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bassace

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Everything posted by bassace

  1. I hope this has come across from the tube. Quite good I thought. https://youtu.be/g0OgxixunK4?feature=shared
  2. Dave, It’s a Broughton HPF-DI with variable HPF, variable impedance, switchable phase and DI (which I don’t use). I went from FDeck to Grace, back to FDeck and finally to Broughton which is my preferred option. Broughton come up with short runs of high quality gizmos from time but you’ve got to catch them.
  3. Whoops, here we go. As I understand it there’s no hard and fast soloist standard between the makers but such a bass tends to be rather more compact for easier playability. Be it with a slightly shorter string length or more compact body, usually the width of the upper bout. Having said that I now realise mine isn’t a Soloist but a Panormo copy. Sorry ‘bout that. Still a very nice bass tho’.
  4. I took mine away on appro too. Just as I was going out the door I asked Paul if he should have my name and address. He replied, ‘Oh, I suppose so’. Lovely man.
  5. I’ve had ‘em all but I’m now happy with this somewhat minimalist rig. Sounds wonderful.
  6. I agree with the above. My double bass journey has been long and tortuous, via Upton, two Martins and countless others before alighting on Bryant Soloist No83. This is my keeper and is characterised by a gorgeous mid range singing voice. When a decent English bass maker charges £15k to build a bass these days this advertised price for a properly set up Bryant reflects Paul’s modesty overshadowing his considerable skills. GLWTS
  7. All the gear…
  8. I was in a double bass shop with Ray Brown. We talked about E strings. Trouble was I didn’t know it was him until after he left.
  9. It was a stunt vacuum cleaner.
  10. I’ve been in approx 100 bands. I wouldn’t want to see any of them. Honest.
  11. Interesting, that. I switch a lot between two feel and walking but as most of my stuff is freelance I usually discuss it with the drummer so he knows what to expect. I remember once mentioning to the drummer that I could tell when the rhythm is starting to swing and I can be confident in playing two feel. He replied, ‘Yes, but a minim is an awfully long note to be wrong’. Check out Ray Brown playing Have You Met Miss Jones on Oscar’s We Get Requests. That swings in medium tempo two feel like no other.
  12. I last saw him at Symphony Hall five years ago. He was in great voice and closed with Sanfrancisco without a mic. He filled the auditorium with his voice. I met his DB player, Marshall Wood, through the ‘other’ forum and we formed a friendship. TB toured with just his quartet and almost to the end they went all over the place, including a private gig at Buck House for Prince Charles- as he was then.
  13. Why, what’s for sale?
  14. ‘Do you play requests?’ ‘Only when we’re asked’ seemed to work well enough for us.
  15. Or if you’re asked ‘How do you get that under your chin?’ You sweetly reply ‘By keeping my f*****g mouth shut’. Then be prepared to run if you’re small. Or old.
  16. Did you collect this from Gatwick at the same time I picked up my WB? Just wondering.
  17. I’d agree with the above. Looking back at several past posts asking for advice about getting a decent starter bass this is the one, folks. Plus you’ll go onwards and upwards with this.
  18. The DJ hasn’t arrived yet so the stage is clear for you to set up on.
  19. Wow!! Something I never achieved. But wanted to.
  20. Amazing!
  21. Jazz musicians never play the same phrase once.
  22. Hi Nick Thanks for asking. I just got old and it’s about time I stopped. I’m 82 now and nobody has got any business inflicting themselves on an audience at that age. Mind you, I’ve still got a bit of gear and a nice double bass.
  23. The difference between a jazz guitarist and a 12” pizza? The latter will feed a family of four.
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