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Everything posted by obbm
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[quote name='NAS' post='615260' date='Oct 2 2009, 09:30 PM']I'd be interested to know what you run this into (cabs). I've got Epifani UL115 and UL210 (both 500W @ 8 ohms I think). At the moment I use an SWR SM900. I hear the 902C produces a good sound through the Epifani cabs, and the amp is a little simpler than the SWR. Also I should be able to configure it so that I can use the two channels to switch sounds while being able to drive both cabs to capacity. Thanks, NS[/quote] I originally got it to drive 2 x UL310 (5.3-ohm each) but ended up gigging it with my pair of 1 x 12s, UL112 + T112NYC, (both 8-ohms). Very clean punchy sound and oodles of headroom. Before this I had a UL502 for 2-years and I think the 902 is better. I've also tried it with 1xUL310 (5.3-ohm) and 1xUL212 (4-ohm). This goes against the purists rules of mixing cone sizes but sounded pretty massive. I would think it would work very well with your cabs.
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[quote name='MacDaddy' post='615131' date='Oct 2 2009, 07:23 PM']....., but there will be plenty more Bashes![/quote] True and I may have something worth bringing next time.
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[quote name='craigonbass' post='615122' date='Oct 2 2009, 07:12 PM']I notice No3 OBBM is missing, is Dave not coming? Craig[/quote] I want to go but I'm not up to it yet Craig. Recovery is taking longer than I thought.
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I've had a DJ4, DJ5, JO5, JS4 and currently retain a Duck Dunn which has had a J bridge pick-up added. All of them have been excellent quality. I think the DJ5 was the lightest and sometimes I regret selling it because it had a great growly tone. Perhaps I should get another Note the JO4 and the DD share the same neck specification. The DJ4 neck has a different profile and an extra fret as the body has been slimmed down.
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I've dug these out from my archives and removed the component values. It shows the similarities between these pre-amps. All three have the same tone control structure (Fender) - bass and treble boost only, mid cut only. The F2B is the most basic design uses two valve stages to achieve its gain The F1X has a cathode follower first stage to provide a very high impedance input and low impedance output to the effects loop. All the gain is in the second valve stage. The tone control has an additional deep switch. Not shown is DI output stage and an adjustable crossover for bi-amping. The Trace uses the same fundamental circuit as the F1X with a few componet value changes. There is an added Mid Shift switch. There is a second valve of which the first stage is used to bring the gain back up after the tone circuit and the second stage is another cathode follower to provide a very low impedance output. The Trace V8 pre-amp is an evolution of this with a switchable dual valve overdrive stage positioned between the output of the second stage and the tone circuit. It can be switched by relays and can be controlled remotely.
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[quote name='synaesthesia' post='607235' date='Sep 23 2009, 11:17 PM']Not really, they are based on the Showman circuit but they are not the same. The Trace has a different tone circuit to the F-1X. The F-2B channel is closer to the showman.[/quote] OK there are some minor component differences but the basic circuits are still the same.
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[quote name='Mr. Foxen' post='606708' date='Sep 23 2009, 03:04 PM']Any chance of a scan of that?[/quote] I've found the front end schematic up to the point where if goes to the DI and the crossover. I'm not sure that I ever did the rest and certainly not the power supply, they are so boring. I'll email you what I have if you pm me your email addy.
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[quote name='tayste_2000' post='606630' date='Sep 23 2009, 01:17 PM']What preamps have you got lying around these days, want to loan me any I'll return them I promise *ninja*[/quote] Sadly I have none these days Steve. If I did have any you would be very welcome to try them. All I have are 3 solid-state heads, an Orange AD200 and three project valve amps. I went through a whole load of pre-amps when I was gigging intensively a few years ago finally settling on an Alembic F1X. With a 5751 instead of the 12AX7 it was beautifully smooth howver the weight of it togther with a QSC and tuner, all in a flight-case was too much weight.
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[quote name='tayste_2000' post='606256' date='Sep 22 2009, 11:11 PM']F-2B is a dual F1X isn't it with a few less switches, like a more basic but dual version?[/quote] Not at all. Different animal. In the F2B both stages give gain with the tone stack between them. The F1X has a cathode follower first stage to give a low impedance drive to the effects loop. All the gain is in the second stage with the tone stack following. Then there is a solid state output driver, transformer DI and crossover for bi-amping. When I owned one I took it apart and sketched the schematic.
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[quote name='dood' post='606217' date='Sep 22 2009, 10:43 PM']I'd urge you to see if you can find a Trace V-Type preamp. The schematic is very similar - but I actially think the Trace is a better design - and has an effects loop ;o)[/quote] Sorry to differ but the Trace is the same as the Alembic F1X and BBE BMAX-T. F2B is different design.
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I will provide a new Bassic-bits 1m Klotz Speakon to Speakon cable (see #3) 1. Trace Elliot Stainless Steel strings 40-100 gauge 2. Trace Elliot Acoustic Phosphor Bronze strings 40-60-80-100 gauge 3. Bassic-bits 1m. Speakon to Speakon cable 4. 5. 6. 7. 8. 9. 10.
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[quote name='CHRISDABASS' post='604195' date='Sep 21 2009, 06:51 AM']Every Ray ive played (owned 3, played 8 others) has had the weak G string disease!! whats that all about?[/quote] Fo years I used 40-120 gauge strings and even with the Nordstrand the G was slightly weak, then I changed to 45-125 and now it's fine.
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I've been playing SR5s for the last 11 years. My current one was acquired in 2003, was fitted with Status neck and a Nordstrand in 2005 and despite trying other basses it is the one I always come back to, in fact it is my only 5-string now and consequently is used all the time. Incredibly clean and precise but dirty if you dig in. Rarely, if ever goes out of tune. I was sorely tempted to get a Sterling 5 HS but opted to go down the custom route for my next 5-string. Only another 10-months to wait.
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I remember the Applejacks. One of my band members is mentioned on the Brumbeat site. He played for the Downbeats from 1962 til 1964. Their singer left to join the Applejacks and then moved off to star on the West End Stage. Happy days. He still has his Hofner Verithin and it sounds great, for a guitar.
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Alan, I have eventually settled on Stainless DR LoRiders (45-125) on my Stingray 5. I tried all sorts of strings and these have come out the best.
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[quote name='hookys6stringbass' post='589620' date='Sep 4 2009, 01:13 PM']Well i've finally got round to getting the the English muff'n.... superb bit of kit just what I wanted! I've been experimenting with settings anyone got any they'd like to share???? Thanks[/quote] I've revoiced the EQ section (changed the capacitors) on mine for bass i.e. same as Alembic F1X, Trace V-series, BBE Bmax-T. Just need to put it all back together now.
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[quote name='lemmywinks' post='589394' date='Sep 4 2009, 09:09 AM']I think it was 2 or 3 quid last time i ordered from them, not too extortionate compared to some places. I got 2 EHX adapters and a reverse polarity adapter for around £15 posted[/quote] Interesting. They ramp up their postage up by the item which really bears no relation to the actual cost of postage. FYI I've been doing EH Boss socket to jack adaptors and plug to jack adaptors for about 6 years now. £4.50 each to BCers plus £1 postage for up to 6 cables.
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[quote name='lemmywinks' post='589385' date='Sep 4 2009, 08:56 AM']They're like Diago but not stupidly expensive![/quote] Until you add the postage costs.
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I used to do those. I might have one somewhere which you can have. I'll have a look tomorrow.
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No, neither is Mark King.
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[quote name='Johngh' post='563400' date='Aug 8 2009, 11:53 AM']I'll be coming to the Bash. And bringing Fender MIJ Jazz 75 reissue. Shuker Headless 6er and Status S2 Classic 6er headless. Your welcome to try the S2 obbm, even though its a six.[/quote] Ta muchly.