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acidbass

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Everything posted by acidbass

  1. acidbass
    [quote name='Doddy' post='788607' date='Mar 28 2010, 04:14 PM']Bear in mind that as soon as you fret a note it makes absolutely no difference what the nut is made.[/quote] I guess you could say though that if the nut is made of the same material as the fret, that the voicing of the open note would be closer to the fretted notes? Just a thought!
  2. acidbass
    There's actually a really good version of Brown Sugar on Spotify which has been digitally remastered, you can hear the bass a LOT clearer than the original mix. [url="http://open.spotify.com/track/2e9nyf96XvpCrloFmQLf7v"]LINK[/url] I've played it before a few times in bands and normally stick to the roots with a few Wymanisms thrown in, ie that little ascending run he does at the end of most of the bars in the sax solo etc. Sounds good to me!
  3. acidbass
    Yeah I love playing the bassline in I'm A Believer - it's probably my favourite song out of my band's set! Busy but melodic!
  4. acidbass
    Great points Syed, they make absolute sense to me. I always try to remind myself that whenever someone talks about going to a gig, they always come to 'see' the band. This means that there is a whole other side of things to be considered other than the music - the stage show as such. In fact, because most of the audience are in no way musically inclined (unless of course you're doing a clinic in a guitar shop or something), then most will actually appreciate a bit of stage banter and choreography more than a blistering 2 minute guitar solo or the tone of your new RH450. It's a sad fact but I think we as musos have to admit it! I've never watched footage of myself throughout a full gig, but have had MD recordings made in the past where the band would sit down in the few days afterwards and listen critically to the whole set. It's amazing how constructive criticism can up you and your band's game.
  5. acidbass
    I would say, based on your preference of genre, that the 64s would be better suited to your needs. I have 84s on my Jazz and they sound a little too dark for the genres you listed (I play them regularly myself!)
  6. acidbass
    SOLD pending the usual!
  7. acidbass
    No experience of the A100 but would highly recommend a Kickback combo if your budget could stretch to it - cracking amps!
  8. acidbass
    A friend of mine in America sent me a packet of these a few years ago - I recall them having exactly that sound they describe - a 'thump' for sure! I didn't have much use for them though unfortunately as my plectrum skills were never that hot, and I always resorted back to fingerstyle. Might dig 'em out though as I'm sure they're still lurking around my closet somewhere!
  9. acidbass
    Bump!
  10. acidbass
    [quote name='ajerthebadger' post='775215' date='Mar 15 2010, 01:42 PM']I am really keen to see the new Hartke HyDrive 112 but dont know when it will be available.[/quote] Slightly OT, but it should be available mid-June according to the distributor. Danny
  11. acidbass
    [quote name='Finbar' post='775064' date='Mar 15 2010, 11:31 AM']When I did have filters before, I never found the bass lacking. I mean, I play a Schroeder 1212L at the moment which isn't the most bottom heavy cab anyway. These are frequencies which the speakers in the cab cant even use properly, so I don't think you'd notice the low end being lost at all.[/quote] I wonder would there be any noticeable difference when playing a gig with PA support, though. It certainly seems like a great idea for tightening up a cabinet onstage, but would the FOH suffer?
  12. acidbass
    I had all of the tracks as seperate .wav files at one point in the past, think it might have been on my old computer. We were given them as a mixing project when I studied Music Tech at uni, I recall having great fun putting all the clav parts together! I'm pretty sure they're available on the web somewhere.
  13. acidbass
    Hello all, For sale is a [b]Morley Little Alligator Volume Pedal (Steve Vai Signature)[/b]. I bought it for a project where I used to use it for volume swells at the start of a song - it worked brilliantly, but now that project is no longer running and I'm saving for some new Hartke gear! Works great for: - Volume swells - Cutting signal noiselessly during songs/sets - Adjusting the gain going to your valve amp without changing the tone of your bass - Boosting volume for solos (minimum volume knob works a charm for this particular purpose!) It has a couple of little marks on it but has been kept in a pedal case all of it's life, and still has the velcro attached to the bottom for handiness (see photos) I'll let her go for [b]£50 inc. P+P[/b] to anywhere in the UK. Payment via PayPal or bank transfer (Halifax) A few photos taken tonight (apologies for the obvious camera phone quality!): [attachment=44816:DSC00142.JPG] [attachment=44817:DSC00144.JPG] Cheers for looking! Danny
  14. acidbass
    This actually sounds like a really good idea and I'm surprised that the issue hasn't been raised on this forum before. In theory, I suspect it might work best placed [u]before[/u] your effects pedals in the signal chain as it will make the signal hitting them clearer also, potentially allowing for better sounds from them. I'd be very interested to hear it working in practice - though I'd be concerned that on a big stage and with PA support that the bass might sound a little lacking (through 2x18 subs for example?) Or is this just speculation?
  15. acidbass
    I think these are expected in June - can't wait!
  16. acidbass
    Ouch, I can't imagine it would be a nice environment to work in! By all accounts, he's a right tosser.
  17. acidbass
    It's a great scene to get into. The band you've joined definitely sounds like the right move for you - any good band knows not to undersell themselves to get a gig. After all, once you're known as a high-end band that doesn't mess about, then those are the bookings you'll attract. A few tips? Hmm 1. Crowd enjoyment is key, but enjoyment of the manager/person who booked you is even more so! Of course, if the crowd loves you, this does help influence his/her opinion of you too when he books acts in the future. 2. Always confirm before the gig how long you're playing for and start/finish times, so to avoid disputes at the end of the night. 3. To be early is to be on time, to be on time is to be late, to be late is to not turn up at all! Will probably think of a few more before the end of the day, but until that, best of luck with the band and enjoy yourself! Danny
  18. acidbass
    Welcome! There are quite a few of us from this side of the water on here - nice to meet you!
  19. acidbass
    I think the Hartke 2500 is 2U, and the tuner 1U, so you would need a minimum of 3U. Always a good idea to buy one or two spaces more than you need though, so to allow air flow throughout the rack case (prevents the amp potentially overheating). You can then blank out the extra spaces with black rack panels. Maybe 4U?
  20. acidbass
    Maple generally has a bit more top end than rosewood, but depending on the bass you might not notice a huge difference as there are loads of factors which contribute to overall tone. My personal preference is rosewood - although my bass of choice has a maple fretboard, it's the only one out of the six I have!
  21. acidbass
    Great tune, never heard it before! Many thanks for sharing!
  22. acidbass
    [quote name='Cygnus x-1' post='754129' date='Feb 22 2010, 05:52 PM']So, am I being over cautious, is the fact it's from Germany incidental, obviously the guy that started the thread wasn't bothered, any opinions, good or bad?[/quote] I've used Thomann many times and never had a problem with the delivery (touch wood!). I think they have a returns policy too if there is a problem with your product but thankfully I've yet to use it.
  23. acidbass
    I've always loved the range of straps that [url="http://www.corvoleather.com/"]Corvo[/url] make - they can make them to whatever length you like and the designs are funky! Hope this helps your search
  24. acidbass
    [quote name='BurritoBass' post='753336' date='Feb 21 2010, 10:35 PM']I love the look of those Rickenbacker 4005. Oasis always do have cool looking instruments[/quote] Yeah I love the vintage vibe that seems to surround them, particularly on their earlier stuff! Saw 'em on their last tour and the bassist was using a Rick 4001 (or perhaps a 4003, couldn't really make it out from where I was standing. Good taste son!
  25. acidbass
    LOVE the 4005 that Liam plays in that video, and the sound on the record is one of my favourite recorded bass sounds to date (although I'm not 100% sure that it was definitely a Rick they used, could stretch to 95% though!)
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