jazzyvee

[quote name='TimR' timestamp='1453050994' post='2955964'] Better sound? Tone? No. Not 'always'. Some players conjure up a fantastic sound but I like what I sound like and don't want to sound like them. I want to sound like me. Technical ability, note choices and feel? Now that's a whole different ball game. [/quote] Absolutely with you on that. Some players I hear have a sound I like, others I'm not keen on their tone but that doesn't mean it's a bad sound, just not for me. One of the primary reasons I chose the basses I now own is because I wanted to develop my own sound on an instrument that was designed to be different and afforded me a different approach to developing my own tone. I have to say it's still a work in progress but I love where I am currently and I'm sure there are some that like my current tone and others who may not. As long as it works for the music that's the important bit. I think this is going to be another interesting thread that I will follow keenly. Cool post Colgraff

One useful gadget thats always in my gig bag is this by Mark bass. If I forget my regular bass stand I can use this and it's secure and held in place extremely well and as long as you don't leave the jack lead in the bass it will stay put until you open the velcro. [url="http://www.gear4music.com/Guitar-and-Bass/Markbass-Basskeeper-Bass-Guitar-Strap/BGU"]http://www.gear4musi...uitar-Strap/BGU[/url] [url="http://static.bax-shop.nl/images/resized/508/1315839/450x450/Markbass_Bass_Keeper_2.jpg"]Markbass_Bass_Keeper_2.jpg[/url]

[quote name='Twigman' timestamp='1452729176' post='2953022'] Minotaur straps do it for me. [/quote] Yep me too, my new leather one arrived today.

[quote name='Deep Thought' timestamp='1236979176' post='434188'] I won't touch anything with a buckle-all leather or all fabric, with straplocks for me. [/quote] Absolutely, All my basses have thick leather straps and schaller strap locks. I have really heavy basses so wouldn't trust anything with plastic fixings or thin leather ends.

[quote name='CamdenRob' timestamp='1452700686' post='2952587'] ah no need to justify it, buy whatever you like... get three if you want. [/quote] Agreed.

I've been using D'addario nickel and pro steel bass strings on my Alembic basses since 2010 and cover a number of styles from Reggae, Jazz-Funk, RNB and Soul so would love to beta test a 5 string set 45 - 130 on my Series II bass since that is the next one due for re-stringing and I will be using it on the next few gigs and rehearsals. It currently has the same pro-steels on since July 2014 and they still sound nice and crisp. Cheers

I can recommend an Alembic F1-x I've used one for about 10yrs with a QSC power amp and I like that setup a great deal. The pre-amp tone controls are simple passive and interactive and have no boost settings so if you don't need the bells and whistles on more featured pre-amps the F1-X will give you a great hi-fi tone. [url="http://www.alembic.com/support/F-1Xoperatingguide.pdf"]http://www.alembic.com/support/F-1Xoperatingguide.pdf[/url]

No, they even come to my gigs. :-)

[quote name='RhysP' timestamp='1452064821' post='2945948'] The few long term pro musicians I know are all so jaded by the whole thing that they no longer play any music for enjoyment or as a hobby. If they've got any time off the last thing they want to do is play. [/quote] I know a few of those too. I know one guy who has been a pro musician since the late 70's and more or less stopped touring full time about 8 years back and he says he is now very selective about what gigs he does because he doesn't see the need to waste his time with people who do not have a professional attitude to what they are doing. I hope I always find a way to enjoy playing music at whatever level I can play competently.

I would love to do that and have been trying to find like minded musicians for a good few years to do something like this. Unfortunately for me, musicians for the genre I want to cover are really only interested in doing session gigs so joining a band taking a long term view like "rehearsing the band till its absolutely right" is not usually on their list of priorities. They see music as a job that has to pay. Whilst I understand and respect their stance I sometimes wonder why some pro musicians aren't able to separate their music activities into those which are to earn a living and those for enjoyment or a hobby that does not necessarily need to make money. For example, if my day job was a freelance programmer writing software for corporate clients, but as a hobby I decided to learn to write apps for mobile phones and tablets. Both are writing software but I only expect to get paid for what I do for a living and would not expect to get paid for the software I write as part of my "hobby" even if there is a cost outlay to do it. However If I became competent at mobile phone app development then i may indeed get paid but that would be a bonus not a driver. I hope that makes sense.

When I decided to have a serious attempt at adding bass to my skill set after playing guitar for years I decided to quench my lifelong yearning for an alembic short scale bass (30.75") and after saving up a lot of pennies from gigging and the day job I got one from the Bass Centre in Brum. As soon as I picked it up it felt much more natural and after guitar this felt just right transition for me and not much more of a stretch to play. Ive' done a lot of gigs with this bass and there is nothing I have found that I dislike about this bass. Yes it does have a bit of neck dive and sits differently to a regular bass but I've worked with the way the bass wants to behave and using the right posture and a good strap its now more comfortable. There is a sweetness in the tone that is so different to that of it's long scale siblings. As for the weight this is a solid body mahogany core and coco bolo top and back with the result being that it is heavier than my 4 string all maple bass and i think weighs in at just short of 11lbs. That said I have not, ( yet), experienced any problems with heavy basses. Cases I got a custom one made by Flightcase Warehouse and then a couple of years ago I bought a leather Harvest short scale bass gig bag case from a member of this forum which doubles as a gig bag for my guitar. I much prefer shorties for 4 string basses and 34 for 5 string basses and have to say I haven't noticed any speed differences because I don't really play a lot of fast stuff. I did have a few questions but i will fire off as a PM.

You could be drastic and move the bridge to get the correct distance between 12th fret and bridge. The problem then would be that the pickups would not be in the same position relative to the scale length of the bass and so the bass would sound different, better or worse would be dependent on your ears.

I'd recommend a PJB Briefcase. I use one with 4 and 5 string basses and they are great for home use and practice with quiet bands. I have gigged with it when I was in a band with acoustic guitarists vocalists and drummer and also on my own guitar playing gigs with both electric and acoustic guitars with great results.

I'm doing a jazz funk gig with my band Delano Mills NotStrictlyJazz Quartet at the Jam House in Birmingham. Covers of music by Stanley Clarke, Victor Bailey, Grover Washington Jr, Crusaders, Marcus Miller, Jeff Lorber. Should be a good night. [url="http://www.thejamhouse.com/birmingham/live-music/event/3872/jazzlines-presents--delano-mills-and-not-strictly-jazz--january-2016.htm"]http://www.thejamhou...anuary-2016.htm[/url]

I did that for a couple of years when I needed a bit of extra space. They all were in full aluminium and hexaboard flight cases with dense foam inside so pretty well insulated inside. I never had any problems with them whatever the weather/temperature was, never even had to adjust the neck even on the through neck ones which are supposedly more susceptible to environment changes.

[font="sans-serif"][color="#252525"]"Medieval Overture" from the Return to Forever album Romantic Warrior[/color][/font]

Personally I would say yes he is. Even though I like the stuff of his I've heard and I appreciate his contribution to and his influence on the development of bass playing I can't say I'm a Jaco fan.

[quote name='PlungerModerno' timestamp='1426685951' post='2720760'] Thanks for the feedback. After browsing the photo album showing off the gorgeous work of Mr. Eastwood, I was reminded of an alembic, like the Stanley Clarke arrangements: I guess the SWB-1 is using the short scale, reasonably light headstock and neck, broad and uncontoured body - and crucially, a fairly heavy bridge - a little like the alembic arrangement. Come to think of it the SWB-1 has a double cutaway body like the alembic - but unlike the alembic it has an extended upper horn - the strap button is a at least 3 frets closer to the headstock... Given the alembic has different woods and dimensions (The stanley clarke is usually 30.75" scale) the comparison isn't perfect. P.S. FWIW, I'd have the Kahler as a £200 ish custom order option - most customers will be happy with a simpler, cheaper, high mass bridge. Of course if you can find a great trem for £150 (or less!) that you'd be proud & confident to put into what is, after all, a bass with your name on it - well it's your call isn't it. I know nothing about bass trems so I'll let those who do discuss the specifics. I have only heard good things about that kalher unit however. Here's a nice vid I remember watching of a trem enthusiast who's a kahler fan: [url="https://www.youtube.com/watch?v=aYfihKzF7j0"]https://www.youtube....h?v=aYfihKzF7j0[/url] [/quote] I'd say that's pretty much the ultimate tone monster if you have a hefty budget for a shorty.

If you have a hefty budget I can highly recommend a high end short scale from Alembic. http://www.alembic.com/prod/stanley.html

No, I tried it a couple of times and didn't like what it did for my sound. Now I control it all with my fingers, volume up and play with a light touch.