. Sounds brilliant with my P but has also caused me to fall in love with my J again (pictured) Okay, maybe I should do that NAD thread, just a year later!?
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