bassace

I suppose to win a competition you’ve got to have good chops on display. But unless he joins a supergroup like MMW he’ll be earning his money by playing in a somewhat more pedestrian role. As I’ve said before, ‘Thumb for show, nut for dough’.

It was. Considering the size of the rig the bass guitar sounded rather weedy. He probably got the gig because he was the drummer’s brother. Ewan a worthy winner and a fine young db soloist. I hope that he would be effective within a rhythm section as well. Liked the sax player too. Quite a mature talent at a young age.

The drummer’s Russian again. Typical.

Ears. Ears. Ears.

Sadly I’m out of range now, and an octaver won’t bring me closer. I’ll miss this friendly well organised event. Hope some DBs turn up, though.

Oi!

The crescendo is the journey, not the destination.

I’ve always found notes easy to find. But not necessarily the right ones.

Haven’t you guys heard of Red Mitchell?

Thanks for the replies, guys. On balance I won’t bother to splash out on valves without someone’s positive experience. I have good memories of the warmth of the sound that I got from a pair of KT88s but that was over fifty years ago with rubbishy strings and a vastly inferior double bass. BTW, I don’t consider there is necessarily a gold standard in the amp/cab combination. It very much depends on the signal from the strings and bass. The Clarus is OK but my amp of choice over the past four years has been a Puma500 coupled to a Genzler 2-10 array, or a Wizzy10 if the stage is carpeted. But it’s all personal choice.

There’s a bit of discussion going on under Amps and Cabs concerning valve amps. Mainly among bass guitarists, but I wondered whether there’s any experience/enthusiasm coming from the DB community. I first started out with valves and remember the disappointment in sound quality when I moved over to the convenience and compactness of class D. There are a few tasty valve jobs starting to appear and I’d be interested to know if there’s anyone with valve/db experience.

I started out on trombone although I wasn’t massively good. I did play with Acker once tho’. We had another trombone player who was a lot better so I was given an ultimatum- get a bass or else. And the rest is geography.

Alongside Butch Miles in the Count Basie band.

Needed to be said.

Very interesting. Where does Ray Pohlman come in all this. He’s credited alongside CK on a lot of stuff she did including Righteous Bros and Beach Boys to name but a few. Anyone?

Hmm.

Queen could have been served better. Their sound should have been more forward. Penalty of being the opening act I suppose. Agree with the comment re too much ambient sound.

Thumb for show, nut for dough.

Are double basses out of favour recently. Only one this year - Ukraine - but I’ve seen as many as six in previous years. Only props, I know.

Georgie Fame and the Blue Flames were Billy Fury’s backing band.

We now have Naked Tractors. Or did I mishear?

We needed to do some river works at the bottom of KB’s garden. When I took over the project we were getting nowhere with negotiations for access and working areas. After some time I managed to get a meeting with Danny McIntosh. He was a sweet guy, very helpful and we started to make progress. Never met KB but liked him. Sorry, nothing to do with music but, for the record, I enjoy her stuff.

No, it won’t affect the tuning. The ideal ratio between the string length, the length from nut to bridge, and the after length, the length between bridge and tailpiece, is 1/6. So see how your bass measures up and whether you could benefit by shortening the tailwire. Even so, I’d say that your priority should be to clear the length of silk winding off the bridge whether this compromises the 1/6 or not. As I said, it is an ideal ratio. Spacers under the bridge feet would not be to most luthiers’ taste but this practical fix should not affect the tone unduly. I did it to a nice Upton bass without any disadvantage.

Is there any scope for shortening the tail wire so the tailpiece is closer to the saddle? That may help the silks problem. Then my quick and dirty fix for raising the bridge is to slip a sliver of flexible wood (I use a piece of cheese packaging) between the bridge foot and bass top to raise the action. And then lower the GAE slots to the bridge down to the D string profile.